• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Club Sadowsky!!!

Chambered all day every day for me because of the reduced weight alone. Having tried the Super P and Super J pickups, yes, yes, yes! They are killer.

Yes, as I'm 65 and not getting younger, weight should be on my radar - and it is...but Vic's "control/compression" bit perfectly describes much of what I'm digging from the Metro WL5. For the record, what I'm hoping to get from an NYC build is that last degree of goodness that would come from an ebony fingerboard and an NYC neck carve (my Metro neck feels chunkier than NYCs I've known...but yikes, what if that is why it sounds so good??) and have been thinking of an ash body. As for single-coil/SuperP-J, it's funny. For many years, my most used basses were dual soaps (5-24 Modern/Xotic XB2/Carl Pedigo 34" 5 string in my avatar, w/ East preamp and Duncan NYC soaps), but the WL 5 single-coils are charming the bejeezus out of me. Maybe its because my high-end hearing continues to deteriorate with age and too many arena/stadium gigs in my first life as a trombonist unable to use ear protection, but while I've traditionally not dug single coils, I'm now finally comprehending how well they can work in a mix. I'm concerned that the Supers might not emulate that chimey, crackling, single-coil attack and shimmering transparency. Of course, I might also be over-thinking this situation. But hey, isn't that inherent in the Talkbass experience?
 
  • Like
Reactions: R&B and Dr. Cheese
I'm kind of sceptical but I think high end builders legislate by using high quality lighter wood. This is expensive and no short cut there, imv.
Chambering is another method but offset by actives.

If there was no tangible evidence, then no creditable builder would claim it.

I would expect a lot of R&D on chambered against lighter wood samples.

Of course, you could also undersize the body too.

On another note, re sound, I far prefer Alder over Ash, but like the aesthetics of Ash more.
Put a high grade facing on and you are good..
or opt for solid colours.

As with most tone-related issues, it's a matter of "different" rather than "better/worse". Carey Nordstrand never offered chambering because he decided that he prefers solid. I love my solid Nordstrand and chambered Sadowskys... and I can't comment on tonal differences because there's no real apples-to-apples comparison.
 
My chambered German Masterbuilt Modern 5 string weighs less than 8 lbs. So nice on long gigs. Nothing tame or reserved about how it sounds at all.

Since pics are always nice in these threads, here's one of said bass. :)

IMG_1227 2.JPG
 
Last edited: