Not as much as preamps need high end basses
.
Ok, now that was funny.
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Not as much as preamps need high end basses
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Wha, saving lives isn't notable?Next time I'll join a profession that requires wearing a cape.
I think "in the music biz" was implied.

Ok, now that was funny.
!!!Great, now I can officially retire.
I've spent 6 fruitless years trying to raise a titter from my half-donkey gags on TB and finally, I've got a result!!!
It's a tough crowd here, that's for sure!
(Fender32 disappears into obscurity, patting himself on the back as he goes .......)
Sure, but the future is never set in stone. Besides, I once designed something on a bass and it has sold about 20 units on Rob Allen basses. So, I've made a difference to 20 bassists.
Besides, just because not everyone has heard of Jean Baudin and he's not playing arenas doesn't mean that he should just quit.
....and another thing, having a humility pissing contest has got to be an oxymoron or something.![]()
I'd be touring if I could meet or exceed my 6 figure income. I've had a few offers, but can't take a pay cut.
Spade, how come whenever someone mentions that they don't like custom basses with active electronics and more than 4 strings, or makes a joke about it, you get all defensive and you act like it's a personal attack?
Really? Can you link us to some of your work? I've got really good friends in Nebraska - maybe you could use your real name, they might know you and give you a good word....
Otherwise, your credibility is lacking.
having a paying gig is great for -gig- credibility, but some of the biggest "dum-basses"with regard to gear and hardware i've ever run across were big time pros who couldn't be told a thing - remember a certain big-name touring pro who joined up here a while back and tried to tell everyone how "the real guys" used 4x12" cabs, and all the rest of the folks here were loser posers? he ended up banned for his troubles.
i think, in situations like this thread, mutual respect and "live and let live" attitudues are going to go a long way. after the lemonade, that is.
Are you implying that because I play music that you don't approve of, that I shouldn't be able to have a high quality bass built for myself? I hope that's not the case, but it sure sounds like it.And that I don't play at the 24th fret or slap with my band either, it's NO NICE BASS FOR YOU MIKE!
I'm not trying to prove you wrong Spade, I'm simply pointing out that actives aren't for everyone, and I've tried at length to explain why. I'm sure that slappers would LOVE the active pre, but like I said before, not everyone who wants a finely built bass slaps. Why are you discounting those who don't? Do only slappers want nice basses? I doubt that's the case.
Sure, a jack can go bad in any bass, but you'll never hear of a dead battery in a passive bass, or a pot comming off a board on a passive bass. If it doesn't have those parts, they aren't going to ever fail.


What my hands can do has seemed to work out pretty nicely for me so far.![]()
Actually, I can't speak for Savit, but you would be totally wrong about me. I DO play slap (occasionally), and I play a lot above the 10th fret, and I do take solos. Don't presume to know my style by the bass I play.
And since when is this a thread only for people who like high end basses? You think playing one makes you special or gives you some special knowledge that everyone else doesn't have? I don't think so. However, just so I can be qualified to speak in this thread under your terms, let me again remind you that I have two high end basses with preamps. That doesn't make me special, though, and unlike you, I don't pretend it does.
No, what makes me special is that I play very well no matter what bass I play. It IS all in the fingers, and there ARE a multitude of instructional DVD's out there. The only difference is that instead of owning them, most people just go to Youtube and watch them.
Also, I am not Bucko.

This sort of illustrates the chasm between a couple of adages.....
"Shut up and play your guitar" (or bass, as the case may be....)
AND
the G. A. S. syndrome.....(for those of us that love to look at catalogs)
It would be pretty pointless getting opinions on whether high end basses need preamps from people who don't like high end basses... wouldn't it. Kind of like asking me which tubes I prefer in SVTs*.
The subject is high end basses, not basses in general. That's what some seem to either not understand or are just ignoring.
And again, as proponent of using my hands primarily for tone, it is not nor will it ever be ALL in the fingers. If it was you'd be able to make any bass sound like any other bass, any string sound like any other string, any passive sound like any acti...
*BTW my answer would be Markbass![]()
I'm sure you'd notice a bigger difference in your bedroom than in a band mix in a live setting through a large P.A. system.

Enough man!
I was agreeing with allot of what you said but your taking it to far. There are plenty of high end passive basses and guys that can get all the sounds they need out of them. You seem to imply that those people are in someway inferior.
So you're refusing to read the actual words or just confused? I'm saying what I'm saying and have no need to imply anything. Either it's a misreading or not reading on your part or just plain old imagination at work.
And compared to high end basses overall, what is your idea of "plenty"?