and here it is hahaha
That reggae band is about to get paid
Virtually identical!
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and here it is hahaha
That reggae band is about to get paid
And that is exactly how the Blurred Lines case was decided. A jury of non musicians. Someone asked Stevie Wonder was it the same song and he said no. Extremely credible.I'll leave the actual is it a ripoff or isn't it to others, but I've always felt cases like this should be decided by arbitration councils made up of credible and impartial musicians. I think the idea of a judge or jury that most likely doesn't understand the first thing about music or composition will be charged with making these kinds of decisions is sort of laughable.
Well within 2 seconds I sung "The BOYS ARE BACK IN TOWN!" Purely out of reflex.Put on Danzig's "The Hunter" from his debut & without using the internet, tell us the original artist.
Blake Mills posted a great Twitter thread about this.
Dude. She's a vocalist. She knows her lane and seems to stay in it. She hires teams to write and give her the canvas to apply her craft to.I totally disagree with Blake and I'm disappointed. His ear is much better than this. Malicious me thinks that maybe he's in talks about producing Dua Lipa...
I know way more amazing singers that have never written a single song than those that have. There are also amazing song writers that can't sing. Singing and song writing are two very different skills.Not every amazing singer is a song writer.
I know, all I'm saying is Blake's tweets made no sense to me unless he's trying to defend her for other reasons. I was being malicious on purpose.Dude. She's a vocalist. She knows her lane and seems to stay in it. She hires teams to write and give her the canvas to apply her craft to.
Not every amazing singer is a song writer.
I really think someone in her team is to blame and hopefully they own up and don't screw her over more than they already have.
Elton John...I know way more amazing singers that have never written a single song than those that have. There are also amazing song writers that can't sing. Singing and song writing are two very different skills.
It's "easy" when you're a wealthy musician, backed by a major record label, and the plaintiff is a small-time band with few resources.I get your point. I'm simply highlighting that it would be rather easy to build a defense, and present evidence in a manner that even a non-musician can comprehend.
Sorry, but you don't get to decide that. It really doesn't help that from the way you're talking, no one could ever sue anyone for any musical copyright infringement, even if they copied a famous song note-for-note and claimed authorship.A chord progression cannot be copyrighted. I think we agree on that. I would also include time signatures and specific rhythms in that category.
And again: There are far more than 12 melodies that can exist, which is one of many reasons why these types of lawsuits are rare.But still... generally speaking, we have 12 notes total to choose from.
Meaning what, that Lipa and her producers and record labels are knights in shining armor, fighting for the Little Guy? Guess again.Sorry, this is a money grab, disguised as a civil suit with a jury, hoping for a settlement.
They call re-recording and inserting a snippet from another song “Interpolation”.I know a common tactic is to take a sample or other piece from an existing song, work it into a new song, then hope you don’t get sued. In the meantime, you might have a hit on your hands. And if someone notices and you get sued, you as the writer just throws the original artist a credit. Maybe not the best way to do business, but it happens.
Yes. And if I had the data, I could calculate it myself, no extra expense needed. The point is not about who has the resources to calculate it, the point is that it can be done - it can be proven, objectively instead of subjectively.It's "easy" when you're a wealthy musician, backed by a major record label, and the plaintiff is a small-time band with few resources.
I have actually listened. I am not arguing against the similarity of two songs. I am asserting that this type of similarity is common and probable. And... "similar" does not equal "identical". At this point it becomes subjective.Again, if you actually listen to the recordings, the choruses are nearly identical. Same key. Same chords. Same rhythm. Same vocal melody. C'mon.
.And again: There are far more than 12 melodies that can exist, which is one of many reasons why these types of lawsuits are rare. Heck, human beings are constructed entirely out of just four proteins. There's an enormous number of melodies you can make out of 12 notes.
Rick Beatto played both choruses at the same time, and they are virtually identical.I have actually listened. I am not arguing against the similarity of two songs. I am asserting that this type of similarity is common and probable. And... "similar" does not equal "identical". At this point it becomes subjective.
Doesn't sound right. The Dua Lipa song resolves on the 1. The other tune doesn't. So how is that virtually identical? Are you guys NOT hearing that?Rick Beatto played both choruses at the same time, and they are virtually identical.
Actually Rick mentioned that part as well. Of course there is a bit of hyperbole and we all do that. Copyright infringement cases have been won or settled when there were less similarities than between those 2 songs. And it's more than obvious that the songs are very much alike. Have you seen Rick's video?Doesn't sound right. The Dua Lipa song resolves on the 1. The other tune doesn't. So how is that virtually identical? Are you guys NOT hearing that?
If you follow my comment history in this thread (not that you want to), I am not necessarily arguing against the similarities. My point is that the similarities are very common. If I wanted to argue against the similarities, I would highlight all the differences, because there are as many differences as there are similarities.Actually Rick mentioned that part as well. Of course there is a bit of hyperbole and we all do that. Copyright infringement cases have been won or settled when there were less similarities than between those 2 songs. And it's more than obvious that the songs are very much alike. Have you seen Rick's video?
You may be undercounted the 10s of thousands of proteins that comprise the human body. Proteins themselves are made of dozens of amino acids. Best I can guess is you meant nucleic acids of which DNA is made of 4, but humans are made up of 5 nucleic acids.Heck, human beings are constructed entirely out of just four proteins.
Edit/Correction: Rhianna's song is called "LIVE Your Life".If you follow my comment history in this thread (not that you want to), I am not necessarily arguing against the similarities. My point is that the similarities are very common. If I wanted to argue against the similarities, I would highlight all the differences, because there are as many differences as there are similarities.
I agree with you that copyright cases are won/settled in situations with less similarity. This is an assumption, but would guess the reason for that is the people who make the final decision - a jury or judge - do not have the musical knowledge required to understand how often chords, rhythms, melodies etc. are repeated. If they understood that a 1, 4, 5 progression is one of the most common, and there are only 12 notes to choose as the root key signature, and that major and minor scales are the most common, etc., if they were presented with data showing this, they might rule differently.
Do I think the songs are very similar? Yes. My point is that if artists resort to litigation every time two songs are similar, we would need a separate legal system to handle the case load. And the artists themselves (Artikal for example) would be hypocritical to overlook the similarities between their songs and others that came before. Rihanna released a song in 2008 called "Life Your Life". Should she sue Artikal for ripping off the title? Where do we draw the line between "influence" and "plagiarism" with something so subjective as music?
Okay then. Please point out the dozens of songs that use the same chord progression and rhythm and melody as these songs.If you follow my comment history in this thread (not that you want to), I am not necessarily arguing against the similarities. My point is that the similarities are very common.
And yet, even though the law did not change two days ago, we don't see an avalanche of lawsuits against every big hit. Why is that?Do I think the songs are very similar? Yes. My point is that if artists resort to litigation every time two songs are similar, we would need a separate legal system to handle the case load.
The current standard is that the similarities need to be expressible in standard notation, and there is no relevant prior art. Contrary to your earlier claims, chord progressions can be copyrighted, if they are sufficiently unique. If it goes to court, then it is the jury that draw the line.Where do we draw the line between "influence" and "plagiarism" with something so subjective as music?