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no no, it's sadowsky + aguilar silly![]()

no, no, no, you are all wrong! It's Sadowsky + B E R G A N T I N O! silly...

Those withOUT a continual state of identity crisis still say Sadowsky+Epifani.+1 The man speaks the truth.
Of course, Sadowsky + Epifani/EA/Glockenklang/Phil Jones/EBS/Genz-Benz/Aguilar/Orange/Trace Elliot/Yugo/Tabasco/Gucci all sounds pretty good, too.![]()

Those look like my pics TomMy NYC that I just sent him....This one!
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Thanks for the kind words SQUID I am really glad you are digging it!
Peace,
T
And you mean My bass!!!!
Those look like my pics TomAnd you mean My bass!!!!
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Those withOUT a continual state of identity crisis still say Sadowsky+Epifani.![]()
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Yes it does. You're wrong, I'm right. Now go stand in the corner! LA LA LA LA LA... I CAN'T HEAR YOU... LA LA LA LA LA...Some people say a lot of things. It doesn't mean that they are right, though.![]()
BS set aside, I simply must agree. I hope I can find the right deal on a Sadowsky PJ5 someday, but in the mean time, my 24F just sounds damn good thru anything I plug it into. Believe that.Seriously, though, my point is that Sadowsky's just sound great, period, and they are amazingly consistent in this regard. So, if you have a rig that you are happy with, then in all likelihood, a Sadowsky through that rig should be quite satisfying.
+1 The man speaks the truth.
Of course, Sadowsky + Epifani/EA/Glockenklang/Phil Jones/EBS/Genz-Benz/Aguilar/Orange/Trace Elliot/Yugo/Tabasco/Gucci all sounds pretty good, too.![]()
Again we disagree... those Gucci bags have way to much upper mids for the Sadowsky, and are soft in the lows... (I dig the gold hardware though), and the Yugo tends to rattle too much on the low notes. +1 to everything else though.
Again we disagree... those Gucci bags have way to much upper mids for the Sadowsky, and are soft in the lows... (I dig the gold hardware though), and the Yugo tends to rattle too much on the low notes. +1 to everything else though.
Again we disagree... those Gucci bags have way to much upper mids for the Sadowsky, and are soft in the lows... (I dig the gold hardware though), and the Yugo tends to rattle too much on the low notes. +1 to everything else though.

no no, it's sadowsky + aguilar silly![]()
With the risk of taking heat for watching IDOL I say this: Ricky Minor's Sadowsky+ Aguilar(at least cabs-saw them last night) sounds freakin' amazing. That guy has such a tasteful style and sound. I wouldn't mind emulating either.![]()
I think the UV is more in terms of feel, radius of the fingerboard, nitro paint, etc.
Depends on the UV goals. If it was pretty strictly feel (like Sean says), tonal, and/or aesthetic, then as long as they met those goals, construction methods don't matter. I'm thinking it's mainly feel and aesthetic, and then "somewhat" tonal... just because as Sadowskys, especially with preamps, they're still not going to ever sound totally like an older passive Fender.


With the risk of taking heat for watching IDOL I say this: Ricky Minor's Sadowsky+ Aguilar(at least cabs-saw them last night) sounds freakin' amazing. That guy has such a tasteful style and sound. I wouldn't mind emulating either.![]()
I can appreciate that they will always sound different, although I guess with the VTC and single coils (be it Sads or Nords) they are going to sound close to that "classic" jazz pass sound - but I would a bit part of the "feel" of the ultra vintage bass would also be the weight that 60's and 70's Fenders had as well as the size. Having that "hefty chuck o'wood" in your hands is, IMO, part of the feel of a vintage bass as opposed to the modern more lighter "super jazz". That's why I was surpised to hear that the ultra vintage series are chambered. FWIW.
+1, my ash body'd 24F is chambered.Yea, Macon. Not true. Ive had a number of chambered ash bodies and currently have two