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Fender Rumble Club

The rumble 500 head and a single cab is the same 350w as the combo, unless you buy a 4 ohm cab. The current rumble line are all 8ohm cabs, so 2 would be needed to get the full 500watts. The combo is still the better value.

350w is plenty though, 500w through the same amount of speakers theoretically is not really much louder than 350w, to get just 3db louder you need 700w, and for double the volume you would need 3500w (and a cabinet with unobtanium speaker coils)

The real boost comes from more speakers pushing more air, the 500w is just a nice touch of headroom and oomph added to the mix.

Thank you ubernator. Really appreciate the help. I was reading up on all that stuff last night through searching previous theads while having insomnia again lol. About the size of the speakers, how you can get more and better sound out of different set ups, all the (new to me) new ways they are marketing amps these days and how you could make a lower wattage bass amp sound louder than a larger wattage amp through which speakers and amount you use. The last time I had a full stack guitar rig was back in 1987 lmao. It was easy because you just went out and bought a Marshall full stack for playing metal and rock.

Then I went back to playing my Fender combo's through the years at home because friends moved and we didn't want to find replacements. I was good back then but suck now because I haven't gotten back to a steady practicing routine. I did have a PA system that my buddy let me use in 1990 when I got in to singing but after that, all I ever needed was a combo and some pedals to play at home. Then I just never played because I was working too much. But that's all changing now. I have songs written on the guitar and lyrics that I have come up with through the years and want to record them at some point. Plus it's a lot easier to do some simple recording at home these days with all the computer software and gear. A lot cheaper too lol.

My step bro is an insane musician who is in a world wide known band that's basically all him. He wrote and played every instrument on the albums and then taught his friends how to play the songs so they could tour. He went to Berkeley for recording and does most of his recording out of his home and the stuff sounds awesome. It's funny because he had 3 different types of music going on and the one that made him big was a funny spoof band he made up through using members of his friends bands on the videos. He is the only band that actually won the honor of getting on the first Guitar Hero video game. The rest of the bands on that game got on it because they were all friends with the creators of it. But I don't bother him for gear input because like all of you know, everyone has different taste and their own sound that they are looking for.

So today I might try to get out to the local San Ash and ask them for some help on what set up I would need to put together to get the sound and power I am looking for in a larger rig. Then I want to try out some more combo amps to see how they sound with my Yamaha TRBX304 Bass. The Rumble 500 combo Seems like the best option for a home practice amp and should get me by with the drums in the background. But I will hopefully get some help today on what I can put together to get a louder sound out of a 1/2 stack or full stack. I still wish I could find a shop with a used Line 6 LD Lowdown bass amp in stock. I read that people really liked the sound they got from them and now I am curious about them. I might just call the shop up north where I took lessons, bought all my amps, gear and is good friends with my family. They are a big Fender dealer, know their stuff and are an honest shop who would help me out instead of trying to just get me to buy buy buy lol. We have 3 generations of family that have bought all their instruments there and taken lessons from them. They are a small town shop and his son who took over the business back in the early 80's, went to school with my aunts and uncles. Thanks again for all your help and have a great 4th Of July!
 
Hi, everbody...#805 here.

So, got my shipping confirmation yesterday, and the fine folks at the Federal Express say the will have my 500 here Wednesday...may have to take an extra day off so I can be here to greet it.

Otherwise, it's been a pretty long weekend waiting. Not much to do but catch up on 1,000 or so pages of Rumble Club posts...

One topic that I'be seen come up a couple of times is tilting or elevating your amp off the floor. I've done this before with guitar amps, but never with bass. What are the advantages in a rehearsal or jam situation? Don't you lose some low end doing that? Just curious...

Cheers!
 
I simply use an external DI, like I always have regardless if the amp has one onboard or not. Dedicated DI's like ones from Radial tend to be higher quality than ones you find onboard(there are exceptions of course). I also wish the Rumble club would be a bit more tolerant, informative and educational, anyone with the slightest complaint gets hammered...not cool IMO.
Start reporting them.
 
Hi, everbody...#805 here.

So, got my shipping confirmation yesterday, and the fine folks at the Federal Express say the will have my 500 here Wednesday...may have to take an extra day off so I can be here to greet it.

