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Dingwall Owners Club

How'd you know! :roflmao:

Dingwall ABZ • Five string • Two pickups in the Sklar config (next to each other). • Swamp Ash body in black w/white ceruse matte finish • Blacked out maple neck with green Luminlay dots and wenge fingerboard • Standard fingerboard Dots w/ D @ 12th fret • S/P switches for both pickups • Glockenklang preamp • Flush mounted Dunlop strap locks

I was inspired by this stealth baby from the Dingwall FB page...

View attachment 4090725

Nice. :) That'll be a nice bass. Though I do have to be honest and say I can't see the 'ceruse' finish without thinking of George Furlanetto.
 
Cool. I wasn't aware that you can specify the 'Sklar configuration' on Afterburners. :cool:
It seems to be a new development. I jumped on it as soon as I heard.
Nice. :) That'll be a nice bass. Though I do have to be honest and say I can't see the 'ceruse' finish without thinking of George Furlanetto.
Um, yeah.... I got nothing. :) F bass? sorry
 
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Not sure this is the right place to ask, but I'm debating getting a dingwall for my next bass. I'm thinking of getting a 4 string, as my band tunes to D Standard/Drop C, so the low B (or A in this case) would never get used. My current band mainly does hard rock/metal covers (metallica, megadeth, ozzy, pantera, avenged sevenfold, basically older or current metal with no screaming vocals). Here's a recording we did of a cover of blink-182 for reference (bass was DI'd and tone applied by the band member mixing it. It sounds good, but its not my normal tone).



What I'm having a hard time deciding on is what model to get. I've narrowed it down to the d-roc vs the ng series. I really don't use active preamps and would likely disable it mostly on the ng or normal combustion model, so I picked the NG out of those 2 since I like the white color the best. I really like the look of the d-doc (I don't mind the ng appearence, its like 10/10 visual rating for the d-roc and like 9/10 for the ng), but there's far fewer videos of d-roc on youtube compared to the ng series. So I'm not able to get a great idea of what it sounds like, especially as a good chunk of the d-roc videos are for the custom, which I know has different pickups. I use a line6 helix as my rig live/rehearsal rig, and for any non-DI recording.

I don't like the super distorted buzzsaw or overly driven darkglass b7k tone thats common in a lot of metal these days, I like to go for more of a light overdrive to blend more in the mix and let the guitars carry the distortion.

This video is a good reference point of what tone I'm aiming for, although maybe even a bit less distortion.



Based on the above, is the d-roc potentially a good buy? Or is a ng2 or ng3 an obvious choice for my situation.
 
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A bit festive!

02FE0E75-16A4-4E56-B90F-1C0A26842D4A.jpeg
0CB5FB57-2EBE-4910-B263-B48EEFEF8CA6.jpeg


I came home to a dark house except this corner.
 
It seems to be a new development. I jumped on it as soon as I heard.

Um, yeah.... I got nothing. :) F bass? sorry

Yep. George is "F Bass" another great Canadian Luthier. He's been doing Ceruse finishes now for 25 years as a mainstay of his bass finishing.
 
Not sure this is the right place to ask, but I'm debating getting a dingwall for my next bass. I'm thinking of getting a 4 string, as my band tunes to D Standard/Drop C, so the low B (or A in this case) would never get used. My current band mainly does hard rock/metal covers (metallica, megadeth, ozzy, pantera, avenged sevenfold, basically older or current metal with no screaming vocals). Here's a recording we did of a cover of blink-182 for reference (bass was DI'd and tone applied by the band member mixing it. It sounds good, but its not my normal tone).



What I'm having a hard time deciding on is what model to get. I've narrowed it down to the d-roc vs the ng series. I really don't use active preamps and would likely disable it mostly on the ng or normal combustion model, so I picked the NG out of those 2 since I like the white color the best. I really like the look of the d-doc (I don't mind the ng appearence, its like 10/10 visual rating for the d-roc and like 9/10 for the ng), but there's far fewer videos of d-roc on youtube compared to the ng series. So I'm not able to get a great idea of what it sounds like, especially as a good chunk of the d-roc videos are for the custom, which I know has different pickups. I use a line6 helix as my rig live/rehearsal rig, and for any non-DI recording.

I don't like the super distorted buzzsaw or overly driven darkglass b7k tone thats common in a lot of metal these days, I like to go for more of a light overdrive to blend more in the mix and let the guitars carry the distortion.

This video is a good reference point of what tone I'm aiming for, although maybe even a bit less distortion.



Based on the above, is the d-roc potentially a good buy? Or is a ng2 or ng3 an obvious choice for my situation.

You could likely be very happy with either but listening to that tone you're shooting for I would either go NG2 or Droc (not NG3). The reason is for that tone (lots of mids/high mids) you'll probably live on either the bridge/middle in parallel or middle solo settings. Those are 2 of my top used settings, especially for that great rock tone you referenced.
For reference I have a 6 way switch and 3 pickups in my Z3 so I have basically all of the NG3 and Droc options and at least on my bass that would get you what you want. That tone is basically a Geddy Lee type tone so you may be able to pull it off with the bridge and neck in parallel but not as well imo.

There are many here more knowledgeable though that will probably offer up other suggestions also.
 
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A bit festive!

View attachment 4090799

I came home to a dark house except this corner.

Never, ever, set me up for things like this:

On the fifth day of Christmas, my true love gave to me:

Five golden strings
Four-legged feline
Three FD-3Ns
Two-way rocker switch
and a Dingwall in a Christmas tree.

And a moose.
 
Looks very therapeutic

Today was a fretless day...So I played it for maybe 4 or so hours while 'at work' (from home), then I moved into the living room for a few more hours.

I've been splitting my time between the fretless and the Super-P. I spent nearly all week with the P last week, so I'm making up for it this week.
 
it becomes a bit of a juggling act.

Before I got the P, I'd been doing 5-8 hours a day on the Fretless from March onward. I've gotten to a place where if I don't play it for a few days I still can pick it up and feel 'on' so that's progress. They both have their own pleasures and charms.