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Dingwall Owners Club

I have the DGTC in all of my Dingwalls. I dig the aggressiveness and the versatility of the TC, but I do sorta feel like I like it better with the FD-3n's in my NG-3, rather than with the FDVs in my ABZs, so I'm not sure what to do. I'd, not so secretly, love to try a full Nordstrand setup in a Dingwall, but I'm not too sure which pickups I'd want(they have so many choices...:woot::woot:).

Overall, I love the way my basses sound, but we shall see what the future holds, LOL!

I was wondering about the Dingstrand Nordwalls... They're meant for non fanned fret basses if I'm not mistaken. I wonder how different sounding they are!

The Zen blades would be interesting if they'd work on a Dingwall!
 
All passive here. When I did have Super PJ’s with pre amps, I hardly ever turned them on.

The Glockenlang was very clear and pure, almost no color or characteristics. The Aguilar was also very nice, but had a bit more flavor.

I did like the old Blueqube feature I had on a couple passive AB-1’s.

I like the dual action tone control on my Super P.

And can’t say enough good things about the Dbird. Great range of tones.

Whats the Blueqube? I'm not familiar with some of the legacy Dingwall stuff. Or the pickup varieties they've had... I know I saw them somewhere but can't remember where.
 
I like the EMG that comes in the standard Combustions.

With the tone knobs at center it sounds the same as passive, even the volume. Then a bump up is a bump up and a cut down is a cut down in the relative frequency chosen.
No real difference to passive, just more or less of the knob/knobs you turn. Think of it like a mixing board's eq.

It gives just good clean bass, I like that.
 
I was wondering about the Dingstrand Nordwalls... They're meant for non fanned fret basses if I'm not mistaken. I wonder how different sounding they are!

The Zen blades would be interesting if they'd work on a Dingwall!

Zen blades cannot be made into Dingwall covers but Big blades can - I'm having a set made for my fretless SJ5

Aviator Guitars recently made a fanned bass with Nordstrand FD3. I pointed out that they're meant for parallel basses but they replied they ran some tests and it worked great in this build.
 

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A few questions for everyone following the thread:

For the folks with preamps in your Dingwalls, what do you currently have in it? Did you have something different before? Something you're interested in trying?

Glockenklang and Aguilar OPB-3 and none (passive only). Kicker is, I haven't activated it in some time, I love all of them in passive.
 
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A few questions for everyone following the thread:

For the folks with preamps in your Dingwalls, what do you currently have in it? Did you have something different before? Something you're interested in trying?

Ive tried a good chunk of the flavours that have been offered over the years and I just look at them all as different tools.

sometimes just straight passive is an awesome flavour and if so I like using the tone control whereas the DGTC does not have that option, I wish it did.

the glockenklang 2 band is extremely useful but once I got a 3 band there wasn’t any going back unless it was an existing build. I found the mid control an awesome addition in metal.... and everything else.

the 2 band EMG(?) in my current combustion is quite a neutral preamp offering ever so slight modification to the inherent sound. It’s almost as if it has a slight passive tone control.

I’m truly in love with both the DGTC and the 3 band glock. I see why Sheldon chose these for his fine instruments.

the glockenklang is like adding musical magic to the inherent tone of an instrument where as the DG is like a fully mechanical refinement device for adjusting frequency parameters to your required needs. Both are amazing tools.

did I say I love both of them. Currently, I have 2 with 3 band glocks and 2 with DGTC. I’ve played around with both pre’s more then one person should....
Possible more then my own devices. Sorry. TMI.


The current 3 band in combustion’s is a very intuitive pre. It does exactly what you ask it to with the tweak of a knob but it’s all very very clinical IMO. Not in a bad way just in a basic “modifies the passive tone” with no colour kind of way. It’s a great preamp but I didn’t love it, stand alone, for aggressive music. Anything shy of RAWR I feel it needs nothing but as soon as your looking for head banging a DG pedal or other stands down stream.


I found the blue cube and Aggie (minimal experience) to be simple. Much like the 2 band that I have on my combustion. Not incredible dynamic additions, just moderate refinement tools.

Generally speaking though all of these pre amps require a good fundamental from the instrument and that is something I haven’t experienced lacking in any. I’d love to try the wood combo of the Droc in a NG style bass as I don’t marry the body shape well of the roc. Inherently the 2 Drocs I’ve played sound so good.

Happy Saturday Dfolks!
 
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I've got (well, i's i the shop right now, but normall I Have) a DGTC in a 2-pickup semi-hollow ABII and it has a completely unique and wonderful voice with that combination. All my other preamped canadians have various flavours of Glock pres, and I've got an NG3 which is pretty cool, but doesn't sound anything like the AB2.

I'd love to play an AB-II. :cool:
 
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I've got (well, i's i the shop right now, but normall I Have) a DGTC in a 2-pickup semi-hollow ABII and it has a completely unique and wonderful voice with that combination. All my other preamped canadians have various flavours of Glock pres, and I've got an NG3 which is pretty cool, but doesn't sound anything like the AB2.

I get that. My NG-3, really, seems to have only a passing resemblance to my ABZs. I'm sure a lot of your difference comes down to the semi-hollow Walnut, but I agree that NG's and AB's do sound different.


Aye, yer a looky, man, there matey!!!

I’m enjoying mine.


That probably doesn’t help. Sorry.

Somewhere in the dark recesses of my mind, there's a fretless ABII lurking...

In the immortal words of Maynard James Keenan -"I don't want it, I just need it"
 
I get that. My NG-3, really, seems to have only a passing resemblance to my ABZs. I'm sure a lot of your difference comes down to the semi-hollow Walnut, but I agree that NG's and AB's do sound different.



Aye, yer a looky, man, there matey!!!



Somewhere in the dark recesses of my mind, there's a fretless ABII lurking...

In the immortal words of Maynard James Keenan -"I don't want it, I just need it"