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The cajon evolved from a tradition of drumming on packing crates, so in essence a cajon, at its heart, very much is just a wooden box. We can improve on that, if we want it to sound like something better than its traditional roots would suggest. I suppose a traditionalist could argue that it shouldn't be improved due to history, but I'd suggest that those earliest cajonists weren't worried about tone but were just happy to be able to drum on something.
My husband plays drums and percussion. He has studied latin percussion with conga and bongos and various other things. What he has found in the local music scene is that understanding complex rhythms and being able to play with that level of understanding has almost no appreciation; people think you're doing an adequate job if you're just banging on things. Forget about high end anything, nobody cares.
He was briefly in a band with two percussionists, one guy was a kit drummer who had alcohol issues. My husband was brought in to mainly provide hand percussion, but the bandleader kept saying they'd "trade off" because he didn't know if alcohol guy would aways be available and he wanted them to be able to play smaller shows where a kit wasn't viable.
As you can imagine, this was a recipe for disaster. Alcohol guy knew nothing about playing percussion and his idea of playing a cajon or a conga was just to hit 16th notes as hard as he could. My husband was trying to play tasteful licks on top of this, which of course didn't work.
That band was a train wreck for a variety of reasons but when my husband complained that the other guy wasn't leaving room for him, it turned into a contest and alcohol guy ultimately became their drummer, which was stupid because they were rehearsing at our house and that guy was a no show to more than half the rehearsals. Oh well.
The drum position in that band ultimately became a big revolving door and I don't think they were ever really able to get things together before COVID hit. But I digress. My point is that often people don't recognize good training on percussion for what it is.
Since then he's had offers to work with bands that advertised they wanted a drummer but then said, "do you have a cajon?" To him that's a red flag that tells him they don't want what he offers and he will decline those offers.
Yes, the flamenco stuff is fabulous! He started looking up really good cajon players when he first bought his and found all sorts of great stuff. It can be amazing when played by someone who knows what to do with one but that of course is not the music most people use it for.This is sad. Too many folks thinking that early Santana grooves are the alpha-omega of latin music. My first life was as a pro trombonist - lots of salsa and Brazilian, both of which remain a big part of my listening life, and my pre-covid band performed almost completely in Spanish, with grooves from across the Caribbean and Southern Hemisphere. But when it comes to Cajon...the Flamenco folks are the JAM!. Definitely it's own instrument, in a big way, and regrettable if that mojo is getting diluted - just like when bossa nova became a US fad, and was run into the ground by the late '60s?
Even a standard E-kit takes up a lot less room than a trap kit.
Or is it something in-between? I have an opinion but I first would like to hear a few of yours.
Editing to specify that I mean a cajon being used in lieu of a full drum kit. Not a cajon in the abstract.
Yes, the flamenco stuff is fabulous! He started looking up really good cajon players when he first bought his and found all sorts of great stuff. It can be amazing when played by someone who knows what to do with one but that of course is not the music most people use it for.
Like a lot of bass players here and their bass?I hate them.... but only because I personally have never played with anyone who was any good at playing the thing. All drummers THINK they are good at it. Most aren't.
For small stuff where volume is an issue, a cajon is often the best move
I really question this. There's a video here where a drummer puts together a super small kit with a small snare, a tiny tom for kick, and a couple of little cymbals. Way more sonic value than a cajon and can be played with bundles or brushes in a more traditional manner. I can't find a single good reason to choose a cajon over actual drums other than trendiness or laziness, or maybe finances.
Oh, they can. My husband used to bring in a djembe with brushes and bundles for certain gigs in small rooms; it pays to be creative. He also mic'd up his cajon during that brief experience he had playing it and added a pedal, which gave it more thump, but it still sounded like a pedal on a 2x4 because the quality of the instruments most people are playing doesn't rise to the sonic level of a decent drum with a head, at least not to my ear.A good cajon player can use brushes or a bundle too though. The really good one I mentioned upthread spent a lot of time working out how to run through a small bass amp, and his kick sound was easily as good as many cocktail kits. I love cocktail kits too though, especially in unmiked applications, which have always been my favorite gigs. The one thing I usually miss with cajon is hi hat sounds, but my friend even had that worked out pretty well.
It's pretty obvious that you've already made up your mind, and have well grounded reasons for that. Hope you find what you're looking for!![]()