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Fender Rumble Club

I'm not to familiar with the Studio 50, so I can't be specific. You will want to find an Effects Send or some other output with a line signal. Run a cable from there to the Effects Return jack of the 500. You will by bypassing the preamp section of the 500 so all your EQ will be on the 40.
So essentially Dav I could do the same thing using my Rumble 75Combo LINE OUT and using its EQ section into my Rumble 500Combo Effects Return without any ill effect...so to speak?? The Rumble 75C has that wonderful 12" Fender Special Design Driver in it and always sounds great if I use the 75 combo anywhere.
The Rumble 75 EQ has all the same controls (bass, low mid, high mid, treble) except for the voicing buttons (bright, contour, vintage) although it does have 2 Mid Scoop shape buttons. The 75 even has the same type of overdrive control (gain/blend (75) instead of drive/level controls (500)). I have never tried running the 500C through the 75C because the 75 doesnt have any effects send/return jacks so have always been reluctant to use its Line Out jack into another amps effects return, so Dav what your advocating is a safe thing to try out then? Thought I'd ask first cause I hate the sight of blue smoke and the smell of Kentucky fried circuits lolll

RUMBLE 75 CONTROLS.JPG

RUMBLE 500 CONTROLS.JPG
 
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I was tweaking my 500 head (through a R115 cab) tonight and found a great balance of sound! I had the Vintage button engaged and horn on full. I have been searching for this tone for a while now. I understand that different rooms can wreak havoc on “ideal” settings but at least I think I found a good baseline to operate from. I was using a Squier PJ with SDQPs dressed with GHS P Flats. The Master was at noon while I was experimenting.
323346AD-A671-43B1-B7BA-22BB525B9E24.jpeg
 
@BassCliff:

Hello my friends,

Yep, lot of gigs this week. And I didn't even tell you about the paid rehearsal we had on Monday but that was not big deal. We rehearse on stage at The Ranch when the owner practices his songs with us. Then he feeds us. After that we rehearse stuff for our shows. It's a cool deal. But I digress.

Last night Arnie Newman's Country Club Band played a Merle Haggard Tribute at Stillwater Spirits and Sounds in Dana Point. The show still needs some polish but we had our fun and the crowd enjoyed it.

I used the backline amp this evening, even though my rig was in the truck. This Rumble 500 is a killer little amp very similar to my rig with two 10" speakers and a 500w amp but in a combo unit.

OJ2fo1l5hUyLrF67wARMvsWvl3oFxm0GSeJV7FNR14iwg-Gkrcmt2HH0IhnIn3NWFOVXvUDUjnvuAVPe_rGp9L5OUk4feQZOctYyHZEMwTt8iJJkd4_G3nvxUG7s1ph-yKHKP3dj5PNYA-W4PGYMU_DQ7cI9t3R0_WQo_MQ2HqQKT3gM7FaJdVV_QHcLJ3f5huZphp7sn10VashFo7UEEDbpjyG5wnXMel89jFgo8iVIp4NVZeSDbkEP008UVhDmZDpPzbZ_Bk4NUjNwIUqQyaOyKGwoFvQskuHihQJB2hOyitcKi1cBhPToMnKp58BJEqmDM2iyVaaKTztugRenoDv1HMUJNytrMSFiO_BxqkGMeJWQvOsRKZGg9C-EWpmGbBo-xRHhFNTSZxBuVbY884Ge96w7hl4gWiefLExmx0PybkQE7GceiRPLBhPsuMFTOOedY1h_2-mXRzOgr2rT_KIRrzhGwpW0E56PwmQ4DAVkuFLqkhZNdytnGxOtnFXBeHUEMpJfsoUjTbWuqyMKTs0SvP3RDsW_h_YjVoSsY_WZO83rDju0Vbt64167I89uI33neg2ctW-5Y345oqaZscXhESIckX90DuN5KRf9KT-nQo8guLbf2prqGVVH8CG87pjMHHWDI5p6SCASrb3KmDEoS2BQDWlI=w852-h639-no


Thank you for your indulgence,

BassCliff
 
I've been using my Fender Rumble 40 for some gigs (as a stage monitor) but as you can imagine it's not really cutting it.

