What? No SX vs. Squier vs. MIM vs. MIJ vs. MII vs. MIC vs. MIA vs. Custom Shop vs. Sadowski vs. Lakland vs. Alleva-Coppolo soundbites yet, daring you to pick out the SX with $2k worth of mods?![]()
I am glad at least someone got the joke!!!
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What? No SX vs. Squier vs. MIM vs. MIJ vs. MII vs. MIC vs. MIA vs. Custom Shop vs. Sadowski vs. Lakland vs. Alleva-Coppolo soundbites yet, daring you to pick out the SX with $2k worth of mods?![]()
I am glad at least someone got the joke!!!
Where in the hell did all that come from?!?
That's not really a fair comparison, being that the world in general wasn't ready for most electrified music until the Fifties. In 1935, the biggest hits were from "Fred Astaire & Ginger Rogers", "Shirley Temple", "Bing Crosby", and "Cole Porter".
That said, Leo was the one who was able to "convert" bassists/bandleaders into believing that a electrified, horizontally held, fretted bass was not only a "good idea", but was "superior" to the large upright basses that they had been traditionally been playing.
Let's also keep in mind that, prior to 1949, there weren't really appropriate amplifiers for such instruments. Then Ampeg made one in 1949, followed by Fender in 1950 (who also popularized the bass amp), so Tutmarcs bass may have suffered from that (insufficient amplification to use in a band situation) as well.
Tutmarc was first. No amount of arguing will change that fact.
Whether it caught on or not is immaterial to that fact.
Leo Fender established the Fender Bass as the industrial standard.
From some of the totally outrageous claims the SX fanboys always post on this forum. If it was a few people, that would be cool....but overwhelmingly, people on this forum believe SX basses to be the greatest thing since the adult diaper! And I still laugh when I read the crazy posts from these people, making the claim that "you can't tell the difference". And as hard as they try, I still think their whole purpose is to prove that they are such great and awesome bassists that they could take a lump of driftwood and slap some Barts or Nordstrams on there and sound awesome. Why else would they leave the Sadowsky at home yet bring the SX to the studio? (and in case you think I am joking about the hyperbole involved in these posts, just search the SX club thread) (yeah, part 1 AND 2!)
For the record, I have never played any American Fender that wasn't an excellent bass. It's my go-to bass. It never lets me down.
Sorry, but I've read all these SX threads here on TB too and you're exaggerating.
A lot.
I've also read some of your posts on SX's and you definmitely have an anti-SX bias. It also seems funny to me how you decide to try and hijack a thread about Fenders and if they live up to their hype and turn it into an SX bashing session.
yeah, that's very true. i sound pretty darn good playing whatever cheap piece of crap someone throws in my hands. got a cheap piece of crap? send it to me and i'll record you something that sounds really good.And as hard as they try, I still think their whole purpose is to prove that they are such great and awesome bassists that they could take a lump of driftwood and slap some Barts or Nordstrams on there and sound awesome.
In other words - are you Jamerson or Jaco? No? Then stfu about Fenders, your opinion isn't worth ****.
I still think their whole purpose is to prove that they are such great and awesome bassists that they could take a lump of driftwood and slap some Barts or Nordstrams on there and sound awesome.
That's a HUGE assumption. I don't buy it. It sounds great and it's definitely fan club approved "idol worship" of said artists, but I think if Jamerson or Jaco was playing a wash tub bass we wouldn't be talking about them. Jamerson's sound was unique (as was Jaco's) and part of that sound was the instrument itself.I think the talking about Jaco or Jamerson has more to do with their playing abilities rather than the actual bass they played. It wouldn't have mattered if they did it all on a cheap POS Hondo, they'd still be getting talked about to this day. Just IMO of course.
yeah, that's very true. i sound pretty darn good playing whatever cheap piece of crap someone throws in my hands. got a cheap piece of crap? send it to me and i'll record you something that sounds really good.
but i prefer a good fender, too.
I remember being in a mom and pop music store many moons ago when I was still learning how to play and hearing someone say "it doesn't matter if you have the best gear money can buy, because if you suck, none of it will make you play any better, you're still going to suck."
Dunno why that stuck with me but the guy that said it was (to quote a line my My Cousin Vinny) "Dead on balls accurate."
That's a HUGE assumption. I don't buy it. It sounds great and it's definitely fan club approved "idol worship" of said artists, but I think if Jamerson or Jaco was playing a wash tub bass we wouldn't be talking about them. Jamerson's sound was unique (as was Jaco's) and part of that sound was the instrument itself.
In the interest of full disclosure: I admit I don't hate Fender instruments.