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Dean John Entwistle bass

Unfortunately Warwick were only supposed to get the rights to produce the Wooden buzzard. The estate solicitors, with remarkable short sightedness, increased that to anything remotely to do with bass guitars.
Relations with Status were damaged severely due to this, with my profound regrets.
Possible in the future? Always open to discussions.

Chris

Thanks for the insight Chris.... you don't have to explain yourself, so thanks for that.

I do hope relations with Rob and Dawn can be 'repaired', I think they and John were a perfect match - and having one of your Dad's B1's, I can say beyond all doubt that he chose wisely!
 
I've seen these a few times now, very cool - make me almost pull the trigger - but I've read that they have serious neck dive.

Can any owners of one of these verify neck dive or no and if they found a solution? And what do they weigh in at?

AutumnBlackBird.jpg

http://cataldobasses.com
 
The JAEbird Standard with poplar body has less neck dive than any of my personal Gibson Thunderbirds. The Custom, with a Honduras Mahogany body is very close to neutral, it can be optioned with HipShot Ultralites or similar to eliminate it completely or very close, bodies vary a little bit in weight. The Standard weighs approximately 8.5 lbs, the Custom 9.
 
Oops, I have to disclose, I make these 'birds. The Standard pups make a fairly convincing noise, certainly better than an Epi bolt on 'Bird. The Duncans in the Custom sound very good from top to bottom, the mahogany really brings out the tone IMO. There must be a thread somewhere about them. The models are SS4N and SS4B.

cataldobasses.com
 
Unfortunately Warwick were only supposed to get the rights to produce the Wooden buzzard. The estate solicitors, with remarkable short sightedness, increased that to anything remotely to do with bass guitars.
Relations with Status were damaged severely due to this, with my profound regrets.
Possible in the future? Always open to discussions.

Chris

I am sure that it can all be worked out with Rob. I have one his B2 models and I believe only Rob could do justice to a (B1)Buzzard reissue and do it the right way ( In my opinion)
 
Double posted this and started my own thread in haste, but it kinda bothers me. Anyway, just got the specs from the Premier Guitar feed. Thought some might be interested. Here ya go:

Anaheim, CA (January 11, 2011) -- Dean has announced the release of a new signature series of basses honoring The Who bassist John Entwistle. Here's what Dean had to say about the release in a press release:

"According to John's son Chris Entwistle, the estate chose Dean because of their attention to detail plus their willingness and ability to bring the project to market swiftly without sacrificing quality.

"Steve Luongo, John's drummer and personal friend of 15 years steered the estate to Dean Guitars as he knew company CEO Elliott "Dean" Rubinson is a touring bass player who grew up on John's playing. "Brand was not as important to John as the actual playability and John would let the instrument do the talking" said Luongo. "John has been a huge influence on me and I am proud to be on the front line in the development of these instruments, also being able to play and hear them live on stage when playing with the Michael Schenker Group and Cactus" Rubinson said.

"The first two models in the new Entwistle line are 'The Spider' and 'The Hybrid', both made in Dean's legendary USA Custom Woodshop in Tampa, FL. Both of these USA models will incorporate the new Aphex Exciter/Big Bottom/Compression circuit on board, an industry first. There is also a Hybrid model that sells for under $1000. "I know that if John were here today he would love these basses" said company CEO Rubinson who will join Steve Luongo and Mark Hitt on stage at the Dean Guitars 2nd Annual NAMM JAM party, Fri. Jan 14th at The Grove of Anaheim, where the bass will be played in public for the first time."

StreamImage.jpg


USA John Entwistle Spider
• Flame Maple Top & Back w/ Mahogany Body
• Padauk Spider Web, Logo & Cavity Covers
• 34" Scale
• Maple Neck Thru w/ Padauk Stringers
• Ebony Fingerboard/Brass Nut
• Padauk "Black Widow" Inlays
• Pearl "Spider" Custom 12th Inlay
• Grover Tuners w/ Hipshot
• Gold Hardware, Babicz Bridge
• EMG Lo Z Pickups w/Active 3 Band EQ
• Aphex Exciter®/Compressor/Big Bottom Circuit
• Gloss Natural Finish
• Limited Run only 25 Produced Worldwide

StreamImage.jpg


USA John Entwistle Hybrid
• Mahogany Top/Body
• 34" Scale
• Bolt-On Maple Neck w/ Dean Custom 4-Bolt Neck Cavity
• Rosewood or Ebony Fingerboard
• Abalone Dot Inlays
• Die Cast Tuners w/ Hipshot
• Black Hardware
• Dual Purpose Die Cast Bridge
• EMG Lo Z Pickups
• Active 3 Band EQ
• Aphex Exciter/Compressor/Big Bottom Circuit
• Metallic Red, Classic Black & Trans Brazilia Finishes Available

StreamImage.jpg


John Entwistle Hybrid
• Alder Top/Body
• 34" Scale
• Bolt-On Maple C Neck
• Maple Fingerboard
• Black Dot Inlays
• Die Cast Tuners
• Chrome Hardware
• Dual Purpose Die Cast Bridge
• EMG HZ Humbucker Pickups
• Classic Black & Trans Brazilia Finishes Available
 
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What's interesting to me is that the two USA models (Spyder and Hybrid) have the compression circuit, something that John did not like on the Gibson RD77 Artist (according to his book Bass Culture, John stated that Gibson was going to call it the "Entwistle Bass"). As I have an RD77 Artist, I'm curious as to what the setup on the Dean will do/sound like.
 
Oliver - I'm just curious as to what that circuit does/doesn't do. John didn't like the RD, and it had the "expansion circuit," which works like a compressor, but only on the front pickup on the RD. As you say, we have replicas just like John's old basses (Alembic and Status respectively, and you've owned Alembics as well), so I won't be buying a Dean.

BTW, I have a friend who's going to check it out at NAMM ... more to follow.

Alan
 
Maybe I'm just too old (51), but GOOD GRIEF! That live stream just isn't for me! Yes, I remember Leslie West and Michael Schenker, but that dude with the pony-tail coming out of the top of his skull twirling it around while trying to play with West made me vomit. His constant overuse of the low B on the bass that sounded like one long fart just ruined it even more for me. He needs to realize he needs to lay back in the mix at least once in awhile.

Just my rant.
Shields up, red alert.
Go ahead and flame me.
And
GET OFF MY LAWN!

X8