Does the Studio 40 not have post effect DI out like the Stage 800? Should just be able to run through the PA with an XLR.
Just bought a cheapy Mackie ''12 channel'' mixer for the mean time while I save up for the touchmix30, about to test out the DI on the 800 this evening. Man I almost freaked out, all the presets were sounding super distorted and cutting out. Left the Ray4 on the stand with the cable plugged in all week lol. Took me a few minutes to figure it out.
 
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Does the Studio 40 not have post effect DI out like the Stage 800? Should just be able to run through the PA with an XLR.
Just bought a cheapy Mackie ''12 channel'' mixer for the mean time while I save up for the touchmix30, about to test out the DI on the 800 this evening. Man I almost freaked out, all the presets were sounding super distorted and cutting out. Left the Ray4 on the stand with the cable plugged in all week lol. Took me a few minutes to figure it out.
@StudioGC has a Rumble 40, not a Studio 40.

“Well, that’s very different. Never mind.”
 
@StudioGC has a Rumble 40, not a Studio 40.

“Well, that’s very different. Never mind.”
Ah, must have overlooked that with all the studio 40 talk. Those didn't have a DI out at all did they? The 200c and the 500c had pre-EQ out. Yep, time for an upgrade. Probably oughta keep the Rumble 40 though if you have neighbors lol. I rent a duplex so I have to hang a Free Miller Highlife ➡ sign between our doors on practice night.
 
Ah, must have overlooked that with all the studio 40 talk. Those didn't have a DI out at all did they? The 200c and the 500c had pre-EQ out. Yep, time for an upgrade. Probably oughta keep the Rumble 40 though if you have neighbors lol. I rent a duplex so I have to hang a Free Miller Highlife ➡ sign between our doors on practice night.
I have one. It has a post-EQ line out, but no effects loop.
 
So, Studdy, does this make your 3rd Rumble 500 combo? Plus the Rumble 40!?! :thumbsup:
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Whoa! Did I miss him getting a Rumble Studio 40, too? I thought he had the plain 40?
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Yeah, that's right. Like you did with your first 2 Rumble 500 combos. But, why do that? The addition of the 40 to the 500 would be negligible.

But, if you do have a Rumble Studio 40, then, YEAH!, run the Studio's left channel (mono) Effects Send to the Effects Return of the R500c to get all the great sounds and effects thru the 500.
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It's actually my first Rumble 500. I had a Rumble 100 (I think...maybe it was the 200) and then moved on to a Markbass which I couldn't bond with. I got a Rumble 40 for a tight fitting Christmas gig on a barge on the Thames in London (I DI into the PA) and that sold me back on the Rumble tone.
 
It's actually my first Rumble 500. I had a Rumble 100 (I think...maybe it was the 200) and then moved on to a Markbass which I couldn't bond with. I got a Rumble 40 for a tight fitting Christmas gig on a barge on the Thames in London (I DI into the PA) and that sold me back on the Rumble tone.


Oh? Well, who was this a few years ago, back in March of '16?
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Let the mating beg.in. Double Rumble 500's tied together with "effects send" to "effects return".

Sounds pretty darn good!

I have always been using my Sansamp Bass Driver DI with past amps, but this is the first amp (s) where I don't feel I need it.

I presume with this arrangement I'm getting 350 watts (x2) with this arrangement? Anyone?
View attachment 830276
 
Ok guys/gals... I have discovered that using the overdrive on my R500 head sounds better with the “Vintage” button NOT engaged... muddy kind of “flabby” sound with it on. Vintage off, much more appealing overdrive. When not using the overdrive (which is mainly how I play), the Vintage button is always engaged. Anyone else experience this?
Hmm. Since I (almost) never use the OD[1 song], I'll hafta look into that next time I practice.
 

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