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Davie504 finally playing live

doesn't even bother to properly learn the song.

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That's just lazy. If you can't play the song, don't put yourself in the spotlight and make it your signature tune.
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noodled over Stairway to Heaven without following the changes,

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shows up at a local blues jam and tries to SLAPP his way through Pride and Joy.

If you are suggesting he could be a nightmare in a band then I am inclined to agree. There is nothing wrong with creating 'opportunities to shine' within a band setting, but 95% of the time that's not the job.
 
Some, perhaps, but not all by any means. If that truly was his first appearance in front of a live audience then I would say a good majority of the contributors here, myself included, have many thousands times more experience than him, and on bigger stages to boot. Good on him for finding a way of making money from social media, but the majority of the content really has little to do with actual music. Perhaps the fact that he is making a fortune speaks more to the musical sensibilities of his followers, which might be seen as questionable if they think that is what music in general and bass in particular is about.
To me Davie is kind of the equivalent of the one-man band in terms of entertainment appeal. It’s the sort of thing that people get a kick out of not so much because of the musical content but because of the novelty factor. I would honestly be surprised if the majority of Davie’s subscribers are bassists. I’d wager that a good proportion of them are the kinds of people who used to shout “slappa da bass” at every given opportunity and who now have an actual mascot of sorts to go along with that line.
 
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Davie is awesome. He plays things that I would bet the majority of us cannot and does it with humor, grace and a deadpan style that works for him. He could probably fill in for just about any bass player out in the wild and do a good job. I highly doubt that slap bass is his only fort'e. And he makes millions doing something he loves. We need more bass players like Davie, Charles, Ellen, etc...

Here is Davie not slapping...sounds great
 
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He botched the signature lick in the song. He droned E while the actual song pedals E-F underneath. That's just lazy. If you can't play the song, don't put yourself in the spotlight and make it your signature tune.
The term "botched" implies that he attempted to play it "correctly" (by your definition) and failed. That's obviously not what happened. He played the arrangement he wanted to play, and he played it successfully. You just don't like it.
 
The term "botched" implies that he attempted to play it "correctly" (by your definition) and failed. That's obviously not what happened. He played the arrangement he wanted to play, and he played it successfully. You just don't like it.
I think JonathanPDX should post a video of him playing the same lick the "correct" way to show us mere mortals how to do it.
 
He botched the signature lick in the song. He droned E while the actual song pedals E-F underneath. That's just lazy. If you can't play the song, don't put yourself in the spotlight and make it your signature tune.

I suppose you'd be impressed if he noodled over Stairway to Heaven without following the changes, too?
- Claypool doesn't play those Fs either. He too must have felt they detract from the general feel of the slap bass arrangement (Berthoud plays them, and and the result is predictably less impactful).
Or maybe, Les "can't play it" either, or is just as "lazy".
- Davie made MoP his "signature tune"?
- Two F eighth notes are hardly "changes".
 
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Ah, so only those who make money from their music are valid musicians?

Good to know that Miley Cyrus is a more valid and important musician than Wayne Shorter ever was. I can't wait to hear your dissertation on the cultural impact of her catalog.

Also, the entire POINT of social media influencers like Davie is to get people to react to their content. This is exactly what his content is designed to do: to generate engagement. BTW, most of these "armchair bassists" have more real-world experience playing the bass than Davie ever will. Let me know how things go when he shows up at a local blues jam and tries to SLAPP his way through Pride and Joy.
Davie could out jazz, out blues, out rock, and out country the crap out of me, you, and many here on this platform. But why would he? He is making MILLIONS of dollars doing what he loves; solo slap bass videos. I can't even begin to imagine the countless hours that he has put into being as good as he his on the bass.

But go ahead and take a crap all over someone else's artistic expression that they have poured their entire life trying to make.
 
Davie could out jazz, out blues, out rock, and out country the crap out of me, you, and many here on this platform. But why would he? He is making MILLIONS of dollars doing what he loves; solo slap bass videos. I can't even begin to imagine the countless hours that he has put into being as good as he his on the bass.

