• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Dingwall Owners Club

Since you asked of course I'll take this opportunity to flash these beauties.
View attachment 2913718



I've been playing with some effects lately and have a lot of fun up on the C.
The main reason for me attempting this transition( I believe I gratefully (thanks Dustin) received my 6 last August ish) was I want to explore more chordal and solo style playing.

I'm also venturing into tapping quite a bit and that is truly where I find it the most beneficial for me. Arpeggios all day long with the added range. It's a lot of fun.
Definitely tapping.

It's become my main player for about the last 4 months. When I play the fivers they just feels so small and nimble in comparison. I LOVE going back to my 5 string Z.

The main reason for me in choosing the Z over an AB is the neck. I don't have very long fingers and find the profile a seriously noticeable difference on the Z compared to any other 6 I've ever played. It's almost like playing a fat 5 of another brand. Lol.
drooldrooldrooldrooldrooldrooldrooldrooldrooldrooldrooldrool
 
Yes. I love my SJ neck... on my SJ. If it was a 6 string I think I would have a bit harder if a time.

All this said I had a wonderful Roscoe 6 with a broader/Beefier neck and it was truly amazing and not difficult to play but it was more work. For cost reasons I almost did an AB Instead and I'm sure it would have been fine and I would have adapted..... but I want to get really damn good and starting(woodshedding) later in the game I'll take every advantage I can.

Trying to get Fernando molinari good. Or Jared smith from archspire good. I don't think it will happen but it's what I'm working for and definitely can't blame the tools I'm using.
I'm sure I'm a lot older than you and I don't do prog metal but it looks like a lot of fun. I checked out Molinari's "Heavy Slap" video on youtube. Amazing! My 6 string Gods are older fusion guys - Anthony Jackson and John Patitucci, who kind of pioneered the instrument.
 
I'm sure I'm a lot older than you and I don't do prog metal but it looks like a lot of fun. I checked out Molinari's "Heavy Slap" video on youtube. Amazing! My 6 string Gods are older fusion guys - Anthony Jackson and John Patitucci, who kind of pioneered the instrument.

I can confirm that Dingwall 6 string basses are perfect for that "older fusion." :bassist:

 
Does any of you have experience with the Mesa Subway d800/d800+ together with a Dingwall? :)

This is my regular setup, the D800+ with my Combustion 3X.
63596E0F-0CCC-4535-BD49-194FBE97A07D.jpeg
 
I'm sure I'm a lot older than you and I don't do prog metal but it looks like a lot of fun. I checked out Molinari's "Heavy Slap" video on youtube. Amazing! My 6 string Gods are older fusion guys - Anthony Jackson and John Patitucci, who kind of pioneered the instrument.

Ah yes. Tropical rain is the name of that song. It's what originally attracted me to him. His album built by elements is fantastic and quite diverse.
 
Seems like there's some love for the Subway :D
I'm trying to decide what to save for to complete my live/studio setup: Pairing the SJ with a Noble DI or a d800+

The Noble is pretty awesome too ;)
I've been running one for the last year or so. I'm always very pleased with the tone I get and typically get compliments.

I haven't played a D800+ but it's on my list to check out.

I think they're all different kinds of good and you can't go wrong.
 
The Noble is pretty awesome too ;)
I've been running one for the last year or so. I'm always very pleased with the tone I get and typically get compliments.

I haven't played a D800+ but it's on my list to check out.

I think they're all different kinds of good and you can't go wrong.
A Monique would be a killer option, too, but it's a bit outside my price range :D
 
  • Like
Reactions: Dave W