morf said:Did you say that just to prove you could make up long sentences full of complicated words or are you actually serious?
I don't see any words that I'd refer to as complicated? I do see lots of bottles.
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morf said:Did you say that just to prove you could make up long sentences full of complicated words or are you actually serious?
Toasted said:I don't see any words that I'd refer to as complicated? I do see lots of bottles.
slugworth said:>>>>Let's try and keep a minimum of respect and honesty by not buying cheap illegal copies of instruments.
>>>>>But buying $4000 clones of 40 year old instruments designed by a dead man are OK, right? After all, people have been doing it for 30 years, and nothing has happened to them.
This I cannot accept.
Slug
Everybody's doing it, so it must be ok...
Toasted said:I don't see any words that I'd refer to as complicated? I do see lots of bottles.
john turner said:i find the whole dichotomy between fender knock-offs and non-fender knock-offs interesting. i assume it's the price fender has to pay for being the "standard" instrument design.
i am curious why the body style and shape was not patented for fender basses and guitars. anyone have any idea?
john turner said:i find the whole dichotomy between fender knock-offs and non-fender knock-offs interesting. i assume it's the price fender has to pay for being the "standard" instrument design.
i am curious why the body style and shape was not patented for fender basses and guitars. anyone have any idea?
69nites said:The same reason Fenders are still the best selling basses and guitars in the world
dispite people knocking off the shape of fenders they do not rip off the quality or the name
generally knock offs are not as high of quality
the differance here is they are not saying they are a knock off they are claiming to be the real deal
the differance here is they are not saying they are a knock off they are claiming to be the real deal
Actually, yes I did. I actually wrote a long paper about this once. It was the first commercially successful electric bass, not the first bass period.SMASH said:Typlyons, I'm not sure if you meant to write "his first electric bass" rather than "the first electric bass" so FYI - the first electric bass wasn't a Fender and it came long before 1951. Same with the 2nd, and if memory serves the 3rd. Leo Fender made the first to become popular, and by far the most widely copied, but not the first electric bass.
war_n_peace said:"For reasons of copyright we cant put registered trademarks on listings titles example: Ken Smith, Fodera, Warwick, Alembic, Warrior, etc... We have very serious problems with these builders in the past and now all our basses will be listed as CUSTOM ok. Thanks.
a small victory at least they aren't claiming to be authenticwar_n_peace said:Looks like kingluthier is no longer a registered user.
But mastersbasses Is...
note the disclaimer:
"For reasons of copyright we cant put registered trademarks on listings titles example: Ken Smith, Fodera, Warwick, Alembic, Warrior, etc... We have very serious problems with these builders in the past and now all our basses will be listed as CUSTOM ok. Thanks."
Link Removed
tplyons said:Actually, yes I did. I actually wrote a long paper about this once. It was the first commercially successful electric bass, not the first bass period.
Ian Perge said:I guess what it boils down to is that some people have a black and white sense of morality and ethics. Others have shades of grey. Are either correct? There are some on both sides that would say "yes", but I believe most would have a "live and let live" so long as no laws are broken. The same exact paradigm exists among this conversation.
morf said:Leo Fender made "universal" designs which are thought to be the best and thus copied by many incredible luthiers which, IMHO, pay a tribute to the man by using his design for their basses. I dont think Mr. Fender had, or would have a problem with people copying his design - on the contrary I'm sure he felt extremely happy and fulfilled that so many big names in the instrument making industry thought so highly of his designs to use them in the making of their own instruments. If he did not, there would be patents on every design and lawsuits filled right and left against every luthier copying them. Fact is, the Jazz and Precision designs are widely used across the globe, and I'm pretty sure Leo Fender felt pretty damn happy about it.
I reported him to eBay. He's been changing his username time and time again for more times than I can remember. I hope he just keeps getting his account closed and losing his listing fees so this becomes a losing battle.moro said:...which means that their auctions will still show up if you click the "Search title and description" checkbox when doing a search on "ken smith bass."
That "disclaimer" is still keyword spamming. From eBay:
"Keyword spamming occurs when members place brand names or other inappropriate keywords in a title or description for the purpose of gaining attention or diverting members to a listing."
(emphasis mine)
You don't patent aesthetic shapes, you can trademark them though. A patent could be had on a shape if the shape performs a specific function, like a door stop or something. I'd have to double check but I believe the Fender headstock protection is under trade mark and trade dress protection and not patent.john turner said:i am curious why the body style and shape was not patented for fender basses and guitars. anyone have any idea?
There have been many lawsuits, one company (Tokai) even settled one of their lawsuits by making real Fenders instead of knock offs. At first they just made a tiny change to the headstock but then they became Fender Japan.morf said:I dont think Mr. Fender had, or would have a problem with people copying his design - on the contrary I'm sure he felt extremely happy and fulfilled that so many big names in the instrument making industry thought so highly of his designs to use them in the making of their own instruments. If he did not, there would be patents on every design and lawsuits filled right and left against every luthier copying them. Fact is, the Jazz and Precision designs are widely used across the globe, and I'm pretty sure Leo Fender felt pretty damn happy about it.