But go ahead and take a crap all over someone else's artistic expression that they have poured their entire life trying to make.

Seriously? You really believe some dude whose entire career is slapping in his bedroom has the chops to go hold his own in, say, a blues or country band and actually do they job they want him to?

If you enjoy influencers that's fine. But I think it's absurd to think a bedroom player has the same skills as someone who has actually spent their career on a real stage working with other actual musicians.
 
- Claypool doesn't play those Fs either. He too must have felt they detract from the general feel of the slap bass arrangement (Berthoud plays them, and and the result is predictably less impactful).
Or maybe, Les "can't play it" either, or is just as "lazy".
- Davie made MoP his "signature tune"?
- Two F eighth notes are hardly "changes".

Les is fretting them with his thumb; it's muted and not nearly as clean as the actual line, but he's still nailing the feel. Davie is just hacking over the top, like the dude who listens to a song on the radio on his way to the gig and then kinda sorta plays the line.

I think JonathanPDX should post a video of him playing the same lick the "correct" way to show us mere mortals how to do it.

And would that really change your opinion of anything at all?
 
Les is fretting them with his thumb; it's muted and not nearly as clean as the actual line, but he's still nailing the feel.
I thought so too, but he really isn't. Using the left thumb to fret the F notes, I mean. He's not.
Go back and give it another listen. Slow it down if you want. No eff, akch.

He must have listened to it on the way to Woodstock and decided to kindit-sort it, too.


Well, until next post in which you'll once again try and dress your personal dislike in objectivity.
 
Although I do like Davie I think some of the criticism in this forum is justified. We’re all entitled to our own opinions at the end of the day. One thing is for sure. I would not have paid money to see that show. That’s just me.
 
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Seriously? You really believe some dude whose entire career is slapping in his bedroom has the chops to go hold his own in, say, a blues or country band and actually do they job they want him to?

If you enjoy influencers that's fine. But I think it's absurd to think a bedroom player has the same skills as someone who has actually spent their career on a real stage working with other actual musicians.
Well, it would take maybe a couple of gigs for him to adjust to playing in those live situations, but after like 2 or 3 gigs, he'd be one of the top dogs. He has the chops to play anything, and he seems to have a very good ear and musical knowledge based on his compositions.

Instead of critiquing him, can we all just try to appreciate his talent? It's not like he is trash-talking all of the hard-core gigging players like you are trash-talking him. Music is meant to bring enjoyment and entertainment; it's not a competition in which we all gang up and spit on everyone else.

Personally, when I watch someone else play, I just try to enjoy the music. I don't try to count every mistake, and I also am not keeping track of all the things I do better than them. That would be borderline psychopathic.
 
Well, it would take maybe a couple of gigs for him to adjust to playing in those live situations, but after like 2 or 3 gigs, he'd be one of the top dogs. He has the chops to play anything, and he seems to have a very good ear and musical knowledge based on his compositions.

Instead of critiquing him, can we all just try to appreciate his talent? It's not like he is trash-talking all of the hard-core gigging players like you are trash-talking him. Music is meant to bring enjoyment and entertainment; it's not a competition in which we all gang up and spit on everyone else.

Personally, when I watch someone else play, I just try to enjoy the music. I don't try to count every mistake, and I also am not keeping track of all the things I do better than them. That would be borderline psychopathic.

Spoken like someone who has never had to gig for a living. That stuff takes a lot of work, and it has nothing to do with chops.

I spent over 20 years gigging full time. Yes, I can play the Victor Wooten stuff, I can slap as fast as Davie and the other influencer bass players. But that never got me a gig, because nobody hires for that stuff. Actual working musician skills are a lot deeper and take a lot of time in the real world to develop. Knowing thousands of songs, being able to think on your feet, reading/writing charts, navigating all the weird stuff that happens on gigs, those the the skills dudes like Davie don't show and likely don't have due to their lack of actual ensemble experience.

Good for him for learning to slap fast and mastering the art of YouTube shaky cams and quick cuts. I'm sure it makes him a lot of money. But that doesn't magically grant him the same skills as Nathan East.
 

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