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Fender Rumble Club

Yes, exactly so. Out with the old and in with the new. Nothing is more purely new & fresh than Fender Rumbles. Yet 'Vintage' tone is available with the push of a single button. Take your pick.

By this time tomorrow, I shall feel the rumble I hope. :bassist:

Pretty fired up. Played in bands back in the late 70's/early 80's with a Kustom III ss head and matching 2x15 cab. But I think it was only less than 150 watts. I won't know how to act with this incoming beast ... we'll see !

Hopefully my first Rumble tale won't be describing the police cruiser pulling up out front to tell me cool it :roflmao:
 
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This is true. I used two 112s for over a year. It was a really good setup. However, I've decided to go a different direction in my musical life. Currently selling the cabs on eBay, actually.

I've been doing a lot of shows on bass lately, whereas I mostly played bass as a hobby and was a regularly gigging guitarist for the past few years of my life. Now I'm regularly gigging both, and I just need different things. All my Rumble gear was fine when other people were playing mostly through them at full gig/rehearsal volume, but now that I'm the one playing them, I'm starting to be a little pickier about my setup.

Mainly, the sound is great, but intelligibility has been a bit of a problem. The drummer I play bass with, she's not exactly super loud, but she's not quiet either. I am having to turn my amp up more than I would like, and I still can't hear myself as well as I would like.

It's all about form factor for me, too. I have a studio space on 2nd floor. See, the 112 isn't quite tall enough as a single cab to get any real use out of it, so to play my bass anywhere, I need both. Taking it up and down the stairs is very annoying because the 112s are just shaped such that I can't carry two at once up a flight of stairs. I also have a Rumble 500 combo (210) that I've been carrying to most gigs but I've always wished that I could have a cab under it so that I can hear myself better. So the solution to both my problems seems to be to sell my 112 and buy the 210 cab. I can use the 210 at home and then when gigging, use it with my combo.

But then I thought about it. That's a BIG setup. Surely I can't fit both 210s in my car with two Vox amps and five guitars. Even if I could, I don't want to. So I've decided to go back to mini heads and tall & skinny 210 cabs. Even though the TC K210 cabs are heavier than Fender 210 cabs, they're a lot smaller, and I think I want to minimize size more than weight at this point. I can stack two of them when I want more height. They're also well priced and look good. As for a head, I could have gotten the Rumble 500 head, but I found a TC BH550 for the same price as a Rumble 500 head and I always wished the Rumble head had a pre/post XLR out. Plus, the TC is attractive to me because it can eliminate my pedalboard for a lot of gigs. So I now have two TC K210 cabs and two heads (an Aguilar TH500 and a TC BH550) that I can mix and match to my heart's desires.

I really loved my Rumble cabs and the Rumble 500 combo served me very well for two years, but it was just not what I needed right now. I'm not giving up my Rumble membership card, though. Rumble 40 is still at home. It's the best practice amp in the world according to me. I'm selling my combo to one of my friends, probably, for a very good price. I want that thing to stay in the family.

I have a new rig, too, but wouldn't say I've moved on... I still like my 500 combo and head and the 112s... The thing that happened was my band hired a horn section, which sounds incredible but I needed to find a different sonic space. I couldn't believe it, but the Rumble didn't go low enough. I'm talking Ampeg SVT low, to get underneath of all the action that's taking place in the sonic midrange of the band.

I bought a Mesa Subway D800 with matching 115 cab. It's so low it vibrates the concrete floor at the rehearsal space. I also played the D800 head with the Rumble 112s, and it sounded awesome too, but wasn't as deep as that Mesa 115.

But I still use the 500s, the combo is my home practice amp, and I alternate using the Mesa and Rumble on gigs - just depends on my mood.

If you are reading that I think the Rumble and Mesa Subway are in the same league sonically, yes I think so. The Mesa is built better and I like where the tone controls are better than the Rumble, but I think the Rumble with the 112s might be punchier.

I dunno, I really like them both, selling off everything else.
 
So talking about gauges n stuff for the head/cab speaker cables ... wich ones should i be looking for ... it will be for the rumble 200w head ... planning to get 2 1x12 cabs ...
A long time ago I standardized my speaker cables to 12ga. I never have to worry about what goes with which - just have to make sure the ends are correct. which is way more complicated than I think it ought to be.
 
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So talking about gauges n stuff for the head/cab speaker cables ... wich ones should i be looking for ... it will be for the rumble 200w head ... planning to get 2 1x12 cabs ...

I've spent over an hour looking at threads on the forums and the consensus seems to be that 16 AWG is fine for anything 10 foot or less.

Seems that the length is more important than wattage.
 
Bigger is always better (that's what she said).. 12ga is pretty substantial, 16ga should be more than fine, you're only going 3' max, but you can never go wrong with bigger cables, and like several have mentioned, the bigger cables look totally different than instrument cords so you'll never mix them up.
I don't think anyone could confuse even 18ga speaker cables with instrument cables as one is usually so much stiffer than the other. That's also what she said.

I do wish 1/4" jacks were history for speaker connections. Not a fan of the fact that the metal housing of the speaker cable is directly connected to one of the conductors of the wire. speakON is strictly better. I don't think there's much real debate about that.
 
After some deliberation, and some YouTube comparison videos, I've pulled the trigger on a 500 head.

Found one at a good price, lower than elsewhere, and that pushed me into - after all, you only Rumble once...., so you might as well Rumble well!

Should hopefully arrive tomorrow. Looking forward to plugging the 115 into it. Basses are '74 Ricky 4001's, so a bit more 'dark' in the tone is no bad thing, as I plan to gig that set-up.

Probably worth mentioning is that after nearly 25 years of playing, I've never owned a head/cab. Always been a combo/cab user - and I thought it's about time I experienced the other side of things, opened up to other ideas.

Out of interest, is there a good explanation of the whole ohms/impedance thing? I know from here that the 500 fits the 115 (thanks Linnin!), but have got no idea beyond that!
 
Out of interest, is there a good explanation of the whole ohms/impedance thing? I know from here that the 500 fits the 115 (thanks Linnin!), but have got no idea beyond that!
First, congratulations on you new Rumble 500 head! :woot:

Here's all you really need to know about ohms and Rumble heads & cabinets. Rumble heads deliver full power into a 4 ohm load. Rumble cabinets are all 8 ohms with the single exception of the V2 Rumble 410 which was 4 ohms. When you plug any two 8 ohm cabinets into a Rumble head the total load presented to the amp is 4 ohms because 8+8=4.