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Damnation Audio Fan/Appreciation Thread

I know when I first got mine, I eagerly plugged it in, started playing....I wasn't overwhelmed with awesomeness. I wasn't sure what to think about it. I thought it was too dark for my tastes. But then once I started messing with it and I learned what did what and how it was doing it, it pretty much blew me away. Then I got it in with a band and I was even way more impressed. I've never played a pedal like since or yet. To me it's one pedal that does live up to the hype and it's also one that delivers on many fronts.

The one and only thing I wish it had more of, controllable gain. You can get quite a bit of gain with the depth knob but at that point, for me, it's starts getting too wooly and unrefined. That could work really well for some though. But for me, the MBD is my all time fav go-to as of today. I've simply never played or heard a sweeter OD for my tastes and wants. Now that I have an EAE Longsword, I'm so set. Between the LS and MBD, I can almost just have those 2 and be happy. The boost side of the LS is friggen awesome. It's like the MBD is the OD, LS sans boost is my dist and the LS with added boost is a fuzz just about. Soooooo gggooooooooo.....drooldrooldrooldrooldrooldrooldrool
I really want to pick up a V3 Model Fet and run the MBD into the Par Drive into the MF.
 
You can get quite a bit of gain with the depth knob but at that point, for me, it's starts getting too wooly and unrefined.
My initial thought turned out to be a misunderstanding. I thought the depth knob at full was allowing all of your signals low end into the distortion. Instead it appears to be a low end boost feeding the distortion circuit (which the manual clearly states and I just misread). When I dialed it back to about 11 o'clock everything felt nice and fat but still controlled and punchy. Depending on the gig I could see keeping it at about that 11 o'clock position, or maybe all the way off if I want something brighter and more grindy. Very versatile.
 
Just ordered an MBD-1 yesterday, based on all the lovely reviews here on Talkbass. Super excited!! I have lots of dirt options with Fuzzrocious (GS, CT, Demon, MOTH, Baby Furnace) and Darkglass (AOU, Duality), but I loved the sounds I've heard with the MBD-1. Recently started using a second pedalboard to fit everything. Is this a sickness that can only be cured with a distorted bass?

Thanks to Jeff and big shout out to those who have provided detailed reviews. Lots of info on these threads. Cheers!
 
My initial thought turned out to be a misunderstanding. I thought the depth knob at full was allowing all of your signals low end into the distortion. Instead it appears to be a low end boost feeding the distortion circuit (which the manual clearly states and I just misread). When I dialed it back to about 11 o'clock everything felt nice and fat but still controlled and punchy. Depending on the gig I could see keeping it at about that 11 o'clock position, or maybe all the way off if I want something brighter and more grindy. Very versatile.

That's how I keep my depth, fully CCW. I keep my drive about 11 or so, tone around 1 or 2, switch down and blend and output to the room. I love how it's grindy and punchy and clear yet it still adds tons of full and bloomy low end. And the drive sounds so natural. It's like syrup coating my signal with Damnation goodnesseessess
 
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That's how I keep my depth, fully CCW. I keep my drive about 11 or so, tone around 1 or 2, switch down and blend and output to the room. I love how it's grindy and punchy and clear yet it still adds tons of full and bloomy low end. And the drive sounds so natural. It's like syrup coating my signal with Damnation goodnesseessess
That's very close to how I set mine, but I also dialed my gain trim pot down (and switch up), so the distortion is barely there, but everything sounds bigger and more alive.
 
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Just sent mine back for the light always on fix. When I get it back I'll have to check the trim pot out. I'm so close to the sound I wanted and think a trim pot tweak might do it. I was messing around with it all week. Man there are a lot of tones in this thing. I might have to flip some other great pedals I got (Grizzly, fifth gear). I have a Free The Tone Bass Blaster 2 I found cheap coming, with that and the MBD-1 might be it for me.

Who uses the MBD-1 as there medium distortion rather than mild OD? Curious on your settings, and bass (active, passive)
 
That's very close to how I set mine, but I also dialed my gain trim pot down (and switch up), so the distortion is barely there, but everything sounds bigger and more alive.

Dude, it suits a Jazz bass so well. It adds what is normally lacking in a Jazz, the low mids and a little beef. And it still retains, even adds a little in the right spots, high end. It just fills it out so well.
 
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Just sent mine back for the light always on fix. When I get it back I'll have to check the trim pot out. I'm so close to the sound I wanted and think a trim pot tweak might do it. I was messing around with it all week. Man there are a lot of tones in this thing. I might have to flip some other great pedals I got (Grizzly, fifth gear). I have a Free The Tone Bass Blaster 2 I found cheap coming, with that and the MBD-1 might be it for me.

Who uses the MBD-1 as there medium distortion rather than mild OD? Curious on your settings, and bass (active, passive)

I don’t use mine for OD.

Here’s my usual MBD-1 settings
E5B10BDA-E23C-428A-BE15-1F946CA6D452.jpeg


I use the L2K, it has MFD pickups and has an option to activate the preamp or go passive.
 
Dude, it suits a Jazz bass so well. It adds what is normally lacking in a Jazz, the low mids and a little beef. And it still retains, even adds a little in the right spots, high end. It just fills it out so well.

And how is your new Geddy?
 
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That is pretty much exactly how I run mine

Me three (or four, I've lost count). I get a decent amount of dirt from that setting with an active bass. Yet another great thing about the MBD is that it's so easy to dial in the right amount of OD, from barely-there to heavy. We've probably all had pedals where some knobs were only usable within a narrow range and a small tweak could take you from too little to too much. Lots of wiggle room with each knob on the MBD, and I find that this is true for my passives as well as my actives (though my passives are all P-style; none have low output).
 
And how is your new Geddy?

Oh man I really dig it. It was a little foreign at first. This is my first Jazz bass. I've had a VMJ for a couple years but I put a P neck on it so the neck was very different for me. But I've played it a ton the last few days and I have to say I'm really bonding with it. The more I play it the more I hear how good the Dimarzio Model J pups in it are. And it's cool to actually have a blend spectrum whereas any PJ I have is weak. It's like you turn the bridge pup back 10% and it's all neck. The Geddy has a real nice range of blend so there is quite a lot of depth to them. A lot of power too. AND it's dead quiet. That was a huge added bonus.
 
Oh man I really dig it. It was a little foreign at first. This is my first Jazz bass. I've had a VMJ for a couple years but I put a P neck on it so the neck was very different for me. But I've played it a ton the last few days and I have to say I'm really bonding with it. The more I play it the more I hear how good the Dimarzio Model J pups in it are. And it's cool to actually have a blend spectrum whereas any PJ I have is weak. It's like you turn the bridge pup back 10% and it's all neck. The Geddy has a real nice range of blend so there is quite a lot of depth to them. A lot of power too. AND it's dead quiet. That was a huge added bonus.

The reason why its quiet is because Model j's are hum cancelling. I have one in a pj bass
 
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The reason why its quiet is because Model j's are hum cancelling. I have one in a pj bass

I've had hum cancelling pups in a bass before and I've never played one that was as quiet as say an active P is. But it's probably because I just haven't played a ton of basses.

I have high hopes I can swap this bass out with my ATK for band work. I still love my ATK but it would be nice to mix it up a little. I've played that ATK in bands for 20 years so it'll be nice to change it up. I know I won't get some of the same aspects in the Jazz as the ATK, but it sounds to me like it'll be somewhere close to where I want it to be.