Otherwise, it's been a pretty long weekend waiting. Not much to do but catch up on 1,000 or so pages of Rumble Club posts...

One topic that I'be seen come up a couple of times is tilting or elevating your amp off the floor. I've done this before with guitar amps, but never with bass. What are the advantages in a rehearsal or jam situation? Don't you lose some low end doing that? Just curious...

Cheers!
I felt the same way last week waiting on my Rumble 200. I'm going to try it on my amp stand. At home, it is stable and at a nice height. However with the combo, you have to lean over to see the controls since they are at the back.
 
I simply use an external DI, like I always have regardless if the amp has one onboard or not. Dedicated DI's like ones from Radial tend to be higher quality than ones you find onboard(there are exceptions of course). I also wish the Rumble club would be a bit more tolerant, informative and educational, anyone with the slightest complaint gets hammered...not cool IMO.
Fortunately, not all of the Rumblers act that way. But just an occasional one now and then sometimes is all it takes to put people off. They didn't get to over a 1000 pages by not being of service to those of us less knowledgable or not as well connected. I expect the pendulum to swing back the other way and the club will once again be the place to go for all things Fender without having to fear reprisals just for having differences of opinion.
 
Well I haven't been on here in a long time/busy workin /playin/surviving/livin etc - ive gigged with my Rumble 200 every week since dec 2014 and then last Saturday nite I FRIED IT ACCEDENTALLY!!! I swap basses between sets and mid gig I unplugged but left the tip in the amp input ( most of plug pulled out so no contact I thought !) /amp on/unplugged bass to change then looped the cord over the back of the amp. Then I heard a loud sssssshhhhcccckkklllpppttt!!! and looked round thinkin whats that? Looking down on my amp I see the little red lite by the distortion circuit flashing and realize its me / unplug totally / turn amp off then on/ NO SOUND!! The cable id looped over the amp had touched the speaker out that had a cable plugged to an extension 1/12 cab and I FRied the brain. Fortunately I had a backup Peavy head I put with the 1/12 and made thru the night. Got home and tried the 200 again thinkin maybe itd reset or something but no its dead/ lite comes on and loud pop but its dead. Called Fender and told them this and they told me because of the accident I described it wasn't covered/ I figure I can use that cool speaker and box / rig a plug/buy a 500 watt Rumble Head ( when I have money and on sale round Christmas) and meanwhile carry on with the backup Peavy head and Crate power amp head as a backup. WAY TO GO POE! I cant complain cause im the idiot that wrecked it! ( unfortunately I can say that about some other things too...like a 1965/66 Fender P- bass I stripped/threw around/put EBO picup in in the 70s/ but that's another story... Peace Brothers!
 
Fortunately, not all of the Rumblers act that way. But just an occasional one now and then sometimes is all it takes to put people off. They didn't get to over a 1000 pages by not being of service to those of us less knowledgable or not as well connected. I expect the pendulum to swing back the other way and the club will once again be the place to go for all things Fender without having to fear reprisals just for having differences of opinion.

Exactly, I combed the pages and this thread is why I bought my 500C, best all around amp and great info here
 
This is a good argument for manufacturers to standardize on speakon connectors in the professional models.
I politely disagree. That is a fluke that happens once in a blue moon, and has never happened to me in almost 40 years of playing professionally, even when I'm changing basses in the middle of a set. I like the idea of speakons, but I find them unnecessary most of the time, they're a PITA to hook up and disconnect, and I don't want to see the industry start requiring speakons on everything. I get the reason they're required on amps that do 500w or more (shock hazard if you happen to touch the plug while plugging in or unplugging and the amp is on...helpful hint: turn the amp off first), but I don't want to be penalized for other people's deeds.
 
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The bravado in here should not be taken personally. You'll see lots of proud owners. Look through the forum and see that some of us like bottles of brownish liquids. When the love of Rumbles coincides with these lovely liquids, things can get lively. Join in!
That is no excuse, and I'll tell you why...

A couple years back, I corrected some deliberate misinformation (and I'm being kind by using the word "misinformation") being spread by a person in here. I was very nice about it, didn't insult Fender products or the person in any way...just wanted to set the record straight. A day or two later, I was met with a 3 or 4 paragraph diatribe from that person about how I was a devil-worshipping alcoholic. Meanwhile, if I have more than 5 alcoholic drinks in a year's time, it's a rarity, and this person regularly posts pics of bottles of booze in here. But I'm an alcoholic with my measly occasional beer.

