Tonight I sat down with Anagram and had one goal: Make the envelope filters sound good. I’m happy to report that I was able to make it happen.
The trick, for every bass I own, was to stick a gain block in front of either filter option and crank the gain. Adding 20db of signal to the front of the filters makes them respond more like every analog envelope filter I’ve ever owned. This then requires compensating for the gain increase somewhere downstream, which is a pain. To me this is indicative of the input sensitivity on the filters not being tuned very well by default and is something I’d like to see Darkglass modify in the future.
Maybe this is just a me thing, but using everything from a Jazz with flats to a Dingwall to an MTD, and all of them were able to achieve decent results by boosting 20db ahead of a filter block. These basses all have a reasonable range of output. None are massively hot or quiet. The one exception is my Dingwall Super J with the pickups in the all-on position (bridge and middle in parallel with each other and then both in series with the neck) which admittedly is a pretty high output, as is that bass with bridge and middle in series, but these days I don’t use those settings very often. I tried them, and even there a 20db boost was the lifeline the filters needed to sound good, though this those settings I could get by with 10-12db.