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Do you switch basses mid-set?

Do you flip flop?

  • Yes I flip flop

    Votes: 54 45.4%
  • Sneakers only

    Votes: 65 54.6%

  • Total voters
    119
When I’m doubling, I switch between bass guitar and DB a few times in a typical set. I work out with the BL where in the set I’ll switch. Some songs call for DB, some call for BG and the rest can be played on either. The idea to minimize the switching.

Years ago I was in a Celtic band with a bagpiper who had two sets of pipes, one in D, one in G. I got tired of retuning every time he switched so I would bring two basses….a Steinberger L2 and a Steinberger M2, tune one to the D pipes and the other to the G pipes. The fiddler still had to retune :whistle:

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I've never once switched basses during a set. I'm a BEAD guy, no fives, no EADG basses... I'll bring two basses with me, and play the one that feels right and the other one stays in the bag.

Do you bust out your 5 for a song or two? Or do you keep the same bass on all night?
sometimes, yes. Depends on the gig, songs, tuning, etc. Some gigs we're tuned down a half step (Eb), but we'll have guests playing harmonica or something so we'll use standard tuned instruments, then go back to Eb instruments
 
I've always brought 2, one is only a backup. I've only played original rock my whole life, no covers, no need for that "different" sound during set. Our set is our set, my bass is my bass, it all works nicely. I do own 12ish basses and love them all, but only 1 per gig gets played if all goes well...
Sleddogn describes my situation almost exactly except that I own way less bass guitars. 🤠

I always have a backup ready and have always played original music. (My only non-original experience was filling in recently for the bassist in a REM tribute band for one show).
 
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From upright to electric. We usually try to write up set lists to allow a switch between sets, but sometimes the BL will change the list on the fly, and my inability to play Charlie Parker heads on upright comes back to bite me. Fortunately, the switch is almost always covered by our singer's stream-of-consciousness banter that runs between songs!
 
I've always brought 2, one is only a backup. I've only played original rock my whole life, no covers, no need for that "different" sound during set. Our set is our set, my bass is my bass, it all works nicely. I do own 12ish basses and love them all, but only 1 per gig gets played if all goes well...
To each their own, of course. However, one might imagine other scenarios, like different tunings or maybe a different number of strings.
 
I typically bring 2 basses in different tunings and often use a pitch shift pedal to cover what they’re not tuned to. The band I play in uses tunings from drop A# to E standard and everything in between. We try to tailor the setlist so the guitarist and I don’t have to swap much between songs, typically only having to swap between sets.
 
I've never once switched basses during a set. I'm a BEAD guy, no fives, no EADG basses... I'll bring two basses with me, and play the one that feels right and the other one stays in the bag.

Do you bust out your 5 for a song or two? Or do you keep the same bass on all night?
My 1982 Olympic White Jazz, that I bought in 1985 is my primary bass. It's mellowed to a light cream color over the last 40-years. When I play with a group that does songs where I need to do stuff on that low B string, then I'll swap it out for my 5-string. MY 5-string is a cheap 5-string that looks good and sounds fine, but it doesn't sound as good as my Jazz. So I don't use it for everything.

My Jazz is unusual because it has an all-maple neck and has the 70's era pickup spacing of 4" center to center. It has a LOT more sustain than my '65 Jazz that I bought in 1966 did. I toured for 3 years with that Jazz and loved the neck on it and the sound. Then all my touring gear was stolen in 1976. In 1985 I bought my '82 Jazz specifically because it felt the same as my '65 did. As soon as I started playing it, it felt like coming home. I didn't expect it to sound better than my '65, but it does. Because the bridge pickup is almost 1/2" closer to the bridge (0.4" to be exact), it has a little brighter sound and if I want it to growl, I'll just dig into the strings over the bridge pickup and it will growl all day long.

As far as the sustain goes, my '65 had almost none until I decided to give everything a good cleaning when I first started touring and found there was a strip of open cell phone glued to the inside of the big ashtray pickup guard/cover. I scraped that sucker off and then lo and behold I had some sustain. One of the songs we did in our 5-pc group was "Eminence Front" by The Who. The beginning of that son has the bass hitting a low F and letting it ring for two measures (8-beats) before hitting the next note, a Db (C#), and letting it ring out for two measures. My '65 had a maple neck with a rosewood fret board and at least that last measure may as well have been a rest. My '82 Jazz has al all-maple neck and it rings out that lone with no problem.

I could be wrong, but I attribute that much better sustain to that all-maple neck. I run the controls on my jazz maxed and only boost the low mids at ~250Hz up to 1:30 with my Eden amps and it sounds golden. With my DNA amp I also boost the bass EQ up to 1 o'clock because It is a shelving control at 35Hz whereas the Eden Bass EQ shelves at 30Hz. In any case, I just love the sound I get from my '82 Jazz and always play it unless the song we're playing needs notes on that B-string. I played with one group that had about 5 songs that called for use on the B string and I'd drop my E-string down to get the note I needed. It's a pain to keep tuning it down and then back up though and more than once I've forgotten to tune it back up before playing the next song...and transposing on the fly with it dropped down a full step or more is no fun! So I bought a 5-string

My 5-string is an old Rogue LX405 Pro that I bought in 2009 when they were still made in Korea. Fit and finish on it is spectacular and sound is good. Not great mind you, but good. Unfortunately they've changed factories twice since then and the ones that are made in China can have as nice of a fit and finish as mine, but I wouldn't buy it without looking it over first. I bought mine sight unseen and was very pleasantly surprised with it. As a 5-string it has a much wider neck than Jazz, but it's not a thicker neck. It has a 12" radius on the neck compared to the 7.25" radius on my Jazz so it's super flat by comparison. But with its slim neck I found I could get around on it just fine.

My 5-string is an active bass that can be played in either active or passive mode and I play it in passive mode. That way I don't have to change the gain on my amp to compensate for its much hotter active signal. In passive mode the EQ knobs don't work but the volume and the blend knob both do (has both a neck and bridge pickups). I typically just turn the blend knob about 1/4 trun towards the bridge pickup and I've got a good sound. That makes swapping basses must faster. Plus I use a wireless that I just unplug from my Jazz and plug into 5-string. I might replace my 5-string somewhere down the road, but I'll never let go of my '82 Jazz.

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I used to switch between electric and EUB several times per gig. Wore the electric and pulled the EUB (on a stand) into position for the appropriate songs. A/B switched between them. Really wanted to play fretless on some tunes at today's gig but switching would have meant removing one and putting on the other, which would have disrupted the set flow. Next gig I'll do the sets so I have blocks of fretless-friendly tunes together.

BBB
 
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My gigs the past few years have been 4 hours, with a 10-15 minute break in the middle. I've been in the habit of playing my Squier Paranormal Rascal bass (~10#) for the first set and swapping to my Fender Urge I (~7.5#) for the 2nd set. My back and shoulders appreciate the change. Aside from the weight, the ergonomics on the Urge are better so makes the 2nd set overall more pleasurable as I get tired in the 3rd-4th hour.

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