Initial 2-hours playing time reactions:
-Wow! Mexi-Fenders have gotten waaaay better than 20 years ago!
-Sweetwater for the win! 2 day free shipping? For realz.
-Finish is actually flawless. No swirl or buff marks, scratches or overspray. Headstock decal is seamless with the finish and neck pocket is thousand-dollar bass tight!.
- Setup out of the box was the best I've seen from a retailer. Very low action with no buzzes, intonation was close (I demand better myself, but it was gig-passable) and frets were way better than you expect for 600 bucks! Very even, no sprouting or sharp edges. Impressive.
-Tonally, the Cabronita reminds me of a more aggressive sounding 51 P. Lots of fundamental, subdued highs and very mid-forward tone. It grunts even without pedals or amp clipping! Still very solid bass, but a decided overdrive-leaning grunt! That Fender clip is probably 80% bass & 20% amp/effect! It wants to crunch.
-The reverse wind tuners work great & are familiar to me (most of my basses have 'vintage' reverse wind gearing).
- Electronics are ok. Pots are cheaper, but feel good and work fine. I probably wont replace them. The tone cap is a .022 & really needs to be higher value. As it stands, it really just cuts a little high end & accentuates more mids. I'll be putting a .047 in there for sure! Still, bass is studio quiet & has similar output as my Lollar equipped 62 Reissue Jazz.
-It does have the tele-style cup output jack. These do NOT accept right-angle plugs as is! Fortunately, Switchcraft makes a long-thread jack which remedies this. That will be my other necessary mod.
- Neck is glossy (not a big deal for me & easily rectified with a Scotch-Brite pad). It has a deep U-shape and is narrow laterally. Feels a lot like a real 1951 P that I got to play last year.
Overall- I'm im love! Taking it to TX this weekend for a Sixpence gig. Probably use it on our rockier tunes.