So, to clarify what is turning into a silly argument. There are 3 types of minors.
1. The natural minor has (in comparison to the Ionian mode) a flat 3, a flat 6 and a flat 7.
2. The harmonic minor has a flat 3, a flat 6 and a leading tone.
3. The ascending melodic minor (the least common) has a flat 3 while the descending melodic minor has a flat 3, a flat 6 and a flat 7.
All of these are based entirely on the Aeolian mode.
Since I'm stupid and can't resist...
Using your above example, why does the Dorian minor not have a flat 3, a natural 6 and a flat 7th? Based on Aeolian, of course.
Or do you just arbitrarily decide what gets called minor or not?
Note to self:
*I'll bet this is gonna be good...*
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