I thought I liked them until I tried my first set of Chromes(after all the peer pressure by many here!!!). Except for my POS Squier, all my basses(2 P's & 2 Jazz basses) have them. End of story! 

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Ukiah, the Status Halfwounds were interesting, they have a similar construction as TI "flats" but are stainless steel and a low tension as well. All in all the tone was smooth yet good articulation could be got. Unlike Picato and Elites they're offered in two gauges instead of one-size-fits-all.
I don't hate any strings, but I find that rounds are considerably more abrasive to my fingers than flats. I have never experienced any kind of Sticky" feeling with flats, and I suspect that it doesn't really exist - it's just that we can feel the difference in contact area.
But people prefer different things, and more power to you good folks who like rounds. If they feel good and sound good, they ARE good.
@nuno.ka and others interested in stainless grounds:
I've had The Elites grounds on for two days. They're stiffer and less bright than Picato grounds. I reckon they would be appealing to someone who likes a full bass responce most of all. I believe Guy Pratt used the Elites grounds at some point. I've since gone back to the Picatos and a .40 G from a Status half-round set.
Thanks for the info markanini! What's wrong with the elite's G string?
I don't hate any strings, but I find that rounds are considerably more abrasive to my fingers than flats. I have never experienced any kind of Sticky" feeling with flats, and I suspect that it doesn't really exist - it's just that we can feel the difference in contact area.
But people prefer different things, and more power to you good folks who like rounds. If they feel good and sound good, they ARE good.
scotch said:I just put a set of D'Addario Half Rounds on my semi-hollow Ibanez Artcore (34" scale) bass. I LOVE them! It's definitely an unfamiliar feel as far as smoothness goes, but the tone really is versatile. I can still get great, bright rock tones with a pick, but then it's an effortless shift to the smooth and round fingerstyle tone that I dig from flats.
They definitely seem to feel "sticky" at first, but I got used to it after a few minutes of playing. Cool strings!
D'Addario is using SS on their Half Wounds and it's relatively very smooth.
Is D'Addario really using SS on their halfrounds again? How can I know if that's true? I need a set now!