Do you really think I've never played a high end active bass?
This ain't my first Rodeo here guy.
Actually Zip for 3 as I see it. My Fenders price tag is certainly up in the Clouds these days. 64 P bassses don't come cheap. (i'm defining "high end" by price. I could easliy pay for a Fodera if I was to sell my Fender. Maybe two)
Again, Bacchus is not exactly chopped liver here either. Super high end, no, but extreemly well made hand crafted bass.
My old instro Avante Hard Trio, I'd take a solo here and there. So... looks like you missed on all three counts.
Here's the thing, and I'll try to make this as clear as I can.
I want simplicity in my "working" basses. Yes, I gig them regularly, and I'm pretty sure JimmyM's stuff sees plenty of stage time as well. Not like either of us are talking out our exaust pipes when it comes to what we need in a "live" setting. Niether of us are exactly
uninformed when it comes to live work.
That means I don't want to have to noodle with knobs to get my sound. I prefer
for me, in my working basses(not for you) 
to just put volume and tone to wide open, with a good sounding bass, and go from there. If I get slammed into while I'm playing, and the knobs move....right back to wide open and everything is cool. It's happened before. I've even had people reach up and hit the controls. I don't want to have to search through a bunch of knobs to get it back. Both back to wide open and we're in business.
So even if I can get a great passive sound with an active bass, I don't have the simplicity I desire in a "working" instrument. Now that doesn't mean that I might not want somthing with custom specs, or a real nice build quality.
Dead battery's is something else I'll never have to deal with in a passive bass. Yup, some actives have a passive bypass, but still, more complicated than what I want. I don't want to have to deal with it in any way shape or form...ever.
See, I don't want to have to "simulate" vintage tone. I prefer to get it the old fashond way. A nice p/u, in a bass that I like into a nice all tube head works just dandy for me. Again, nice and simple.
Much less to go wrong too. Two pots a couple of wires and a jack is about as basic and bulletproof as it gets. I like that concept for my working basses.
If I can get the sound I want out of a very simple electronics package, what do I need all that other stuff for? Agian, I'm speaking only for ME, and my needs.
Like playing Gypsy Jazz guitar with a humungous pedal board. If I'm not using it, why do I want it there in the first place? You never know when a Django-esque guitar run is going to need some wah pedal, or an Octavia right? (sarcasm)
It's just a bunch of stuff to get in my way In my own humble opinion.
Is it so wrong to want a nice simple bulletproof electronics package, in a finely made bass?