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Dingwall Owners Club

well I guess I’ll have to post another pic then lol
Can't stop looking at those photos... beautiful things.

CFF263CF-9369-4F01-9D61-D04A32E561E8.jpeg
 
AB2 is chambered and has a slightly more acoustic flavor.

or as the Dingwall website says "The ABII is the flagship of the Afterburner line. It features a semi-hollow walnut body with an exhibition grade walnut top. The tone is rich and full with an acoustic-like “air” to the note."

+1, however, I will say that there is a lot of personal preference involved between the ABI and ABII. I was all set on getting an ABII (since Sheldon doesn't offer a 4-string Z series), but last NAMM Show, I spent a bunch of time playing different ABI's and ABII's, and for my personal preferences, I prefer the ABI. YMMV, though, of course.
 
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+1, however, I will say that there is a lot of personal preference involved between the ABI and ABII. I was all set on getting an ABII (since Sheldon doesn't offer a 4-string Z series), but last NAMM Show, I spent a bunch of time playing different ABI's and ABII's, and for my personal preferences, I prefer the ABI. YMMV, though, of course.

My favorite long-scale happens to be a four-string Afterburner. For me, it just doesn't get any better.

cADnaUx.jpg
 
Love it! The website description was a bit vague to me. Mine will be here today, can not wait to check it out.

You'll love it. I have an AB2 chambered, AB2 (non-chambered) fretless, and an AB1, so I'm gaining an understanding of the subtle differences. Looking forward to your pictures.

+1, however, I will say that there is a lot of personal preference involved between the ABI and ABII. I was all set on getting an ABII (since Sheldon doesn't offer a 4-string Z series), but last NAMM Show, I spent a bunch of time playing different ABI's and ABII's, and for my personal preferences, I prefer the ABI. YMMV, though, of course.

Totally understandable which is why Sheldon makes all the different types. I play both my AB1 and AB2 pretty evenly (though there are differences between them just in pickups, neck wood, etc. etc.), but still tend to prefer the AB2 when it comes down to it. I'm curious - what about the AB1 did you prefer?
 
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You'll love it. I have an AB2 chambered, AB2 (non-chambered) fretless, and an AB1, so I'm gaining an understanding of the subtle differences. Looking forward to your pictures.



Totally understandable which is why Sheldon makes all the different types. I play both my AB1 and AB2 pretty evenly (though there are differences between them just in pickups, neck wood, etc. etc.), but still tend to prefer the AB2 when it comes down to it. I'm curious - what about the AB1 did you prefer?

To my ears, the ABII is a bit more "open" with a "bigger" sonic footprint, and the ABI seems a bit more focused and precise.
 
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So I took a ride to John Fox Bass in NH yesterday to lay hands on some Dingwalls. He had 3 DRoc standards, a bunch of 4 & 5 string Chinese NG3s (?) and some customs as well. I think the DRoc is what I’d like to get but I didn’t like the colors of the two that were available for sale. He did have exactly what I wanted, but it was already sold.
I didn’t find the fanned frets an issue at all, especially because I don’t think I’ve ever ventured beyond the 15th fret in public. The 4 strings felt fantastic and maybe I’m interested in them but I don’t need another 4 string bass at this point. It could be my imagination or my unfamiliarity with 5 strings in general, but the 5 string versions of the same bass seemed to sound different. With the possible exception of some very expensive basses, the 37” B string sounded better than shorter strings. My simple, quick test is to play low E & F on the B and E strings. Very consistent on the Dingwalls.
Meanwhile, I gather that John Fox is persona non grata with the hierarchy of Talk Bass. I got John’s version of that sad story, but I don’t really understand the conflict. It’s a shame, because I think he would be an asset to the TB community. I’m going to post about my visit. Not sure if that’s controversial.
 
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So I took a ride to John Fox Bass in NH yesterday to lay hands on some Dingwalls. He had 3 DRoc standards, a bunch of 4 & 5 string Chinese NG3s (?) and some customs as well. I think the DRoc is what I’d like to get but I didn’t like the colors of the two that were available for sale. He did have exactly what I wanted, but it was already sold.
I didn’t find the fanned frets an issue at all, especially because I don’t think I’ve ever ventured beyond the 15th fret in public. The 4 strings felt fantastic and maybe I’m interested in them but I don’t need another 4 string bass at this point. It could be my imagination or my unfamiliarity with 5 strings in general, but the 5 string versions of the same bass seemed to sound different. With the possible exception of some very expensive basses, the 37” B string sounded better than shorter strings. My simple, quick test is to play low E & F on the B and E strings. Very consistent on the Dingwalls.
Meanwhile, I gather that John Fox is persona non grata with the hierarchy of Talk Bass. I got John’s version of that sad story, but I don’t really understand the conflict. It’s a shame, because I think he would be an asset to the TB community. I’m going to post about my visit. Not sure if that’s controversial.
Dingwall Owners Club