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de afwerking mk5-4f - blablas does another build diary

HLnoCwx.jpg

Wiring and shielding is finished.

Bass has been signed and the building is finished, all that needs to be done now is setting it up and take detail pictures, and of course playing with it.
 
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Replaced the two core wire with a four core one on the Sidewinder and placed and wired up a series/parallel switch, this switch gives a lot more variation in the sound possibilities and seems to have solved my problem with the muddiness.

For the time being I'm happy with the result, the muddiness is still there if want to but now there's also a setting that gives me a lot more mids.
 
Another beautiful build! I do have a question on the bridge pieces. how do you figure out the placement of the individual bridges? I understand the spacing in between (call it east & west), it's the north south direction that has me lost.
 
I don't mean to alarm you, but it seems as though all of your basses are built backwards. Just an observation.

Of course, they are all built with extraordinary craftsmanship and peerless attention to detail...and with lots and lots of backward.
 
An SG with a volute?! If I didn't know any better I'd say you knew what you were doing ;)

All joking aside, this is a very groovy bass. The finish is, of course, stunning, but I love how you took a classic design and somehow made it both more modern and organic. Very, very well done. It shows a lot of insight and familiarity with bass history.

(But you did make it upside-down. Easy mistake, happens all the time.)

Edit: I forgot to ask - and maybe I missed it somewhere in the thread - but what's the nut material?
 
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I think I forgot to mentioned it, it's made out of brass.

Excellent choice. I'm always torn between bone and brass. Bone sounds SO GOOD - all fat and warm - but in practice I'd rather have my open notes sound like my fretted ones.

...unless I could have bone frets and saddles, like they used to do with ivory on older acoustic guitars (although that would never work.) But I do remember a fretless alembic with an ebony nut and saddles... hmm...

Sorry, off on a tangent. Now the real question is, WHERE ARE THE SOUND SAMPLES?