well I guess I’ll have to post another pic then lol
Can't stop looking at those photos... beautiful things.
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Can't stop looking at those photos... beautiful things.
Whoa, that's some expensive art there. What is the bodywood of the MTD - it's awesome.
Whoa, that's some expensive art there. What is the bodywood of the MTD - it's awesome.
AB2 is chambered and has a slightly more acoustic flavor.
or as the Dingwall website says "The ABII is the flagship of the Afterburner line. It features a semi-hollow walnut body with an exhibition grade walnut top. The tone is rich and full with an acoustic-like “air” to the note."
pale moon ebony on a roasted ash body. It’s super unique.

+1, however, I will say that there is a lot of personal preference involved between the ABI and ABII. I was all set on getting an ABII (since Sheldon doesn't offer a 4-string Z series), but last NAMM Show, I spent a bunch of time playing different ABI's and ABII's, and for my personal preferences, I prefer the ABI. YMMV, though, of course.
Love it! The website description was a bit vague to me. Mine will be here today, can not wait to check it out.
+1, however, I will say that there is a lot of personal preference involved between the ABI and ABII. I was all set on getting an ABII (since Sheldon doesn't offer a 4-string Z series), but last NAMM Show, I spent a bunch of time playing different ABI's and ABII's, and for my personal preferences, I prefer the ABI. YMMV, though, of course.
You'll love it. I have an AB2 chambered, AB2 (non-chambered) fretless, and an AB1, so I'm gaining an understanding of the subtle differences. Looking forward to your pictures.
Totally understandable which is why Sheldon makes all the different types. I play both my AB1 and AB2 pretty evenly (though there are differences between them just in pickups, neck wood, etc. etc.), but still tend to prefer the AB2 when it comes down to it. I'm curious - what about the AB1 did you prefer?
To my ears, the ABII is a bit more "open" with a "bigger" sonic footprint, and the ABI seems a bit more focused and precise.
This should help.By the way,
How would you guys compare the Darkglass Tone Capsule with the EMG preamp in the Combustion? I’m thinking if I should trade my NG-3 for a Combustion 5.
Dingwall Owners ClubSo I took a ride to John Fox Bass in NH yesterday to lay hands on some Dingwalls. He had 3 DRoc standards, a bunch of 4 & 5 string Chinese NG3s (?) and some customs as well. I think the DRoc is what I’d like to get but I didn’t like the colors of the two that were available for sale. He did have exactly what I wanted, but it was already sold.
I didn’t find the fanned frets an issue at all, especially because I don’t think I’ve ever ventured beyond the 15th fret in public. The 4 strings felt fantastic and maybe I’m interested in them but I don’t need another 4 string bass at this point. It could be my imagination or my unfamiliarity with 5 strings in general, but the 5 string versions of the same bass seemed to sound different. With the possible exception of some very expensive basses, the 37” B string sounded better than shorter strings. My simple, quick test is to play low E & F on the B and E strings. Very consistent on the Dingwalls.
Meanwhile, I gather that John Fox is persona non grata with the hierarchy of Talk Bass. I got John’s version of that sad story, but I don’t really understand the conflict. It’s a shame, because I think he would be an asset to the TB community. I’m going to post about my visit. Not sure if that’s controversial.
Those prices are almost theft. I'm in the same boat as you, though... too rich for my blood at the moment. That sonic blue J, though... I'm gonna go cry in the corner.Someone in LA just listed 3 four string Supers on Reverb. I wish I could afford any of them.
He’s been on a listing frenzy since about 11pm last night, and most of them I want! Haha oh boy…Someone in LA just listed 3 four string Supers on Reverb. I wish I could afford any of them.