bongomania
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Take that for what you will, but you sound very defensive over nothing.
The judgment that they probably don't sound either better or worse than all the other cookie cutter cabs out there is hardly a rousing endorsement. OTOH the claims made on their website for their performance compared to other cabs would require that there be something fundamentally different about their engineering, and that's just not the case.You're not helping my argument there Bill.![]()
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So the challenge for each of us is to share what we know, whether technical or aesthetic/practical/musical, without crapping on the other person. Right?
Just a side note, it's completely unfair to Earcandy, but there was a thread long ago from a guy who sung the praises of his Earcandy cab, and it evolved into one of the epic threads of all time for reasons completely unrelated to the cab itself.
+1
You know, it's funny--I get really interested in the threads and posts from acoustical experts here, and make my mind up that any cab I buy must be the most efficient and scientifically-correct thing possible... and then ten minutes later I get wrapped up in threads about how awesome old Ampeg, Mesa, and Peavey amps sound(ed), and make up my mind that any cab I buy must be the epitome of vintage rawk.
Yes, I'm foolish that way. Oh well.
Anyway my point is that from what I've read, the Earcandy cabs rock hard and sound awesome, in spite of the possibility that they may not be designed on the soundest of acoustical principles, and may not do quite as well in the lowest frequencies as they claim.
So we give him a thumbs up on customer service, thumbs down on engineering chops.At first I was unpleasantly not impressed... He offers to remake the whole cab for me. .. It has a boxy kinda sound. He uses no dampening material on the inside. ..I have a VERY old GK 1-15 cab, probably early 80s design... It has MUCH more deep bass response than the 2-12 bassbomb...The one thing in hindsight I should have noted, is that on his website, there are NO response curves, or any definitive specs at all, just words.
So we give him a thumbs up on customer service, thumbs down on engineering chops.
By the look of his site that's what I expected, bass cabs built to guitar cab standards. The problem with that is, while you can throw a driver into a box and it will work perfectly well on guitar, do that with bass and results will be iffy at best.

I don't know about that "thumbs up on customer service", I placed an order for a cab back in March, which I was told would be done by mid-May. Sadly, I had to cancel it due to some medical expenditures and he was completely cool and understanding. But, he sent me an email last night telling me that the cab is almost done and that he wants to bill me! ***?!
1. I cancelled it and had at least 2 email conversations with him since cancelling, all was cool.
2. It's the second week of July! 1.5 months late. Does he honestly believe that someone would just let the ship date go by without asking for updates?
And now after reading more about the design of the cabs and how they should be built, I'll pass on Ear Candy.![]()
Of course, the Ampeg 8x10 is not designed for deep low frequencies.MUCH better than the Ampeg 8x10 (with LMII) I plugged into last Thursday at Under Acme here in new york.
Really--seriously? I would be worried about a lot more than the cab if that was the situation.I always get compliments on my sound when I use my BassBomb, when using other cabs not so much.......