Yeah I got a Fender 14 gauge 1/4" speakon cable from the US in a little store in Texas..zozo music i believe..i ordered the 5' cable...plenty long. Hope you enjoy the rig.
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Glad you clarified this...I was about to ask if there was anyone I could call to help you
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I almost strangled myself hooking my cable in to my axe and amp lolll 3' lollGlad you clarified this...I was about to ask if there was anyone I could call to help you
If we have to check with TB about cable length, we may be in deep trouble.
FWIW: I like the sound of coily cable but I don't like the way they slingshot across the stage and wip the guitarist. Actually, that's ok.
FWIW: I like the sound of coily cable but I don't like the way they slingshot across the stage and wip the guitarist. Actually, that's ok.
nuffin like taking out ya guitarist halfway through his raging solo with ya curl cord cable and loosing the bass audio in the process...2 birds with 1 curly cable...PINGG loll
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Placed an order for the Rumble 115 15" cab. Can't wait to hook it up to the Rumble 500c V3. I was also thinking that it will be nice to have whenever I get another amp in a head version.
Man, you guys are killing me, I have 2 210s. Now I feel I have to play with every combination.
Just kidding. I wish I had a various assortment of cabs to evaluate. Viva la Rumble!!
I was gonna say..........Actually,I have a new one that's looser coils and I run the straight end under the R200C handle(1 loop)and into the jack. But the idea of whacking the guitarist,or better yet, the drummer.................
Ah! Hadn't considered that, mine's a combo, plus I'm only about 7' in front of itMy coily cable would pull the head around with it.
That's why you have the genius of Fender Rumble's 'Magnetic Attachment System'.My coily cable would pull the head around with it.
That just goes to show ya thatMan, you guys are killing me, I have 2 210s. Now I feel I have to play with every combination.
Just kidding. I wish I had a various assortment of cabs to evaluate. Viva la Rumble!!
Mo' Rumbles Is Mo' Betta!
Yes
That's what GC is for!Man, you guys are killing me, I have 2 210s. Now I feel I have to play with every combination.
Just kidding. I wish I had a various assortment of cabs to evaluate. Viva la Rumble!!
Got to play my stack (R200c over R112) out last nite. Compliments on sound from musicians. 'Course that Was kinda the idea of it.That's what GC is for!
and? Full review expected.Got to play my stack (R200c over R112) out last nite. Compliments on sound from musicians. 'Course that Was kinda the idea of it.
The Rumble 115 cab is something special. Paired with the Rumble 200c it is incredible, but even powered by other amps it can make anything sound good.Man, you guys are killing me, I have 2 210s. Now I feel I have to play with every combination.
Just kidding. I wish I had a various assortment of cabs to evaluate. Viva la Rumble!!
OK. As expected, they sounded A-mazing at the house. Tried all 5 basses and only needed minor tweaks for each bass. Naturally, all the settings changed somewhat in the room but walked out in front about 10' onto the dance "area"(level floor) and heard what I wanted to hear-or, more importantly, what I wanted the audience to hear. Settings were: vintage and bright in, gain-noon, low and high mid-2(ish),treble-noon, volume-9(ish). Due to limited space, my froggy body was about 4' in front of the stack, which was slightly tilted back on a Wedge. Because of "shot" knees I was on a stool, putting the R200c right behind me. Our ex-guitarist came by and said(on the break)it sounded really good-plenty of bottom with all the notes clear[we do 60s/70s rock & country]. I wasn't looking for louder-which it can be-but fuller. Just what I wanted and got. Also, Easy set up. And ran the CD player in the Aux In on the breaks. Worked like a charm. As one might surmise, Very happy
with the combination. Rumble On!
Addendum: I don't use the O/D
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OK. As expected, they sounded A-mazing at the house. Tried all 5 basses and only needed minor tweaks for each bass. Naturally, all the settings changed somewhat in the room but walked out in front about 10' onto the dance "area"(level floor) and heard what I wanted to hear-or, more importantly, what I wanted the audience to hear. Settings were: vintage and bright in, gain-noon, low and high mid-2(ish),treble-noon, volume-9(ish). Due to limited space, my froggy body was about 4' in front of the stack, which was slightly tilted back on a Wedge. Because of "shot" knees I was on a stool, putting the R200c right behind me. Our ex-guitarist came by and said(on the break)it sounded really good-plenty of bottom with all the notes clear[we do 60s/70s rock & country]. I wasn't looking for louder-which it can be-but fuller. Just what I wanted and got. Also, Easy set up. And ran the CD player in the Aux In on the breaks. Worked like a charm. As one might surmise, Very happy
Froggy body, shot knees, sitting on a stool...anyone got a pic of Kermit, sitting on a stool, playing bass?
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It wouldn't be the same-he plays lefty.Froggy body, shot knees, sitting on a stool...anyone got a pic of Kermit, sitting on a stool, playing bass?
