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East Tennessee Talkbass

No one that I know of offers the service around here. There is a device clamped to the neck that heats the neck to around 150 degrees for an hour or thereabouts while the neck is clamped into a back bow with the truss rod barely engaged. It’s the only method I’ve heard of to save a neck that has a maxed out truss rod.
I’d love to tackle it, if you don’t mind me having the neck for a while. I’m backlogged on builds at the moment and would struggle to find space to setup my makeshift heat station.

I’ve heated out a twist in a T-40 neck before. The neck was still toast in the end. The neck was separating at the bilaminate seam, at both ends, when I received it. I still plan to get that neck working again someday.
 
Made my first pickguard last night. From cutting paper to cutting an MDF template, lots of hand filing.... I’m happy with it!
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Eventually, I will. Plan is to start the actual business next year, license and all, then the promotion stuff after.

I also want to be cutting my own bodies and necks by then. I don’t want to hear the BS comments about “parts” basses and guitars, when I officially start it up, even though many big names I won’t mention here buy necks and bodies from other sources and charge over $4k for their basses.
 
I’d love to tackle it, if you don’t mind me having the neck for a while. I’m backlogged on builds at the moment and would struggle to find space to setup my makeshift heat station.

I’ve heated out a twist in a T-40 neck before. The neck was still toast in the end. The neck was separating at the bilaminate seam, at both ends, when I received it. I still plan to get that neck working again someday.

JJ, I’d love to let you tackle it. The neck is already boxed up for shipping but I don’t have a deal with anyone else yet. Since I already have the maple neck, there wouldn’t be a rush either. Just let me know when you are ready for it and we can work out the details.
 
JJ, I’d love to let you tackle it. The neck is already boxed up for shipping but I don’t have a deal with anyone else yet. Since I already have the maple neck, there wouldn’t be a rush either. Just let me know when you are ready for it and we can work out the details.
There’s several options for a fix. Message me your phone number so we can talk. :-)
 
Here’s the two basses I’ve spent all my spare time putting together, the last 5 or 6 weeks. I’ll be playing them tonight at Tennessee Tap House on Parkside Dr (Knoxville) from 7-10.

I may sell the yellow and blue one... but probably not. They both play like buttah! I really outdid myself on these two necks! The last two pics show what I’ve learned (and hours of work) from my Lākland mentor Carl Pedigo.
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Have any of you ETTB'ers gone to or played at the Open Chord blues jams in Knoxville? They are back again, every Wednesday night. What are they like, are they well-attended? Good players showing up?

I am thinking about hitting one before the end of the year and if it's a good thing, maybe do a few this winter.
 
Haven't had the pleasure, but know some of the guys who show up, it's bound to be fun!

Have any of you ETTB'ers gone to or played at the Open Chord blues jams in Knoxville? They are back again, every Wednesday night. What are they like, are they well-attended? Good players showing up?

I am thinking about hitting one before the end of the year and if it's a good thing, maybe do a few this winter.
 
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Oops! Just checked on your webpage, and you haven't played it yet! Let us know how it went after the fact. :)
@Michael Vee It was great! I ended up restringing one of my basses B-G just to do the songs justice. The main guy was using a four string, so I didn’t lay into the low notes too much, but there were a couple of songs that had to have the notes there.

I used a Saturn loop pedal to combine a filter, comp, and boost to get the synth sound for Super Trooper. I put my octave pedal on a bit for some grind on Gimme Gimme Gimme! and used the chorus pretty extensively in many of the charts. I flipped my Muck between neck and bridge pickups to cop the precision/jazz sounds, and it really worked.

Was a great show to play. The cast was awesome and our MD is an ace. We had a lot of fun. Waterloo and Mamma Mia! were my faves.
 
Thanks for the report, Jeff! I'm glad you enjoyed playing it. Your approach sounds similar to what I did when I played it, except I just played my G&L 5 for the whole show with different settings. I took the liberty of putting some B-string sub-E notes in here and there where they weren't written, for effect. The disco octave bounces pretty much have to be played high to keep the energy of the songs up, but occasionally, I played a disco bounce down low on the B and A strings at the beginnings of songs and then went up to the regular octave for subsequent verses to build the song. Plus, it's always fun to end a song on a sub-E note.

How did Name of the Game go for you? Did you play it on fretless, and did you enjoy that solo groove?

I would agree that Waterloo and the title song were the most fun, both to play and with the audiences singing along and screaming!
 
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