I also started using my Zoom B2 again, only for one tone set (no mid song switching) different creation for each bass’s character.
The ‘74 Ric generally plays with more Gain (older pickups and less output than the G&L, which is monster and akin to active pups), more low/hi middle bass and treble. Each in the 9 to 12 o’clock range, no over drive (that channel is pretty good but it also seems to suck a bit of output when clicked on, even if low to no drive used just level up for a momentary boost accent). Bass pots all up full except the neck vol back a hair in order to get that bit more slice from the bridge (the Ric’s have that slight adjust weirdness or maybe it’s just my bass, but it’s cool and usable). Zoom is set to my ‘Dry SWR’ recipe. This Ric has never sounded better with this amp and above setting. It’s the ‘sound in my head’ finally. Fingers or pic (roll off both tone knobs a quarter with pic). Use this for gritrock and surfy-rockabilly stuff like The Love Me Nots and Huevos Rancheros.
G&L SB2Tb is for the thuddy, fat tone with the flats on. Gain back to 4 as with all the rest in order to get that tone. Bass’ spots are: Split-cool backed of in order not to over-drive and stay clean, single coil backed off and treble changes with the song need or if it calls for a pic. Zoom set to a ‘Tube-pre’ recipe which is fat and clear, crispy to taste with treble knob. Use this for the ska and soul stuff, Like Madness, Big Sugar and The Heavy.
Well that was a long answer!
Sometimes long is just right. Congrats on finally getting the tone in your head out for the rest of the world!
