So this is my contribution to the club. Granted this baby is only a half-brother to all of yours. None-the-less, she's an amazing player and extremely versatile. I absolutely LOVE the neck profile. Not quite as deep front to back as most Fender Jazz basses I've played and also, the radius feels flatter to me....
So I picked up this beauty a month or so ago. She was damn near perfect, but needed a couple of very minor tweaks.
I enlisted the infamous Kevin Brubaker to do the tweaks and upgrades. Those of you that know Kevin's work, know that it's impeccable (I'm talking perfection).
- The original builder/assembler had the bridge mounted just a hair off. Kevin plugged the old holes and put the bridge in the correct place.
- On the Fender Custom Shop neck, the side markers were pearloid (just like the blocks). It made for a bad experience when playing live on a dark stage. I had Kevin drill them out and replace them with glow-markers.
- No truss route (for access to the truss w/o popping the neck off) was on the body or pickguard. I had Kevin route both and color-match the wood. He gave me a shorty-allen wrench and I can get to the truss with no issue.
- Kevin made sure the frets were level and gave her a complete setup!
Here is some additional info on this bass:
Very light... Maybe 8 lbs.
Neck - 2007 Fender Custom Shop (w factory Fender tuners, made by Schaller I believe). The tuners are even better than current Fender and Hipshots IMHO. Turn soooo smoothly!
Body - USA made - All-Parts
Bridge - Hipshot - Type B
Electronics (pickups/preamp) - EMG (USA), 18 volt - control detail below
Controls are:
Bottom row (starting from the neck):
vol/vol/tone (passive tone control)
Top row (starting from the neck)
Treble/bass/mid&mid frequency sweep stack)
Very balanced and punchy. Lots of tonal options.
The neck is dead-straight, frets level as can be and the action is insanely-low. The neck is very fast and has a slightly-thinner profile, front to back than most jazz necks I've played. It also appears to be quarter-sawn (that's what the grain looks like to me).
She balances great and again, very light. I've had multiple soundmen and bassists from other bands tell me how good it sounds. I'm quite happy! Plus, I'm playing something that NOBODY else is!
On Kevin's Bench!