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This should not be. Contact me directly.
Great to know - I've been eyeballing the MetroExpress Will Lee Sig. 5 string with Morado fingerboard that Sweetwater carries and I'd much rather have the VTC than attempt using EQ elsewhere - to me there's just some special sauce going on with a good passive tone control.
The capacitor and VTC are passive components and not part of the preamp. The capacitor for all but the soapbar pickups is .05mfd. You can go to .10mfd to get more treble roll-off.
Hello everyone,
The bridge pickup on my German mertroline sometimes does not making sound in active mode, but when I switch to passive and then switch back to active, the bridge pick up is working again.
This issue has happened several times and it really bothers me, does anyone have expericenced the same problem? or do you have any suggestions to fix it?
Actually, last year I had to contact warwick to buy a new entire circuit set, because the old one suddenly has almost no volume output in the active mode (passive was working fine). this is realy frustrating that there is always some problem.
The bridge pickup on my German mertroline sometimes does not making sound in active mode, but when I switch to passive and then switch back to active, the bridge pick up is working again.
This issue has happened several times and it really bothers me, does anyone have expericenced the same problem? or do you have any suggestions to fix it?
Actually, last year I had to contact warwick to buy a new entire circuit set, because the old one suddenly has almost no volume output in the active mode (passive was working fine). this is realy frustrating that there is always some problem.
Honestly, it could be fine without the VTC, but I feel the same way about passive tone control. I'm not a huge tone tinkerer, but I couldn't imagine going into passive mode without at least that as an option.
I just bought a Behringer octave pedal and I'm having fun with it. Here is Sledgehammer:
To me, the fact that the active Treble control is boost only (which I would never use) means I need the Passive Tone control in both active and passive.
Just for clarification, the "VTC" IS a passive tone control. It's just Roger's name for it.
Also, as far as I know, Roger's always had the VTC available in both passive and active modes, so that should never be an issue on one of his basses.
Thanks. I can see how what I wrote could be confusing. I was referring to the comment I quoted which said: to me there's just some special sauce going on with a good passive tone control
Yep, the VTC works in both passive and active. To clarify, I was saying that I didn't think I could be satisfied with the stock preamp on the SMX line which didn't have any option for passive tone control.
I completely agree with this. Just my personal choice, but I'd never own a Sadowsky without one.
I pretty much never boost the treble control, but I back off the VTC in lots of cases. I bump the bass a touch some, too, but not much. Supposedly, there's a cool thing that happens when you both boost the treble AND cut the VTC, but I never really messed with it... honestly, I rarely use EQ on my Sadowsky basses.
I had the opportunity to add the WL circuit to my customs and chose not to. Just never really needed much more than the blend control and what I can do with my hands. I'd honestly even consider a totally passive Sadowsky, but even without boosting anything, there's something about Roger's preamp that just "works"... even though in that case it's really just a mildly voiced buffer if you're not using the EQ.
I was just on the FretNation.com site and noticed they have a lot of Metroexpress Modern basses in stock. All 4 strings if I recall but several. Figured some here might be interested.
Nice! What is the coating on the fingerboard?
Warwick USA finally got a cream pearl pickguard in to try on my WL4. Hoping it will pop more under stage lighting 
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Yes—no disrespect to Roger. But the conflation of high-quality MIJ MetroExpress basses and, um, lesser MIC RSDs, is unfortunate. The extension of the established MetroExpress label to the MICs also has led to confusion between the cheapie MICs and the uniformly high quality MIJ and MIG Metrolines. Keeping the RSD branding would have avoided that issue.
