I’d agree with a hypothesis that strings, pickup, and pickup placement + height make up a majority of tone. I really enjoy what Dingwall does with pickups, pickup placement, and pickup wiring options.
I also believe that all of the other elements make up a non-zero part of the tone you end up with, but whether that part is 51% or 1% I have no clue - and I’m ok with that.
I think there is something to the “liveliness” of an instrument that is hard to quantify, but it has a lot to do with construction and material selection. All of my Dingwall basses have nailed this feel, and have been very fun to play.
Like others note, my favorite basses are the ones that sound good and look good to me - and high grade wood really often looks really good to me
I also believe that all of the other elements make up a non-zero part of the tone you end up with, but whether that part is 51% or 1% I have no clue - and I’m ok with that.
I think there is something to the “liveliness” of an instrument that is hard to quantify, but it has a lot to do with construction and material selection. All of my Dingwall basses have nailed this feel, and have been very fun to play.
Like others note, my favorite basses are the ones that sound good and look good to me - and high grade wood really often looks really good to me