Which is very much appreciated by the sound guys
Few tube amps have a relay, though there are a few that have a time delay warm-up before the B+ (HT) is applied to the plates/screens. At one time, I had designed an amp that allowed the B+ to ramp up after 15 seconds, which was elegant but overkill. It did eliminate issues with high voltage being applied as an impulse to the plate circuit.
The savings is probably about 50% when in standby. For a larger amp like an SVT, that's significant.
Some power is dissipated in the heaters, but about 2/3 is dissipated in the plate circuit (talking about the power amp portion of the amp). On a 6550 (per tube basis), the heater power is about 10 watts, the quiescent dissipation in the plate circuit is about 20+ watts, so for 6 tubes you will save 20 x 6 - 100 watts. The hidden savings is in the reduced operating temperature of the output transformer primary and the extension of tube life due to lower operating temperature while in standby.
I don't think so... see the above calculation.
It's the time required for the cathode to heat up enough to begin boiling off electrons.
Agreed.
This is not necessarily true either. Many older amps were designed for 117V and 120V nominal operation and pose no problems whatsoever. The 1969ish schematic set I have shows the Ampeg SVT and B-15 were designed around 120V, The Oliver amps were 115/117V, and most of the Fender amps were 117V which later became 120V in the CBA and post-CBS eras, Musicman was all 120V, Rivera was 120V, Sound City was 115V, the old Trace V series was 120V. Even my Ampex service binder shows all amps built in 1956 were set up for 117V. None of these amps will have a problem with nominal 120V.
In fact, I'm having trouble finding ANY in the mainstream that are less than 115V.
If you go back to the 1930's and 1940's, you may find more, but there weren't many amps designed for bass back then.
There are certainly some, but in general they represent the solid minority.