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Club Sadowsky!!!

So I spent some more time with the new Metro. Some thoughts:

The finish is very beautiful.
View attachment 4088075
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However, I think the finish is also quite thick. There are also uneven spots which you can see from the reflection in the picture below. I could even feel it when I touched it.
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The fit and finish is top-notch Sadowsky quality. The neck joint is as tight as it can be. The tuners are very similar to the ones on my NYC, a big upgrade from the Hipshots on my Japanese Metro. The setup is perfect, even after travelling a few thousand miles. I just tuned it up and started playing without touching the truss rod or messing with the string heights.

The neck is a lot closer to NYC than the Japanese Metro. The Japanese Metro neck is the thickest(just by a little bit) and has a glossy finish. The NYC and German Metro have a thin matte nitro finish which is super smooth to play. I feel that the German Metro neck is even slightly slimmer than the NYC neck, which fits my hand perfectly!

I have never been a fan of Morado (Pau Ferro) fingerboards as I like my fingerboards dark. But the Morado on the Metro is quite dark with awesome wood grains.
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I applied some F-One oil on it and it became darker. I'm very pleased with the result and here is a comparison to my Fender American Original P bass with Rosewood board.
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The new nut is cool, I didn't have to do anything since it was adjusted properly. But it did fall out when I took the strings off to apply oil to the fingerboard, so it's something to watch out for. You can see the gap between the nut and fingerboard.
View attachment 4088077

The pickups are awesome. The output is higher than the ones on the Japanese Metro. And I think there is also slightly more "bite" to the sound. I think @TimothyGroovy mentioned that the pickup sounds pretty close to the NYC ones but I don't have an NYC with jazz style pickups to compare with.

The pan knob is installed in the "correct" way though, meaning that turning clockwise will pan to the neck pickup. I don't really care about this because I play both pickups on 99.9% of the time.

I think the only downside is the weight. This bass weighs 9.5lbs. My bass has a 3 piece body, I think it can weigh less if you select the wood more carefully. I think the thicker finish also contributed to the heavier weight. I'm personally okay with 9.5lbs but that's the max I will take. I have to say that I have been spoiled by my NYC Modern though as it weighs 8lbs only! My Japanese Metro also weighs 8.7lbs only.

The seller did list the weight and I also checked other listings. I found that most of the new Metros with alder bodies weigh more than the advertised guaranteed 8.9lbs or less. I even saw one with an ash body that weighs 10.1 lbs! I think something needs to be done about it.

Overall, I'm still super happy with the new Metro. I hope Rogers addresses the weight and finish issues and it will become an almost perfect bass!

The nut falling out is not cool. I know it is easily repaired, but that should not happen on a $100 bass, let alone a bass that costs as much as a decent used car.
 
The nut falling out is not cool. I know it is easily repaired, but that should not happen on a $100 bass, let alone a bass that costs as much as a decent used car.

This is a Just-A-Nut. It is height adjustable and cannot be glued in!
https://shrtm.nu/LeGx
 
Who sees it is not the point. You could apply that view to any other defect. Additionally, I would think a nut well seated would be better for tone than the floating design, but that just my opinion. It doesn't seem like the Sadowsky/Warwick endeavor is getting off to a good start, though I'm sure it will improve.
It’s not a defect. It’s useful, especially when you change string gauges.
 
Who sees it is not the point. You could apply that view to any other defect. Additionally, I would think a nut well seated would be better for tone than the floating design, but that just my opinion. It doesn't seem like the Sadowsky/Warwick endeavor is getting off to a good start, though I'm sure it will improve.
I mean, you're the one who said the gap "looks terrible"...
 
I understand that this ritual is customary to Sadowsky ownership. Behold, the box!
smaller.jpg
 
Useful for when you change string gauges? How so? No matter the thickness of the string, the height of the bottom of the string sitting in the nut closest to the fret doesn't change. I think this "feature" allows for a quicker set-up at the factory because filing a nut to the appropriate depth is time consuming.

It’s not a defect. It’s useful, especially when you change string gauges.
 
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I'd like to install an adjust a nut installed on some of my non-Sadowsky basses. Personally I think it's a great innovation and very helpful to perfect a setup to exactly how I want. I wouldn't hesitate to having it on all my basses now that I think about it.

And if anyone else is that close to notice the nut they're either getting a face full headstock because they're too close to me or they're a close friend worthy of holding a Sadowsky.
 
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Useful for when you change string gauges? How so? No matter the thickness of the string, the height of the bottom of the string sitting in the nut closest to the fret doesn't change. I think this "feature" allows for a quicker set-up at the factory because filing a nut to the appropriate depth is time consuming.
The nut still has to filed the same as non-adjustable nuts.
 
Perhaps I didn't explain myself very well. No, I don't like the way it looks, nor do I like the function. I responded to the comment about whether it looks bad or not shouldn't matter if nobody can see it. You can apply that view to the finish defects on the back of the bass from above. If nobody sees it, why does it matter. If I get a brand new bass, especially at these prices, I expect a perfect, flawless finish. While I agree the nut is not a defect and part of the design, it just doesn't look good TO ME.

So when you say it looks bad, then that who sees (or doesn't see) it is irrelevant, it kinda makes me wonder why the aesthetic value is relevant.