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Entry into the bass amp world

First time poster. I am a guitar player who has been playing over 40 years now and have decided to move to playing bass at least half the time simply because there are more gigs open to bass players and, quite frankly, I love grooving instead of playing leads all night.

That being said I have a PA that will handle vocals, even outside, but I am a little concerned about introducing the bass into it. So... I am looking for a bass amp that will carry my sound at mostly indoor gigs, but the occasional outside gig as well. I play mostly blues/rock stuff with some funk and fusion type jazz as well.

The caveat is that I don't want to break the bank in case I decide that playing bass half the time really isn't what I expected and go back to guitar, leaving a bass cabinet mostly sitting in the garage.

I've looked at the Hartke HD150 (played it also a t a local music shop) and on 2 it was pretty freaking loud. I have also looked online at the Rumble 100 V3 and the Ampeg RB-112 Rocket Bass amp.

Anyone think these would fill my need? I know they all have direct out which if I "did" have to connect to the FOH I could.

Oh, and my bass is Fender J-Bass.

Again, I really don't want to invest a TON of cash until it looks like I am gigging more playing bass and feel the need to upgrade my bass gear.

Thanks for the input!
Post #4
 
Another idea crossed my mind since folks are talking direct. What about running through an Alto TX315 with my Hotone Ampero? The TX315 is 700w powered speaker with a 15" 2-way speaker in it. Maybe that setup is an option?
That's probably not gonna work well for bass with no PA support. That 700w is peak not continuous and it only goes down to 65Hz. And, it's -3db at that frequency. Not designed to be a bass rig and imo will probably just not sound very good. Fine for a modest PA main or vocal wedge but again not a bass cab.
 
First time poster. I am a guitar player who has been playing over 40 years now and have decided to move to playing bass at least half the time simply because there are more gigs open to bass players and, quite frankly, I love grooving instead of playing leads all night.

That being said I have a PA that will handle vocals, even outside, but I am a little concerned about introducing the bass into it. So... I am looking for a bass amp that will carry my sound at mostly indoor gigs, but the occasional outside gig as well. I play mostly blues/rock stuff with some funk and fusion type jazz as well.

The caveat is that I don't want to break the bank in case I decide that playing bass half the time really isn't what I expected and go back to guitar, leaving a bass cabinet mostly sitting in the garage.

I've looked at the Hartke HD150 (played it also a t a local music shop) and on 2 it was pretty freaking loud. I have also looked online at the Rumble 100 V3 and the Ampeg RB-112 Rocket Bass amp.

Anyone think these would fill my need? I know they all have direct out which if I "did" have to connect to the FOH I could.

Oh, and my bass is Fender J-Bass.

Again, I really don't want to invest a TON of cash until it looks like I am gigging more playing bass and feel the need to upgrade my bass gear.

Thanks for the input!
Well...I hate to say it, but none of the above. Be aware that you need about 8 times more watts with a bass amp than you would with a guitar amp in any venue. It takes a lot of watts to move the speakers enough to produce those really low tones.

Small venue:
I have one small set-up that I use for small brew-pubs. It has a 225-watt Eden TN-226 amp running into an Eden EX112 cab (300-watts handling power, weighs 4.7-lbs). It works good for those small venues but it's not enough for medium-sized venues, let alone an outdoor venue. I got this because small venues would freak when I'd roll in my DNS-410 cab (by DNA) and typically make me play through their 112 combo amp backline. So don't count on taking a 410 everywhere. I did and got quite an awakening. I bought that small Eden set up because it had the sound I was used to and we hosted Open Mic Nights at that brewpub more than 40-times each year.

Medium venue:

For medium-sized venues I run my DNA-800 class D amp (800-watts into 4Ω or 2Ω, 400-watts into 8Ω, weighs 4.8-lbs.)) into my DNS-210 cab by DNA (handles 700-watts rms with max SPL of 134db) It is a crazy loud cab and I actually use it for both my medium and large indoor venues. That's unusual for a 210 cab though. Normally you'll want to have a 410 set-up for large venues though. A decent 210 cab should be able to handle all your small and medium-sized venues. Not really suitable of outdoor venues unless you have FOH reinforcement of your bass.

Large venues, outdoor venues, and Music Festivals:
It's unusual to use a 210 for large venues though, although my DNS-210 covers large venues just fine. Again, that's unusual, and most 210's aren't loud enough to handle that. I used to use my 410 for large venues and that is really "normal".

I do indeed use my DNS-410 for all my outdoor venues and music festivals. It handles 1400-watts rms and is a crazy louder cab than my 210. I'll run either my DNA-800 amp into it, which will only put out 400-watts into it, but since this is an even louder cab than my DNS-210, 400-watts will drive it as loud as I need it in most situations. With very few exceptions a 210 is not really enough for outdoor venues because there are fewer walls to contain the sound so less reflected sound. The 410 will handle that just fine though.

On music Festivals though,I do make a concession to amp weight and bring out my Big Eden WT500/800 amp (weighs ~36-lbs in its rack). I run that bridged at 800-watts into my 8Ω DNS-410. Then I get told to turn down if I run my master on that big Eden amp up to 10:30. If I want to get crazy, I'll stack my 210 on top of my 410 and drive the two of those with my DNA-800, which will feed 400-watts to each cab. But I get told to turn down with just the 410, so I certainly don't need to stack them...It does look cool though!

