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EHX English Muff'n Uberthread

#23
Today was the day, I had been tracking my package all the way from Florida to my house for days on the DHL website and it finally arrived! Much to my surprise, the box was about the size of a small television, I cut the tape, pour out a ton of styrofoam peanuts, and there it is: the most beautiful pine box I'd ever seen.

Adorned with a royal blue ram's head, a Union Jack flag and my favorite word in the world, the English Muff'n was already a success in my book. I open the ceramic seal to find nothing but bubblewrap and a power adapter. Opening the bubble wrap, it finally occurs to me for a final time, this Muff has tubes in it! I couldn't be more excited.

Immediately I took off the protective black aluminum tube-guard to check out the tubes. I was surprised to see a pair of Electro-Harmonix 12AY7's as I expected one to be a 12AX7. At first I was pretty disgruntled, figuring that with a twenty-five year old P-bass with flats, and a pair of low gain preamp tubes that my fuzzy goodness would be weak and pitiful. Though after plugging in, I noticed one light was omnipresent meaning the unit was powered but bypassed.

I plugged my '78 Precision into the input, my output feeding directly to the instrument in on my Gallien-Krueger, set all the levels to flat, and stomped the switch. I was immediately faced with a boosted signal and a hint of sweet, sweet tube overdrive. Surprisingly, I found myself cranking down the EQ section, with the highs and lows right in the middle, and backing the mids off to a little shy of eleven o'clock. I upped the gain and lowered the volume to match my signal when the British beast is disengaged.

The effect could be described as nothing but tubey goodness. It's the perfect cure for the shrill highs and brilliance of a modern amp. A power chord struck high on the neck rings like a Les Paul through a Marshall stack, and an open E performs with the same warmth. Even with flatwounds, the tone really opened up, was anything but dead, and I've certainly found my new weapon of choice.

Folks, this ain't your pappy's fuzz box, this is the sweetest box of goodness you'll ever lay your feet on!
 
#25
Droog,

I'm surprisingly very pleased with the low end response. Actually, I had to back it off a bit. And I can make the thing fuzzier than Gary Coleman's chin... wait, bad example... It can get very, VERY gritty. Let's just put it that way, but it always retains definition, unlike a Big Muff.

They're both great beasts, but I love my Muff'n a LOT!
 
#31
protoz said:
Not really but some Sabbath or Metallica is always appreciated :)

it would be nice to see if you can A/B your regular muff if possible
Click to expand...
SOUNDCLIPS!

Sorry about the Quality, signal is as folows:
'78 P-Bass w/ Flats -> Effect -> GK 400RB-III DI OUT -> Tascam Portastudio -> Laptop Microphone input

But it should give you a pretty good idea. I know, I need to upgrade my digital recording. LOL.

Please don't stream, I can't afford the bandwidth. Please right click and hit save as.

1. [Invalid or Expired Link Removed] (Get idea of originating signal)
2. [Invalid or Expired Link Removed] (for comparison)
3. [Invalid or Expired Link Removed] (nice clean tube overdrive)
4. [Invalid or Expired Link Removed] (nice FAT distortion)

If you can't tell, it's just a quickie recording of Seek & Destroy. Please, no comments on my lack of keeping tempo ;)
 
#39
Clips 3 and 4 are with the Muff'n, I'm in love with this pedal! I leave it on the setting for clip 3 most of the time to add that tube grit to my GK stack and it sounds great, even better in person!

And yes, there IS something better than a Big Muff, I don't believe it!
 

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