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Fender signature that MUST be made!!! NOW!!!

Maybe it should be the "Modern Electronics Model"; that's one they haven't built yet
- OK, a bit mean spirited but if those knucklheads had been thinking there would have never been such a big pre-amp business; Looks like Leo was on top of that innovation too
When you think about it, Fender with Leo was innovation and chartering new territory; Fender without him has been mostly re-living the past
 
I'd like to see a Sting Signature with the right specs!

* Alder body without the extra routing.
* Original size neck without the inlay.
* Bigger, vintage size string ferrules.
* Nitro finish, heavy relic.

Basically a CS bass. Yes, more expensive than the existing CIJ, but I'd buy one tomorrow...
 
I think a signature bass would only be worthwhile if it was set up EXACTLY the same as the famous person in question used theirs i.e. they were directly involved in design and the each bass is handmade to those specs EXACTLY.
(have any signature basses had this treatment?)

As such i think stock basses with just cosmetic changes are not worth any extra as signature basses
 
Thte McKagan sig had quite a few changes other than cosmetics... No top routing that a pickgaurd could cover, a P/J set up, three-way pup switch and TBX tone pot.


I want a black U.S/Japan made McKagan and Geddy's red Jazz.

the Mckagan is essentially just a reissue of a power jazz special from 80's. I'm not knocking the bass or anything, I never played one so I don't know how it is but theres nothing really all that "signature" about it.
 
BassBob1 said:
the Mckagan is essentially just a reissue of a power jazz special from 80's. I'm not knocking the bass or anything, I never played one so I don't know how it is but theres nothing really all that "signature" about it.

Duff' basses have an SD Hot Stack in the bridge spot, instead of a stock J Special J pup. They also use Ash bodies instead of Basswood like on the original J specials. The McKagan sig has an Alder body, but the electronics make up for that difference, with a much larger impact on tone than the wood difference.

And that wasn't relevant, as the Jazz Specials aren't made any more, and the argument was that it was just a P with a few changes.