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Club Sadowsky!!!

This was EXACTLY my experience. My NYC alder/Braz RW PJ5 just wasn't as bright or aggressive as I sometimes needed it to be. Strangely enough, my ash/maple PJ5 can get 90% of the thick/dark punch of my old NYC with the VTC rolled off. Plus, and maybe this is just IME, but I swear that Low Eb down to open B on the B string sounds clearer and has more pitch fundamental in a mix in the ash/maple configuration. IMO

I'm an Ash/Maple guy all the way when it comes to every other bass I own - but something about that Alder/Brazilian combo speaks to me on the PJ5's.

I agree that the B is better on the Ash/Maple basses in general but I don't spend enough time on low B-E that it's a worthwhile trade off on the PJ5.

JC
 
This was EXACTLY my experience. My NYC alder/Braz RW PJ5 just wasn't as bright or aggressive as I sometimes needed it to be. Strangely enough, my ash/maple PJ5 can get 90% of the thick/dark punch of my old NYC with the VTC rolled off. Plus, and maybe this is just IME, but I swear that Low Eb down to open B on the B string sounds clearer and has more pitch fundamental in a mix in the ash/maple configuration. IMO
No offense to the alder/"rw" fans, but my experiences also echo this... all this. Sounds like you and I have had literally identical experiences (I also agree with the other stuff you said).
 
No offense to the alder/"rw" fans, but my experiences also echo this... all this. Sounds like you and I have had literally identical experiences (I also agree with the other stuff you said).

I can believe the B string part. From the Sadowsky web site:

"The Sadowsky 5-string bass is available in alder, swamp ash and bent maple top/swamp ash in a variety of finishes. Maple fingerboards are standard as they contribute to the tight, punchy low-B string we desire. Morado, ebony and other premium fingerboards are available."

You guys aren't making this any easier for me...

I suppose I could get an ash/maple NYC PJ5 and keep the Metro alder/rw PJ5 :p

In that case I could do an alder/maple 59 burst vintage with a mint guard.
 
You guys aren't making this any easier for me...
Sorry man, but these basses are just so damn good it's hard not to talk about the details. :) That said, sheesh, it's not like the B string will be bad on the alder/rw bass... so don't "fret" over this too much. ;) :D

Go with yer gut, and get the one that has the most overlap with the sound in your head "natively". If you're really feelin' the alder/rw, just get that. Whatever specific things there are that might work slightly better with the ash/maple combo will be washed away by how well the alder/rw meets your "core" tonal goals.

In other words, I do sometimes miss the added classic warmth the alder/rw combo had, but the ash/maple combo just fits me so well it doesn't bother me at all in the end. :)
 
HI

Ive said this a number of times. You can tame, for the most part, an ash/maple Sadowsky down but you'll never get that "snap" and edge from an alder/rw version. Keep that in mind. If you love that warm, vintage tone Id get the alder. Otherwise, ash/maple all the way. All you VTC fans know how this knob works. I feel it makes an ash/maple version the most versatile, even though I dont use it ever. LOL

Rob
 
HI

Ive said this a number of times. You can tame, for the most part, an ash/maple Sadowsky down but you'll never get that "snap" and edge from an alder/rw version. Keep that in mind. If you love that warm, vintage tone Id get the alder. Otherwise, ash/maple all the way. All you VTC fans know how this knob works. I feel it makes an ash/maple version the most versatile, even though I dont use it ever. LOL

Rob
Yeah, we know how you feel Roger was an idiot for putting such a totally useless feature on his basses... ;)
:hiding:

JK!! :)

Seriously tho, again, big +1. I will say that a "tamed" ash/maple combo will not sound like the alder/rw combo, BUT it gets me enough of that kind of sound that the few times I need it, it's perfect.

I'm also in the camp that feels native edge is much better than edge "extracted" from a combo where it's not there natively.

IMHO/IME as always.
 
HI

Nope, didnt said he was an idiot. I said I dont use it. LOL

Never even considered using it but I know many players like it. Actually, many have asked me if they should add VTC to their older NYC's or metros and my answer is always yes. Great for resale if nothing else.

Rob
 
HI

Nope, didnt said he was an idiot. I said I dont use it. LOL

Never even considered using it but I know many players like it. Actually, many have asked me if they should add VTC to their older NYC's or metros and my answer is always yes. Great for resale if nothing else.

Rob
JK stands for "just kidding". :) Just ribbin' ya bud. :)
 
Heres a couple of pics of my Metro PJ-5.. I love the bass.. It has a very fat thick sound/tone... It can be alittle too much for my main group at times... I've thought about putting some flats on it for something different and it would killer on some of the other gigs... It did sound great for a fill-in gig back in December for a group the covers Chicago and Steely Dan..
It's actually darker in person... It looks like a 3 tone burst here, but it's the 59'.. Also the morado is alittle darker in person as well... I've seen a few of these and I don't like a lighter colored rosewood...
 
I was going to buy the metro PJ and repaint it but I change my mind. Too heavy, 9 lb 10 oz.

I guess I'm back to the drawing board. What I'm looking for is a P-bass really. I have the J-bass thing covert and now I'm thinking why not a couple of P-basses. one in Alder/RW and the other in Ash/maple.

Its really hard to find a NYC v4 in P or PJ with the P-bass Body.

Any thoughts