Definitely... that we talk about crush dreams in the context of expensive toys ahem, I mean tools, is the definition of first world problems.Also "first world problems"![]()
Last edited:
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Definitely... that we talk about crush dreams in the context of expensive toys ahem, I mean tools, is the definition of first world problems.Also "first world problems"![]()
There are many variables that add up to the sound the baffle in the cabinet and the speaker are important. The baffle is different in the later 70's versions. I used a B-18 in the early 70's and a few B-15's. Chuck Bartells who plays with Sturgill Simpson just uses a B-15 and a mic.Let me expand: I'm not looking for a REDDI. It's great at what it does, but not what I'm after, and I already own one.
I recently tracked in a studio with an actual B15 for the first time, and after picking my jaw up off the floor and taking myself home found that the UA plugin is a fairly close amalgam.
Unfortunately, using either of these things live is a non-starter.
What I'm hoping to find is something in pedal format that will allow me to avoid the cost and bulk of purchasing a Kemper and profiling a B15 for my touring work next year.
I currently have some REALLY excellent pedals (X7, AOU, DP3X, BDDI, Q/Strip, OCSD, and a whole mess of dirt and fuzz boxes) but as of yet everything has fallen short of the mark I'm looking for.
I'm interested in anything under $1k that offers the same rich midrange, musical overdrive/distortion and even punch across the entire fretboard as a B15.
There's a $20 in it for the chap who points me in the right direction
GO!
I do make them. I stopped taking names for the waitlist because it has become impractical at this point. Once I clear the wait list I'm moving to a model that works better for my business. This started as a hobby and has grown quite a lot bigger than anticipated.Question- there are so many threads with TBrs who want the Broughton P15. Why doesn’t Josh want to make them anymore? Are they simply that labor intensive to build? I can’t imagine cost would be an issue as he could bump the price up and people would still buy them.
I do make them. I stopped taking names for the waitlist because it has become impractical at this point. Once I clear the wait list I'm moving to a model that works better for my business. This started as a hobby and has grown quite a lot bigger than anticipated.
There are many variables that add up to the sound the baffle in the cabinet and the speaker are important. The baffle is different in the later 70's versions. I used a B-18 in the early 70's and a few B-15's. Chuck Bartells who plays with Sturgill Simpson just uses a B-15 and a mic.
Good suggestion.
I did a print ad for Line 6 a few years back, I’ll have to reach out to them to see if I can get one to demo.
Have you tried the One Control silver Peg? Not a B15 pedal, but it’s made to sound and behave like the old V4-B. I love the mid control and the warm tubey overdrive.
If you end up getting one, you know you’ll have to share your presets. Your demos are always killer so I know you’d be able to find some great tones.
... I’ll keep the thread apprised about what box(es) I end up with -

You should give VT Bass DI a try! It has a BITE switch which will take away the “harshness”. I also use a REDDI. I’m sending it a clean signal via Parallel Out in VT Bass DI and then run another XLR from VT Bass that is setup for that B-15 crunch. Our audio engineer blends them together and we’re really happy with what we get. Budget friendly and functional!I had a VT Bass some year ago and never quite got on with it: there was an inherent harshness to it from what I remember.
Certainly wouldn't hurt to give it another shot though, seeing as I've repped their gear for almost a decade![]()
You should give VT Bass DI a try! It has a BITE switch which will take away the “harshness”. I also use a REDDI. I’m sending it a clean signal via Parallel Out in VT Bass DI and then run another XLR from VT Bass that is setup for that B-15 crunch. Our audio engineer blends them together and we’re really happy with what we get. Budget friendly and functional!
I have the VT bass pedal, what “Bite” switch are you referring to, the speaker sim?You should give VT Bass DI a try! It has a BITE switch which will take away the “harshness”. I also use a REDDI. I’m sending it a clean signal via Parallel Out in VT Bass DI and then run another XLR from VT Bass that is setup for that B-15 crunch. Our audio engineer blends them together and we’re really happy with what we get. Budget friendly and functional!
No. It’s only available on VT Bass DI. It’s by default is enabled in all other versions. Here’s what @tech21nyc said about it :I have the VT bass pedal, what “Bite” switch are you referring to, the speaker sim?
I have the VT bass pedal, what “Bite” switch are you referring to, the speaker sim?
The closest to an actual B-15 is the '66 flip top model in Fender's new Rumble Studio 40 & Stage 800 combos. Very authentic. Auditioning one for yourself.
My B-15 story is as follows: I had just turned 16 and had been playing bass for all of oh, five weeks. A TV & Appliance store across the street from my high school had a B-15 in the window for sale. It belonged to the electronic repair tech. He bought it from the original owner a few months before. Went through it and put it up for sale. This was in early 1970. I tried it and hated it. Ended up buying a Kustom 200 with 2x15 cab. That amp rocked!
Hit up the '66 flip top model on my Studio 40 for the first time and it all came flooding back. It sounds exactly how I remember it. I still hate it.
Not at all the same thing, but still very cool and ironically the sound a lot of people naturally think of when they hear “B15”...even though those Motown recordings were all DI![]()
Well I guess it wouldn't be an amp thread without this.
I thought I read they were done through a multi channel home grown amp