So anyone here have the story on this JS3X?
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Talk dirty to me....![]()
No, but it looks awesome!
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So anyone here have the story on this JS3X?
Link Removed
Talk dirty to me....![]()
No, but it looks awesome!
I wonder if there is enough money to get Sheldon to build me a bass with solid super fatties from the bridge to the neck.... fun them all in series.![]()
Cash solves/eases a lot of those.![]()
I'm confused about the differences between the Afterburner models...
Between the ABZ and the AB1, it looks like the only differences are the finish and the body/fingerboard woods, is that correct?
Do they sound or feel significantly different?
The website lists the Glock preamp as an option for both. Maybe it's standard on the AB1 and an option on the ABZ?
OK, given that it's passive, how much of a sound difference is there between ABZ and AB1? Is the AB1 a whole new world of tones, or just a bit more control from the pre? Do the wood choices make the AB1 sound more round and warm and mid-rich?
Traditionally the AB-1 is passive with the standard Dingwall Shelled FD-3 pickups, alder body, gloss finish (often with maple top). 5pc maple neck with Wenge board. The active version is considered the AB-1.5.
The ABZ is the flat finish, ash bodied passive, maple fretboard. The pickups are FD-3 but in a different shape shell, more of the 'standard humbucker sized shell...some 'custom' upgrades available.
Oh, so you're wealthy now.![]()
A boy can dream though.
My Super P finally arrived and I haven't been able to put it down.
The wenge absolutely exceeds my expectations, which were already high because I love wenge necks. It is the most incredible satiny feeling neck I've ever laid hands on. And the grain is spectacular.
The transwhite finish is so much better in person. It is translucent yet highly glossy at the same time. It looks creamy in some light and silver white in other light. The grain shows through much better in person.
This is the first Super series bass I've laid hands on, and I LOVE the scale length. So easy to play.
The tone is killer. Clear, punchy, yet nice and growly. The high end is nice and sweet. I'm not sure what it weighs, but it can't be much over 8 pounds if at all. Just an all out marvelous instrument.
It's going to look equally killer with the Baltic amber pickguard I have for it. I look forward to hearing it in the reverse Pickup mode with pg.
To say I'm pleased would be an understatement!!
That was my attempt to describe slightly longer sustain, a bit more fundamental, and a more prominent midrange voicing. Keep in mind that my experience has been mainly with Karol acoustic guitars, Warmoth bass and guitar necks, and Warwick basses. In terms of numbers, my sample has been relatively small.So Bob, the honeymoon period is over - is this one a 'keeper'? I am still highly intrigued by ash/wenge combination. It looks totally HOT with the transparent white IMO.Steve Rolfeca opined that the solid wenge necks sound a bit compressed to his ears. I assume this would be in comparison to a mostly or all-maple neck. I'm still trying to imagine how neck compression would sound...
That was my attempt to describe slightly longer sustain, a bit more fundamental, and a more prominent midrange voicing. Keep in mind that my experience has been mainly with Karol acoustic guitars, Warmoth bass and guitar necks, and Warwick basses. In terms of numbers, my sample has been relatively small.
As with all matters related to lumber, it depends on the weight and density of the particular varieties used. Sheldon may look for different things in his neck blanks than those other guys.
Sheldon's recent comments as a builder with hundreds of near-identical necks to look back on, are more trustworthy.