• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Club Sadowsky!!!

I love the CAO finish, I have a vintage 24-5 on order, also with a tort guard and matching headstock. It's a great look. What are the woods for your bass? Mine will be a solid alder body with a dark master grade Brazilian rosewood fingerboard and roasted maple neck.

Okoume body (chambered), quartersawn maple neck, ebony fingerboard.

Your wood choices sound amazing, as well! :thumbsup:
 
Super excited to get this Super P/J in my hands next week!

52110525806_d63f61c724_b.jpg


52110525766_c94bde7ea8_b.jpg


52111036495_dbe9017e48_b.jpg


52110562118_de7c55616a_b.jpg
AWESOME!!!
 
Okoume body (chambered), quartersawn maple neck, ebony fingerboard.

Your wood choices sound amazing, as well! :thumbsup:
That piece of ebony looks flawless! Rare for ebony to be that black. The ebony board on my build isn’t even that dark. Mine is ebony and okoume as well! Roasted neck though. I can’t wait for it to be finished. I put the deposit on it one year ago yesterday. Hopefully it’s close!!
 
That piece of ebony looks flawless! Rare for ebony to be that black. The ebony board on my build isn’t even that dark. Mine is ebony and okoume as well! Roasted neck though. I can’t wait for it to be finished. I put the deposit on it one year ago yesterday. Hopefully it’s close!!

Definitely debated a roasted maple neck, but I have had such good luck with mahogany/maple/ebony (and okoume is slightly warmer than traditional mahogany), that I thought I would stick with what has been a winning combination for me. That being said, I have definitely loved all the basses I own with roasted maple necks, so hard to go wrong, there.
 
Definitely debated a roasted maple neck, but I have had such good luck with mahogany/maple/ebony (and okoume is slightly warmer than traditional mahogany), that I thought I would stick with what has been a winning combination for me. That being said, I have definitely loved all the basses I own with roasted maple necks, so hard to go wrong, there.

I hope you can post a sound preview when you get it. I want to hear what those big puppies can do.
 
Last edited:
I would love to hear a high quality recording with those pickups. Typically I find the "do-it-all" solutions lacking, where they sound similar to the goal but not quite there to the point that I'd rather have multiple basses than an all in one.
 
Okoume body (chambered), quartersawn maple neck, ebony fingerboard.

Your wood choices sound amazing, as well! :thumbsup:
Definitely debated a roasted maple neck, but I have had such good luck with mahogany/maple/ebony (and okoume is slightly warmer than traditional mahogany), that I thought I would stick with what has been a winning combination for me. That being said, I have definitely loved all the basses I own with roasted maple necks, so hard to go wrong, there.
Mahogany can be on the heavier side, so chambered okoume should have a similar vibe but keep the weight down?
 
  • Like
Reactions: KenMoore05
Mahogany can be on the heavier side, so chambered okoume should have a similar vibe but keep the weight down?

That's the idea. I believe it may also be slightly warmer, but supposedly, it is quite similar, tonally to mahogany.
 
Typically I find the "do-it-all" solutions lacking, where they sound similar to the goal but not quite there to the point that I'd rather have multiple basses than an all in one.
Yeah, for someone such as yourself, who's clearly focused more on purity of replication, something like this would always be "lacking". And to be fair, it was never the goal of this instrument anyway to try and replace straight J's, P's, and PJ's for people who have very discerning requirements for those exact sounds. For you, I'd say stay the course, own the originals.

Rather, these were designed to offer a vast array of close approximations to popular and familiar tones. The primary goal being versatility within a popular/familiar tone base, not purity of replicating specific originals. And for that, Roger hit the double-bull right in the center hole of the dartboard.

At least IMHO.