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Dingwall Owners Club

That one is a one-of-a-kind. Possibly imitated, but never duplicated.


I know I should really delete that embarrassing, pathetic and rambling video of giddy noodling. However, it is the only memento I have of that incredible bass, so I hang on to it for sentimentality's sake. And I shouldn't even share it, but what the heck, we are all friends, right? Hopefully nobody judges me by that. Who knows how many beers I had before filming it.

Ha...my Creation! With a little help from Sheldon and Co. Glad you got to enjoy it. I sold it to yoyu during a brief episode of insanity. Oh well. I hope its new owner loved it as much as we did!
 
Wow...
I just wanted to look for a second NG3. And they increased the price by 400€. The current NG3 is now at 2.399€ here in germany... so I have to wait for a used one :(
Check out Musikproduktiv: They still have some for 1,9k Invalid Link Removed

or Bass Direct: Invalid Link Removed
 
dang that D-Bird is sooo loud. I always have to use the active -10db input, or it will clip my Bassman easily.

Has anyone experimented with putting the pickups in parallel mode? That should tame the output a bit.
That would change the tonality of the instrument since it would reduce the mids and increase the highs lows to even out the frequency response more. What is wrong with using the active -10dB input? Or if you are using any pedals you could reduce the gain there. Or... are you ready for a crazy idea? You could turn the volume pot down a small amount on the bass.
 
dang that D-Bird is sooo loud. I always have to use the active -10db input, or it will clip my Bassman easily.

Has anyone experimented with putting the pickups in parallel mode? That should tame the output a bit.

Is it too hot in one of the single pickup settings or is it primarily in the 'all three' or bridge/middle setting?

Wiring the pickups in parallel will bring the levels down slightly but that will also change the tone. An easy thing to try would be to lower the pickups. Do it uniformly across all of 'em and count the number of turns you do and write it down so you can bring them back up into the original place if you need.
 
This 100%, just drop the pickups a few mm if it bothers you (measure first so you can put em back).
It'll control the output and save you having to use the pad.
<Smacks right side of head with heel of palm on right hand> D'oh! Yeah, why didn't I think of that? Much better, since you can't accidentally bump the volume pot and raise the level back up.
 
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<Smacks right side of head with heel of palm on right hand> D'oh! Yeah, why didn't I think of that? Much better, since you can't accidentally bump the volume pot and raise the level back up.

I do this on my basses because they're active. I back the volume off about 15% from full, then if I find myself in a 'stage emergency' where I need a bit more volume I have somewhere to go at the bass rather than having to walk back to my amp, and find a moment to bring my level up. Though you do have to be careful when you're also dealing with a pedal board where you've got things that are triggered by signal dynamics (compressors or envelope filters, etc.)

...on a D-Bird, which is passive, the roll off may change the tone, which depending on how picky you are about things might not be ideal.
 
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That Amethyst color is tight, but I already have a flamed F-415 bass and a quilt LTD M-301 (I'm messing with guitar too) so I'm done with figured maple ATM.
I have a Schecter with lumilay side dots- pretty cool stuff, I just don't need it at this point in time I just noodle at home and play at church. Stilletto is going bye-bye, sounds good, but the D and G string are too bright.

Sucks you have to go into Canadian made territory when you want wenge, my B-1005 spoiled me.
 
<Smacks right side of head with heel of palm on right hand> D'oh! Yeah, why didn't I think of that? Much better, since you can't accidentally bump the volume pot and raise the level back up.
Me too!!!

I back the volume off about 15% from full, then if I find myself in a 'stage emergency' where I need a bit more volume I have somewhere to go at the bass rather than having to walk back to my amp, and find a moment to bring my level up. Though you do have to be careful when you're also dealing with a pedal board where you've got things that are triggered by signal dynamics (compressors or envelope filters, etc.
I do this too! I probably shouldn’t since I have IEMs where I can control my personal mix, but you know old habits...
 
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Here's mine, if I get the opportunity for a custom. ABZ 6 Darkglass Electronics, 3x Series/Parallel in Amethyst Burst over Flame Maple w/ Wenge neck. My first choice for fingerboard will be Pale Moon Ebony if possible. Lumilay "D" at the 12th Fret and lumilay side dots.

Man, I absolutely LOVE Pale Moon Ebony! I hope that'll be a Dingwall option before I decide to buy another one...
 
Man, I absolutely LOVE Pale Moon Ebony! I hope that'll be a Dingwall option before I decide to buy another one...
I know it’s not included in the option list. Whenever I’m in a position to actually place an order, I’ll reach out to inquire about my custom request for a Pale Moon Ebony fretboard. If it’ll be possible, they’ll need some time to source it and give me a price.
 
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I know it’s not included in the option list. Whenever I’m in a position to actually place an order, I’ll reach out to inquire about my custom request for a Pale Moon Ebony fretboard. If it’ll be possible, they’ll need some time to source it and give me a price.

I tried not long ago... but things change.

I definitely was shooting for PME on my fretless.
 
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