Don't bother searching for it...the mods removed it and any trace of the subsequent conversation. And this same person has regularly gone into threads where people need some troubleshooting advice about a problem they're having, and this person tells them they should throw their amp away and laughs at them, and in one case, even said they got "raped." And to this day, this person replies to people having problems or stating their dislike of certain features on these Rumble amps with that same combative attitude.

That isn't "lively." That's just rude and obnoxious. And trust me...this is coming from a person who can be as rude and obnoxious as any ten people on here. But the mods don't let me do it anymore :D and even if they did, I've learned that it doesn't accomplish anything except make people dislike you. And if that's the end goal in this club, then let me just say that it's working. But one thing I've found...I don't like to report people, but it sure has slowed down the more obnoxious among us...myself included :D
 
Howdy! I'm a guitar player who has been invited to bass for an occasional classic rock trio. For the purposes of practice I've been running through a 200 watt keyboard amp with a 15". It's heavy and doesn't have the oomph or options to play out live so I've gotten pretty interested in the Rumble series. It seems that some of you are gigging with the 200 - is that adequate on it's own or does it need PA support? A 2nd cab? I'm thinking that the 500 is a better choice but can't find any locally to try out right now. What are you guys doing to use the 200 on stage? Am I better off to find a 500 and will I end up with an extra cab regardless?
 
Howdy! I'm a guitar player who has been invited to bass for an occasional classic rock trio. For the purposes of practice I've been running through a 200 watt keyboard amp with a 15". It's heavy and doesn't have the oomph or options to play out live so I've gotten pretty interested in the Rumble series. It seems that some of you are gigging with the 200 - is that adequate on it's own or does it need PA support? A 2nd cab? I'm thinking that the 500 is a better choice but can't find any locally to try out right now. What are you guys doing to use the 200 on stage? Am I better off to find a 500 and will I end up with an extra cab regardless?
I dont know how loud your group is but when I was using my 200 live all I had to do to make it work was keep the volume turned down under half, bass rolled off a tad, hi mids bumped a tad, vintage engaged and groove like crazy!
But that was with a controlled drummer and electric guitarist who knew more about fitting everyone in a mix than most of us on here.
So your mileage most certainly will vary, but I wouldn't be surprised if a 200 would work very well for you. I'd be surprised if you had to add an extension cab and still didn't cut it.
 
Recently put my 100 to the test in a rehearsal space with a loud drummer and guitarist/singer playing noisy punk rock. I'm very, very happy with how it performed. It was loud enough to keep up at hearing damage volumes and it also sounded AMAZING at top volume. Very full, powerful sound.

I think if you were playing a quieter, mellower style of music you'd be able to rehearse or play small rooms with this thing and have power to spare. But I was next to a drummer playing all out, a 100W 2x12 combo guitar amp, and vocals coming through a pretty good sized PA, all of it a fair amount louder than is reasonably necessary for jamming/rehearsing. I had to turn the gain and master volume up around 8 or 9 to really cut through, but at that level it was most definitely getting the job done. With killer tone, no less.
 
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I had an Acoustic B100 that I was using to schlep back and forth to the drummers house for practice. It started cutting out on me a couple of weeks ago so I was in the market for a replacement. Now I do have a pile of stuff in the music room, Ampeg VR with matching 810, Berg NV610, GK MB800, Genz Streamliner 900 with Neo 212, Ampeg B100R Rocket, GK MB115 combo. I gig with most of these except the B100R which I'm not keen on tossing in the trunk on a frequent basis.

So I was in the market for a replacement combo. Went to the local GC to check out a used TC Electronics BG250 115 combo. It weighed about 35lbs, and sounded okay but I wasn't thrilled with the stickers, scuffs and tolex tears. I turned around and saw this little guy and decided to try it out. First thing I did was pick it up. Wow, it felt light enough to be missing a speaker! Plugged a bass into it and was blown away with how good and strong it sounded!! I had put castors on the Acoustic and for good reason. I came home and put it on the bathroom scales, 63lbs!!! Count me as a Rumble fan. I can't wait to try it at rehearsal this week!!!