I thought the P-tone was the standard now in the PJ. That’s what’s in mine and didn’t specify.
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It’s an FDVI just decided to leave it “stock” and see how I like it. I rarely use both pickups, but the parallel mode has some nice bite to it.
Both pickups in Parallel:
Bridge only:
Iván Carranza on Instagram: "Bridge pickup: or ? . . . . . . #vulfpeck #funk #bassline #dingwall #bassplayersunited #fannedfret"
If i remember correctly, Bill Eppel (can’t remember his username) had a P-Tone installed in the bridge position of his Super P and he really liked the result.
If i remember correctly, Bill Eppel (can’t remember his username) had a P-Tone installed in the bridge position of his Super P and he really liked the result.
Thé PTone is now actually listed as ´standard’ on Super PJ somewhere on their website.That would be Burning Skies.
I have a P-Tone in the bridge of my PJ. It's certainly a whole lotta P. I do wonder what it would have been like with a standard bridge PU though.
It’s an FDVI just decided to leave it “stock” and see how I like it. I rarely use both pickups, but the parallel mode has some nice bite to it.
Both pickups in Parallel:
Bridge only:
Iván Carranza on Instagram: "Bridge pickup: or ? . . . . . . #vulfpeck #funk #bassline #dingwall #bassplayersunited #fannedfret"
If i remember correctly, Bill Eppel (can’t remember his username) had a P-Tone installed in the bridge position of his Super P and he really liked the result.
This is what I am super tempted to do = what makes you want to put an SF2 in there?I had an FDV in mine and switched it to a P-Tone and prefer the P. However if I were to do it again, I'd put a SFII in there.
This is what I am super tempted to do = what makes you want to put an SF2 in there?
Thank you that is really helpful, and confirms my thoughts (based on my experience with my ABZ5 with FDVs).I have an older early run SJ5. They didn't even have the 5-string P developed when it came out, but routed it underneath the pickguard so that when they did, they could be converted if wanted. That's exactly what I did which was the intension the whole time. So, the bridge pickup in that bass is the older thinner shell SuperFatty (I) and that bass sounds really thick and even across all strings and the whole neck. Granted, the P pickup is closer the neck (I think it was a quarter inch) than a standard P and the SP's and the bridge pickup is in the 70's position.
When I installed the FDV on the SP5, I thought it sounded a little thin on the treble strings. I thought the P-Tone helped even things out a bit, but I still think that the SFII would be even better, based on my SJ5.
Keep in mind, I never play with the bridge pickup soloed so I don't really care about that tone. I just want to it to sound nice and thick with the P-Pickup and my guess is that that model would be the best to do that.
Nice, I wish they still did SJs with split coils (and thin SFatties)!
Nice, I wish they still did SJs with split coils (and thin SFatties)!
I could be tempted to make you a trade.I have an older early run SJ5. They didn't even have the 5-string P developed when it came out, but routed it underneath the pickguard so that when they did, they could be converted if wanted. That's exactly what I did which was the intension the whole time. So, the bridge pickup in that bass is the older thinner shell SuperFatty (I) and that bass sounds really thick and even across all strings and the whole neck. Granted, the P pickup is closer the neck (I think it was a quarter inch) than a standard P and the SP's and the bridge pickup is in the 70's position.
When I installed the FDV on the SP5, I thought it sounded a little thin on the treble strings. I thought the P-Tone helped even things out a bit, but I still think that the SFII would be even better, based on my SJ5.
Keep in mind, I never play with the bridge pickup soloed so I don't really care about that tone. I just want to it to sound nice and thick with the P-Pickup and my guess is that that model would be the best to do that.
Very similar to this one that also started life as a J.
I'm using it, but not very often - it's a little disconcerting to play, because all the sustain gets... muted. But, I don't think it sounds as different as it feels to play, and it really is good for certain songs (Motown stuff, for me). I jam it pretty much all the way on there - it can get good sounds barely attached too, but yeah, it feels like it's about to pop off and it's hard to get the strings evenly muted unless you push it down. I pluck pretty hard, you could also try it with a pick to get a lot of attack before the die-off.
FWIW for anyone who wants to hear a bit, here's a demo from two years ago:
I could be tempted to make you a trade.
SF2 for a P tone?
Ivan, I don’t expect this to be a typo, or ist it? A 2X? Innnnnnteresting…I currently have a SJ 4 2x on the building queue.