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Fender Rumble Club

Hmmm, now that I think about it, with that rig and a Fender Mustang GT 100 to swap out with the Rumble Studio 40, I'll be ready when Sir Paul calls for me to replace Brian Ray due to retirement! (He was very disappointed that I wouldn't quit my day job before, and he had to call Brian the last time. :D) Yeah, I can handle the Lennon rhythm licks with my Fender Modern Player Coronado and I prefer to sing the Lennon harmonies, since Paul's high harmonies can, occasionally, tax my vocal chords. :)

Yeah, that's the plan. No foolin'!

Ain't gonna happen, G-Dog. Not 'til ya get yerself a Gibson EB-3.[they can call it an SG bass all they want; I had a 66-they'll always be EB-3s to me]
 
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Be glad yer not here. Showers almost every morning and afternoon.
Man it's been raining for two years straight in Kentucky. Work nights so I don't get to see the sun anyways but I gotta close the dock gates when it rains and then the lasers boil my insides for the rest of the night. You'd think it was the Amazon the way I get chewed on by bugs all night.
 
Ain't gonna happen, G-Dog. Not 'til ya get yerself a Gibson EB-3.[they can call it an SG bass all they want; I had a 66-they'll always be EB-3s to me]
HERE HERE GP..GIBSON EB-3
02 Giff and Gibson 1978.jpg
 
One minor moan I have with my Rumble 500 is that the treble frequency is 10khz, sounds ok but if you decide to use the tweeter and boost the @@@@ out of the treble as I often do it can get a little bit hissy, would be good if the treble was around 5khz and the bright switch was 10khz that way you can stil have all the treble you would ever need with a little less hiss, the other thing is that a lot of people are hearing deficient in the 10khz range so there is the risk of over-boosting this frequency
 
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I see everybody chaining their amps together and I wonder why fender doesn't offer a rumble line of powered speaker cabs. I remember back in the 80's running my amp into one of the slave 4x12 100watt Fender Rhodes cabs my high school had, sounded awesome.
Probably because there's no real need for it. The Rumble line contains plenty of powerful options with ordinary cabs. It's only us mad scientist types who like to hot-rod and experiment with our amps. :)
 
I did an outside, noon to 4PM gig today. 93 degrees, 102 'feel like'. Used the R200c/R112 with my EpiBird 5 string. Sounded bodacious and got lotta nice comments. This pic is from when I hooked all of these together-loud!
View attachment 3454943
All right!
Then if it's not possible too much:
I wanted to say that I was super psyched to see you using the 5, but didn't because I didn't want to clog up the thread.
Okay, I said it.
You're all right. I feel much better.
I'll probably go do another post right now! ha ha!
 
Just got my On Stage folding wedge in the mail today. Yet to be field tested, first impressions:

Price: 20 bucks. Cant beat that!
Size: Tiny! Folded, it's the size of an iPad. 6"x7". Opened up, it's about 4" high. The item description says it tilts back (up to) 30°.
Stability: surprisingly good! This was my biggest concern. Grips are sticky, and its reinforced with plastic, probably. It was quite hard to knock my 100c off, would take a real punk rock kick to upset this on stage.
Decoupling: we shall see.....

View attachment 3454813 View attachment 3454814 View attachment 3454815 View attachment 3454816
That's really cool.
I would would not have thought that was able to decouple.
Let us know when you test out the decoupling aspect in a room where you've had boominess problems.
 
Probably just have to be careful how much preamp gain you give the master amp so the signal isn't way hot when it gets to the slave amp's preamp.

Jeremy, it took some reading, re-reading, and reading again but, I think I found your problem. Since you're using the Studio preset(s) to send signal to the 40, and running the 40's Gain at 12, then 40 to FOH, the 40 may be putting too much gain into the signal to FOH. This is per the Rumble Talk (from a friend at Fender) on daisy chaining. It doesn't risk damage, alan, but does risk less-than-ideal sound or signal, per this case in point.

Jeremy, why not send FOH from the Studio's Post XLR Out? That should be the way to go, I would think. Your 40 can still use the Studio's left channel (mono) FX Send to it's input, then EQ to taste without affecting the FOH.

Hope this helps.
.
If I was running a rig where I used an amp input, I'd probably use an ABY box. But that's just for my own peace of mind!

Thanks
I will give that a shot and see what happens next time... It just blows my mind that that little 40 wat could do that. But I am sure that I
That's really cool.
I would would not have thought that was able to decouple.
Let us know when you test out the decoupling aspect in a room where you've had boominess problems.
I'm also adding a HPF, so the stand is really just for pointing the amp up at me!
 
Hi To the instrument input. There are no effects send or return on the V3 40. I have thought about getting a 100 for that exact reason.... but this has worked so well for me.
Oh Duh! You are correct. I must have had a senior moment. You have to go to the 100 before you get that. So, have you ordered your 100 yet? :D
 
One minor moan I have with my Rumble 500 is that the treble frequency is 10khz, sounds ok but if you decide to use the tweeter and boost the @@@@ out of the treble as I often do it can get a little bit hissy, would be good if the treble was around 5khz and the bright switch was 10khz that way you can stil have all the treble you would ever need with a little less hiss, the other thing is that a lot of people are hearing deficient in the 10khz range so there is the risk of over-boosting this frequency
WHAT??:rolleyes:
 
I see everybody chaining their amps together and I wonder why fender doesn't offer a rumble line of powered speaker cabs. I remember back in the 80's running my amp into one of the slave 4x12 100watt Fender Rhodes cabs my high school had, sounded awesome.
All of my speaker cabs-instrument and PA-are passive. They all work just fine and I'm not about to trash them and spend a load of cash I don't have to "upgrade". I'd be first in line to ignore powered cabs.