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Dingwall Owners Club

I title this piece of art “dingwall after too many shots”
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I'm with the group of guys who doesn't want a sweat filled strap to sit next to my bass and fretboard transferring moisture until the next time I play. I actually take my strap out of the accessories bag and drape it over something in the garage to dry out.

Dunlop straplocks on every bass I own, I had Schaller fail on me and never gave them another chance.

Dunlops WILL fail on you, if you have a really thick strap the locking nut will occasionally get strained and come off while you're playing. You won't know it until you take the strap off and everything else on the strap side of the lock hits the floor.
 
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Huh. I knew that Dingwall used the 'dual density' approach on Z's, Sklars, and Prima's, but I did not know that they use this approach on other models until I watched a video about swamp ash that Sheldon posted to FB yesterday. Very cool. Explains why my maple/maple/ash Super P resonates so nicely. :cool:
I also thought this was only done for the highest end models.
 
I put some of the “abalone” inlay stickers (I’m a sucker for inlays - they either need to enhance the look of the bass or not be there at all - not a huge fan of dots) from neck illusions on the D-bird today hoping the green in the abalone would look good with the aquamarine sparkle. I think it looks pretty good. What do ya’ll think?

I also restrung with fresh Payson steels (my first experience with Payson) and they sound fantastic! Highly recommended!

View attachment 4655454

I'm late to the party but that looks awesome! I might have to throw a set of those on my DBird as well. Maybe some pearl ones for my Combustion too.
 
The inlay stickers have been so popular I think I saw somewhere that the Man himself has considered using blocks on the next generation of imports.
He’s reportedly thinking about it, on some level. I’m sure that would be popular, although the easiest path is white or black blocks, depending on the fretboard wood, and I don’t think that’s something that would appeal too much to me. And I don’t expect colored blocks to match the finish, not on the imports.
 
I wonder if this has always been the case or if dual-density for all Canadian models is a newer decision.

I don't know, but am also curious. Sheldon's mental gears are always spinning, and he probably doesn't have time to share every change in his processes. In this particular video, he is specifically discussing how ash is lower in density near the bottom of the tree and higher density further up the tree. No mention was made of alder, so the dual density approach may not apply to alder-bodied Afterburners and Supers.
 
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