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Do you love or hate a cajon?

I only have ever seen it used well once, a singer songwriter who had a trio with ac guitar, bass, and cajon. I remember they did a cover of the police song "walking in your footsteps." The box was mic'ed up which helped a lot.

You can get pretty creative with regular drums. The drummer from Guster plays with his hands and fingertips sometimes, mixing regular drumset with congas, shakers, etc.
I also love the sound of brushes on a drum kit and i'd rather have that than a cajon anyday.
 
Cajon is cool. Especially in a stripped down, "acoustic" scenario. Here's a outdoor restaurant gig recording I did with an acoustic guitar, me on bass (Rob Allen Deep 4 fretless) and cajon. I put a Shure Beta 91A boundary microphone inside the cajon and rested on the bottom atop a cloth rag. The bass cab was mic'd with a condenser and I took a DI feed off the guitar pickup. Sent everything through a mixer into one PA cab placed inside the restaurant for those diners.

 
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It's both. A wooden box is not a cajon. There are good cajons and there are wooden boxes. True cajonists play cajons. Kit drummers often play a wooden box.
Yep, that's another good point. The sound of a cajon, most of the time, is not musical to me. It doesn't have musical resonance, just sounds like "tic-tic-tic" like someone drumming on their desk in grade school.

I have heard better sounding cajons that have some resonance, but from what I know they tend to be pricey and no one on the local scene is spending that kind of money on a cajon. And home builds tend to be even worse because just about anyone can slap four pieces of plywood together.
 
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Yep, that's another good point. The sound of a cajon, most of the time, is not musical to me. It doesn't have musical resonance, just sounds like "tic-tic-tic" like someone drumming on their desk in grade school.

I have heard better sounding cajons that have some resonance, but from what I know they tend to be pricey and no one on the local scene is spending that kind of money on a cajon. And home builds tend to be even worse because just about anyone can slap four pieces of plywood together.

One of the local drummer/percussionists who used to tour with Ottmar Liebert, and is a carpenter, also builds some very sought-after cajons. They are built with carefully selected woods which have been thinned to the right thickness for the resonance he's after. He also leaves certain edges open to get the right click when it's hit on that edge. In the hands of the right player, they sound great.

I know other guys with plywood boxes, though. I'll just leave that one alone.
 
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I knew this old jazz drummer in Florida called The Captain (he wore a captain's hat) and he had an epic cocktail kit - which is where I first saw a Cajon. He sat on the cajon, had his snare and high hat, a floor tom with a pedal, cymbal and wood blocks attached, and the real show stopper was a milk crate full of random percussion toys (mostly literal children's toys) that he would be pulling out in the middle of songs to groove with when it was time to change the texture. That guy was so economical (also the first guy i knee who bought a KIA) with his kit, and the cajon as throne was a big part of what he was doing. Other than that guy, I haven't seen a lot of other guys fit it into a gigging setting in an extremely useful way.
 
About 15 years ago I was in a band with two percussionists and no kit drummer. One guy had a cajon (first one I ever saw) and various djembe-ish middle eastern drums, the other guy had congas and an Irish bodhran. I can tell you I did not miss a drum kit in that band at all.

Recently the drummer in one of my bands had to bow out of a gig at the very last minute for medical reasons so we got a percussionist to show up with a cajon and a pile of other things to beat on. It worked out well enough we used him on two more gigs.

What's the best cajon for metal? :roflmao: