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Fender American Vintage '63 Precision Bass Appreciation Thread

Just throwing this in here - it seems the 63 P is especially well regarded, at least in this thread. Given that, is it fair to say the 58 P is just as good, given that it was launched at the same time as the 63? It appears 58s are a lot easier to find.
The entire AVS I series is great. But you still have to look at each individual bass. I wonder if the AVS II series that followed the short period of AO's is as good? The instruments look as great as the AVS I ones. That '66 Jazz with dots, binding and Lollipop tuners in seafoam green looks so cute.
 
Help me understand. I have a Fender AVRI 62. It was made in 1982. From what I understand, the first year of these and made at the Fullerton factory. In this thread I'm seeing AVS and 63. Is there a difference or are they different basses? If not is mine a 63 or 62 reissue? I'm not up on Fender info, I just play the things. Please enlighten me and thank you in advance.
 
Help me understand. I have a Fender AVRI 62. It was made in 1982. From what I understand, the first year of these and made at the Fullerton factory. In this thread I'm seeing AVS and 63. Is there a difference or are they different basses? If not is mine a 63 or 62 reissue? I'm not up on Fender info, I just play the things. Please enlighten me and thank you in advance.

You have the older '62 reissue. This thread is about the 63' reissue that started in 2013.
 
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It's here!
I might say that this is propably one of the best basses I've ever had.
 
Cool to find this thread. I got an Olympic White in 2016 for $1200, posted pics of it in the AVRI thread that was floating around back then. No idea what the values are on this now because I doubt Ill ever sell it, but Im going to go look.

When I first got it, I played it 2 days in a row for 6-8 hours. I could not put it down. Sounds so great and I love the thick neck. Since then I got a few other P's including an MIJ, but nothing really feels or sounds like the AVRI 63, so I sold them. The only 2 basses that I have that I consider on par to this bass are my NYC Sadowsky PJ (it now sells for $6k on Sadowskys site - blew my mind to see that) and my Wilcock short scale. These are all very different basses but they all record so well.

Just yesterday I strung mine up with Labella flats and reset the neck. The intonation was still dead on. I probably had not set it up in years. I used the Fender flats that came with it for years until they gave up on me. The Labellas, as we know are a perfect fit for the bass. For someone wanting flats but a little more crispy bark, I love Chromes on this bass as well.
 
Cool to find this thread. I got an Olympic White in 2016 for $1200, posted pics of it in the AVRI thread that was floating around back then. No idea what the values are on this now because I doubt Ill ever sell it, but Im going to go look.

When I first got it, I played it 2 days in a row for 6-8 hours. I could not put it down. Sounds so great and I love the thick neck. Since then I got a few other P's including an MIJ, but nothing really feels or sounds like the AVRI 63, so I sold them. The only 2 basses that I have that I consider on par to this bass are my NYC Sadowsky PJ (it now sells for $6k on Sadowskys site - blew my mind to see that) and my Wilcock short scale. These are all very different basses but they all record so well.

Just yesterday I strung mine up with Labella flats and reset the neck. The intonation was still dead on. I probably had not set it up in years. I used the Fender flats that came with it for years until they gave up on me. The Labellas, as we know are a perfect fit for the bass. For someone wanting flats but a little more crispy bark, I love Chromes on this bass as well.

I'm still loving my 2013 in Olympic White. It's still my #1 and it gets played for hours each week!