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Fender signature that MUST be made!!! NOW!!!

It would just be a 62' reissue anyway, and the modifications Jamerson made (sustain, action, et cetera) are something any player could do. /QUOTE]


Since when has that EVER stopped Fender from cashing in on a new model release with a higher price tag?

This is true.

And after reading this thread and thinking for a bit, I don't think I'd want to ever buy a signature model. Really, where are the differences? The only difference's I've ever seen, excluding pickups, are all purely cosmetic. Sting Precision? Oh yeah! I'll pay an extra ___$ for a vintage style pickup and Sting's inlaid signature!

As for the John Entwistle slab Precision, all you'd have to do is just give the pickups and extra few wraps (by few, I mean a ridiculous amount).
 
I don't like signature intstruments that are just cosmetic copies of the stock instruments the player has been playing.

I do like howerver, when the player actually goes to the company and specs out an entirely new instrument to the smallest detail, Like Steve Baily or Stu Hamm creating new designs, or Mike Dirnt creating a hybrid of two different basses, with his personal neck specs and pickup voicing.

To me, that is a real signature bass.
 
George Porter Jr.

Recently I've seen him playing Lakland Glaubs that have the same cosmetics as his favorite P (Amber Ash, Maple, Tort...).
george-porter-with-new-US-G.jpg



Guess the old girl needs a break.
spring09_drive_georgeporter.jpg



Maybe Fender could make a ding for ding "Mississippi Mud" relic George Porter Precision like they did for Andy Summer's Tele.
 
I think they should make a Ray Manzarek sig bass... or maybe a Stevie Wonder sig... either way it would be black and white, and you wouldn't even need a right hand to play it!

Yes! Ray Manzarek Fender Rhodes Piano Bass... ;)

Ray's bass lines were often simple repetitive patterns. But when I was first learning to play bass, they really got me out of that AC/DC pounding 8th note straight ahead rock mindset. And it was cool that you could sometimes pan the stereo and isolate the bass or eliminate some instruments making it even easier to learn The Doors tunes. I always loved that warm round sound, and at first didn't even realize it was a keyboardist, not a bassist, playing those lines.

15D0C152-1143-369D-C46DF8B419EB814A.jpg
 
They should make a Rodger Sadowsky model to learn how to build an active, really good, high end bass that has resale!
(A/C signature would fit the above as well)
 
How about a treekiller Sig Jazz(Blk. Jazz body, maple P-Bass neck, vintage p-ups)???:help:

Seriously though, I'd love to see them offer the option of either width neck on both the Jazz and the P.!!! I mean, how tough is it to put a Jazz decal on a P neck headstock or vise-versa??? :hiding:
 
Yes! Ray Manzarek Fender Rhodes Piano Bass... ;)

Ray's bass lines were often simple repetitive patterns. But when I was first learning to play bass, they really got me out of that AC/DC pounding 8th note straight ahead rock mindset. And it was cool that you could sometimes pan the stereo and isolate the bass or eliminate some instruments making it even easier to learn The Doors tunes. I always loved that warm round sound, and at first didn't even realize it was a keyboardist, not a bassist, playing those lines.

15D0C152-1143-369D-C46DF8B419EB814A.jpg

That is kinda cool! However many of the Doors albums featured studio bass players, Jerry Scheff being one of the more notable.
 
:cool:

Cool tread.
+1.
Flea-Stack-knob 1961 Jazz-Shell Pink.
Berry Oakley-Tractor Bass.
George Porter Jr.-P-Bass.
Keith Ferguson-Fab T-Birds-50's P-Bass. (reverse head-stock)
Guy Pratt-60's Jazz bass (Burgundy Mist)