Recommendations:
Unless you want to be buying new gear every time you play a larger club, I'd recommend getting an 210 cab in 8Ω and an amp that will put out 500-watts into 4Ω. That amp will put out at least 250-watts into the one 8Ω cab and if you add a second 8Ω cab when you need to fill a larger area, it will put 500-watts out, which gives you a de facto 500-watt 410 rig. That will let you play virtually any indoor or outdoor venues as well as Music Festivals.

I like separate amp and cab components, but both Fender and Ampeg make 210 combos that will put out 500-watts if you add a second 210 cab to them and that would probably get you the best bang for buck to get going.
I believe they are both around $650 for the combo, which will get you playing most of your venues. They'll put out enough power using their internal speakers - 250-watts rms for the Ampeg Rocket Combo 210, and 350-watts rms for the Fender Rumble 500 - to handle small and medium sized venues. When you need to play large venues, outdoor venues, and music festivals adding the second cab will give you the ability to do that.

Both of those are good choices to get going with a good sound comparatively inexpensively. They do pretty well lock you into Fender or Ampeg upgrades, but as long as you like the Fender sound or the Ampeg sound, that's fine.
 
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I've played plenty of outdoor gigs with a Nemesis NC250 1x15 combo, and now a Markbass CMD112p. Based on what you've said, the other instruments will not be in the PA either, so you only have to pitch volume to match the acoustic drums. Any louder and everyone would have to through foh. So, I'd say go for a 15 or 2x10 combo with at least 200w rms.

Interestingly I've joined a new band who put everything through a couple of db technology systems - 10 inch sub and 4x3 inch in the tops, line array type thing and it sounds remarkably good with bass in, even outside.
 
I second the Fender Rumble 500 as well. I just got it because I'm older and I don't want to carry around my heavy head and cab anymore. The whole combo is lighter than my old head alone and has the same power. 350 watts standalone which should do most rooms and I have my old 15 inch cab to hook up to it for outdoors or large stage usage. My old set was a 500 watt head into a 8 ohm cab and I never needed to turn it up more than half way. 100-200 watts is plenty for anything but a large stage.
 
I use a Genz Benz 6.0 210 shuttle and a 12" Genz Benz extension cabinet for outdoor gigs. 600 watts and very lightweight. For indoor gigs, just the 210 combo (about 34 lbs and 375 watts). Bought it all used for just under $600.
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Pick up a used GK400RB and a used single cab with 2 10" or 2 12" speakers. You will be plenty loud without breaking the bank and you should be able to score these for less than $400- 500.
Have a good time playing bass.

I just bought an original-issue (no IEC cord) cosmetically-challenged GK400RB for $125 off local FB Marketplace. As soon as I plugged up to it at the seller's rehearsal-den-of-iniquity I recalled why I already own one. Dang these things are still impressive.
 
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In your situation I would go with a tech21 di pedal...they sound great through any small PA or stand alone powered monitor...the original one is about a $200 investment.
Yep. For a $600 ceiling you can go through a pedal DI direct into your PA system. Sadowsky SBP-1 and Ampeg SGT-DI are other good choices. With the leftover cash, like others have said, find a cheap used passive subwoofer to beef up the PA.

Although a Fender Rumble 500 is a good economy choice now, a bigger budget down the road will get you into tour quality gear. Mesa, GK, Ashdown, EBS, Hartke, PJB … it’s never been better.
 
For your budget and the playing scenarios you desccribed, I'm going to be the next to suggest a Fender Rumble 500. I don't own one but have used the Rumble twice at an open mic where it was the house band's amp and I was quite impressed with it. It filled two different average sized bars nicely and sounded great with a wide variety of basses playing a wide variety of styles through it. Based on my experience with them, I think they're a great value.

You won't get the full 500W from the combo itself (it's 350W if I remember correctly?). But, you can add an extension speaker to it and get the full 500W and, probably more importantly, more speaker cone area for more volume if you decide later on that need it. Plus, they're fairly lightweight and easy to carry.

New, it's a little above your budget, but they can be found used well below that price point. Yes, you could find even better rigs used for not a lot of money. But the question is when will one of those rigs pop up for sale at your price point and will it be one you like. If you have lots of time to "hunt", then you can be patient and wait for something like that to pop up for sale near you. But, if you need something sooner or just don't want to wait an indeterminate amount of time, the Rumble 500 is an excellent choice.
 
I have a 500w head and a couple of 12/6 cabinets. Most of the indoor stuff requires one cabinet but outdoors I use both. This was with 2 guitars and drums rock and blues and a seven piece country dance band
I also used a 60w cube with a 10” and a small horn, but that was with a hillbilly string band.
What you are playing and how big the room is will determine your amp size, but if you are going to be doing electric stuff I wouldn’t take any less than 350W and a couple of 12” speakers. One box would do it, but a couple would be simpler to wrangle.
 
Try an Ampeg RB210, just under 40 pounds. I've used mine outdoors at a golf course party with a moderately loud band. Used they run about $450-500. If you buy a new one, it wont have any scratches and will come with a two year warranty