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Different woods and the effects it has on tone?

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There is a terrific article in the always excellent latest version of Tom Bowlus' Bass Gear Magazine. It's Bass Gear Magazine 18, the article is page 96 and it's called Demystifying varnishes. It's written by Arnold Schnitzer. Naysayer will say the article applies to uprights but when it comes to wood, it applies across all instruments.

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Thank you for the link, Laurent! Arnold is a real asset, and he routinely brings high level insight.

We also recently reviewed the two Fodera Yin Yang Standard models, which feature the exact same constructions, pickups and electronics, but different woods. This article may also provide some helpful insight.
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So your basically telling me that you actually went and searched to see if I had posted a similiar thread. Took the time out of your pathetic life, just to break my balls. And by breaking my balls you haven't helped me in any way. It doesn't matter if I posted a similiar thread before, don't you think if I actually remembered I would post it again? And it doesn't matter because obviously it's something that I totally forgot about, so for me to ask again shows that I'm trying to learn something. You have done nothing for me or anyone else on this post that is trying to help or learn. get a life ya creep. Got nothing helpful to say don't say it, this website isn't for people to bust ass. Go in some weird chat room and do that crap. Go get laid or something dude, cause can tell you don't get any, nor have anything else better to do then post pointless arguments. I feel bad for whoever has to deal with you in life. Probably been asked to leave every band you where a part of

Well, there is a thread closer if I have ever read one! If your real interest was in learning, you would have learned it the first time around.
 
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So your basically telling me that you actually went and searched to see if I had posted a similiar thread. Took the time out of your pathetic life, just to break my balls. And by breaking my balls you haven't helped me in any way. It doesn't matter if I posted a similiar thread before, don't you think if I actually remembered I would post it again? And it doesn't matter because obviously it's something that I totally forgot about, so for me to ask again shows that I'm trying to learn something. You have done nothing for me or anyone else on this post that is trying to help or learn. get a life ya creep. Got nothing helpful to say don't say it, this website isn't for people to bust ass. Go in some weird chat room and do that crap. Go get laid or something dude, cause can tell you don't get any, nor have anything else better to do then post pointless arguments. I feel bad for whoever has to deal with you in life. Probably been asked to leave every band you where a part of

Actually, another member, who had posted on your prior thread, posted a link to it above. I was simply trying to give you some insight as to why no one is giving you the definitive answer you crave.

In short:

  1. There is no definitive answer to your question. It is the most hotly contested topic on TB
  2. You've asked the question just a few months ago and received #1 as an answer.
  3. By posting that Fender video, you already seem to have an answer in your mind. In that case, keeping #1 in mind, it would seem fruitless to ask this question twice.
 
Thank you for the link, Laurent! Arnold is a real asset, and he routinely brings high level insight.

We also recently reviewed the two Fodera Yin Yang Standard models, which feature the exact same constructions, pickups and electronics, but different woods. This article may also provide some helpful insight.
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Great review.
 
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If tone wood didn't matter, we'd all be in possession of plastic mold basses. The cost to mill and finish a piece of wood, is far higher than it is to pour pre-dyed plastic into a mold, that already has the cutouts in place.
 
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