...Apparently, not JUST teenagers. There's a lot of people on this forum who are just too "special" to play a Fender.
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You guys need to get over Paul Tutmarc. Paul Tutmarc invented an electric bass. Leo Fender invented the electric bass as we know it today. I mean no disrespect to Mr. Tutmarc or his invention, but had Leo Fender not come along with the Fender Precision, Paul Tutmarc's name would be even more obscure than it already is. We certainly wouldn't all be talking about why "Tutmarc is God."
Truth is turth.
Tutmarc was first.
Well, the "turth" here is that Tutmarc's invention was not commercially successful. Fender's was. That's why we're still talking about Fender today, and Tutmarc is at best a footnote in history.
The truth remains, Tutmarc's bass predated Fender's by 15 years.
I'm glad Leo came around, if not we'd be talking about Tutmarc Jazz basses. It doesn't quite sound right.
How much impact did the Tutmarc bass have on music between 1935 and 1951?
By contrast, how much impact did the Fender bass have on music between 1951 and 1966?
No, we wouldn't. That's the whole point.
With Fender, you are just paying for the name. Everyone knows on this forum that SX is the top brand, and cannot be beaten for price, quality, etc....it's been proven that you cannot tell the difference in tone between a classic, pre-CBS bass, and a $129 SX. Right? All hail the mighty SX! The most beautiful, awesome bass in the world!
Of course, you will have to do a few mods: Swap out the tuners, bridge, pots, pickups, neck, body, etc....and you will have a bass that exceeds not just the Fenders, but all the boutique Fender clones.
Everyone knows SX makes a better bass then Sadoswky! I mean, that's just common sense, right? Same wood, same basic design = same bass! Some peasant working barefoot in a Chinese sweatshop is capable of building a much better bass then a Celinder or Lakland Bob Gluab! Everyone knows it on this forum! (They just don't want to admit the truth!)
The proof is in the pudding! Many pro bassists on this forum have shown time and time again that despite having a Fodera or Alembic or Sadowsky in their arsenal, it is the mighty SX that they personally use in the studio, and on the big stages! They prefer the SX!

With Fender, you are just paying for the name. Everyone knows on this forum that SX is the top brand, and cannot be beaten for price, quality, etc....it's been proven that you cannot tell the difference in tone between a classic, pre-CBS bass, and a $129 SX. Right? All hail the mighty SX! The most beautiful, awesome bass in the world!
Of course, you will have to do a few mods: Swap out the tuners, bridge, pots, pickups, neck, body, etc....and you will have a bass that exceeds not just the Fenders, but all the boutique Fender clones.
Everyone knows SX makes a better bass then Sadoswky! I mean, that's just common sense, right? Same wood, same basic design = same bass! Some peasant working barefoot in a Chinese sweatshop is capable of building a much better bass then a Celinder or Lakland Bob Gluab! Everyone knows it on this forum! (They just don't want to admit the truth!)
The proof is in the pudding! Many pro bassists on this forum have shown time and time again that despite having a Fodera or Alembic or Sadowsky in their arsenal, it is the mighty SX that they personally use in the studio, and on the big stages! They prefer the SX!
How much impact did the Tutmarc bass have on music between 1935 and 1951?
By contrast, how much impact did the Fender bass have on music between 1951 and 1966?
I'm sorry, but can I have what you are smoking, eating and taking? I'll let you argue SX is better then Fender, but not better then Sadowsky. And I'm darn sure you wont find anyone using SX in the studio. Live? Probably because no one cares if some drunk pukes on your SX. But no way in the studio. And don't even think of using one in mine...![]()

That's not really a fair comparison, being that the world in general wasn't ready for most electrified music until the Fifties. In 1935, the biggest hits were from "Fred Astaire & Ginger Rogers", "Shirley Temple", "Bing Crosby", and "Cole Porter".
Sometimes an idea or invention comes well before it's time of acceptance.
That said, Leo was the one who was able to "convert" bassists/bandleaders into believing that a electrified, horizontally held, fretted bass was not only a "good idea", but was "superior" to the large upright basses that they had been traditionally been playing.
Let's also keep in mind that, prior to 1949, there weren't really appropriate amplifiers for such instruments. Then Ampeg made one in 1949, followed by Fender in 1950 (who also popularized the bass amp), so Tutmarcs bass may have suffered from that (insufficient amplification to use in a band situation) as well.
How much impact did the Tutmarc bass have on music between 1935 and 1951?
By contrast, how much impact did the Fender bass have on music between 1951 and 1966?


Tutmarc was first. No amount of arguing will change that fact.
Whether it caught on or not is immaterial to that fact