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Fender Rumble Club

I'm glad you said that. I have a 500 Combo and love it. However, reading this thread I often feel as though the consensus is that the only cabs to own are 15s or 12s
Different strokes for different folks. I agonized a long time on whether to add the 2x10 or the 1x15. Now I know this is stupid OCD, but I went with the 2x10 partly because the cab size is the same as the 500c. I know if I turned the 500c on its side, it would match, but then I'd have to move the Fender logo.
I once had a 2x10/1x15 rig that I really liked, so it was a hard decision. I wish I'd had the opportunity to try both configurations side by side. But, the 4 10s sound really good. If you like 10s, go for it. I doubt you will be disappointed.
 
Different strokes for different folks. I agonized a long time on whether to add the 2x10 or the 1x15. Now I know this is stupid OCD, but I went with the 2x10 partly because the cab size is the same as the 500c. I know if I turned the 500c on its side, it would match, but then I'd have to move the Fender logo.
I once had a 2x10/1x15 rig that I really liked, so it was a hard decision. I wish I'd had the opportunity to try both configurations side by side. But, the 4 10s sound really good. If you like 10s, go for it. I doubt you will be disappointed.

My sense was that more people here voted for 10" speakers for an extension cab, especially when one's combo had 10" speakers.
Stated another way: my take was that the "old" advice was have a cab with 10's and a cab with a 15 and that the "new" trend was towards all 10's. But again, that is just what I have sensed from reading lots of advice and chatting with old timers and new timers. As always, one's ears and one's needs should steer one's decisions.

I say get one of each!! :)
 
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If only Fender made a 18'' Rumble sub; Goodbye OD, hello b-strings and reggae boys... Well maybe not say goodbye to OD 'cause we'd still find a way to justify using them (and maybe rightly so). Can you imagine tone from 'the bottom depths of hell?:).
Hey, this made me think about this: I own the PA we used with my last band, including 2 HK Audio 18" active subs (and 2 12" tops).
Why not run the XLR out of my 500C through the mixer into those bad boys? Should be cool for home practicing :)

:banghead: why didn't I think of this until now :banghead:
 
Any Fender Rumble combination = 21 year old single malt scotch and a Cuban Cohiba.

Every time I think I am ready to expand my bass amp/cab horizons, you go and throw these superlatives around, and get me scouring CL and ebay for Rumble heads... And now you got me jonesing for a stogie too!! I have a few cuban cohiba's left (from a layover in Canada when returning from deployment) but no 21 year old to go with it. The closest I got is a 16 yr old Lagavulin--I just can't justify any more than that...

Ah - but WHICH single malt?;) That's the question.

Come to think of it, I do have a bottle of Johnny Blue that I sip on with my Bro-in-law when he is in town. Not single malt, but still damn tasty!
 
I enjoy PUNCH maduro London Club petite coronas with Evan Williams 10 year old Single Barrel. Those little PUNCH pack a BIG flavor and pair well with almost any traditional rye recipe bourbon. This year's release of 2007 Evan Williams is especially tasty, and oh yeah buy some more Fender Rumbles ;)
 
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I enjoy PUNCH maduro London Club petite coronas with Evan Williams 10 year old Single Barrel. Those little PUNCH pack a BIG flavor and pair well with almost any traditional rye recipe bourbon. This year's release of 2007 Evan Williams is especially tasty, and oh yeah buy some more Fender Rumbles ;)

I already liked you, Linnin but this post makes me realize your taste and wisdom extends to other areas besides amplification. Evan Williams is a knockout and is stunningly good for its modest price. It beats or equals whiskies that are 3 or 4 times the cost.
 
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